A review is just a snapshot in time, and sometimes I end up regretting the way I rated a song. There are so many factors that influence the longevity of K-pop. Familiarity, album context, live performances and cultural saturation can all boost or sink a song’s fortune. I run this feature during the mid-point of … Continue reading
Following on the heels of yesterday’s ‘top 2021 singles,’ it’s time to turn our attention to K-pop’s full and mini albums. As with title tracks, 2021 has delivered a strong series of albums so far. My lists are a little longer than normal, but the criteria remains the same. To be considered an “album,” the … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2021 Overall Thoughts So far, the rule of 2021 seems to be “expect the unexpected.” … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! November … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Seventeen’s Ready To Love appears to … Continue reading
Though it’s been eight months since a proper Seventeen comeback, the group kept fans busy with solo releases and a Japanese single throughout this spring. It feels as if they’ve been building momentum leading up to new mini album Your Choice. Now a part of the HYBE umbrella, title track Ready To Love takes full … Continue reading
Prior to the release of their new mini album next month, the members of Seventeen have embarked upon several offshoot projects. In April, Hoshi and The8 each delivered a solo track. Now, members Wonwoo and Mingyu have teamed up with Lee Hi for the release of Bittersweet. But while the song boasts a powerhouse line-up, … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! May … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! April … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2021 Overall Thoughts 2021 continues to be a strong year for K-pop. When it comes … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! March … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Nu’est Romanticize is far stronger than … Continue reading
It’s been nearly seven years since the release of Nu’est’s first full album. That’s the length of the typical idol group contract, and it’s stunning to consider the journey the guys have been on during that time. For the record, I think 2014’s Re:Birth is one of their strongest works, but listening to it now … Continue reading
Seventeen have been consistent with their J-pop releases, crafting original material in addition to re-recording existing songs in Japanese. And rather than outsource the creative process, new single Not Alone (ひとりじゃない) is again composed by Woozi and Bumzu. Even so, this doesn’t come across as a leftover K-pop track pitched to the Japanese market. There’s … Continue reading
Just days after Seventeen’s Hoshi delivered his solo track Spider, bandmate The8 has dropped his own digital single. I guess my wish for more Seventeen solo projects is coming true! Apart from being familiar with his role in the group, most of my knowledge about The8 stems from Chinese collaboration show Chao Yin Zhan Ji. … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! January … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! December … Continue reading
Given their vast array of members and talents, I’m surprising we haven’t seen many solo projects from Seventeen. The group is approaching its sixth debut anniversary, which seems like the perfect excuse to further explore this possibility. Perhaps the release of Hoshi’s mixtape Spider will be the fuel for that fire. Before getting into the … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! November … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! September … Continue reading
The Bias List // K-Pop Reviews & Discussion 