After taking a look at K-pop’s biggest agencies, I’d like to turn my attention to the smaller (but still important) players in the K-pop game, three at a time. Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Throughout their career, Purple Kiss have waffled between sounds and concepts with varied success. Their music hasn’t quite caught on in the way I would have thought despite the group being very talented. This uncertain vibe carries through to new single DOREMI, which feels like their least notable release yet. DOREMI is a stately mid-tempo, … Continue reading
After taking a look at K-pop’s biggest agencies, I’d like to turn my attention to the smaller (but still important) players in the K-pop game, three at a time. Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2024 Overall Thoughts I’ve probably opened with this overused phrase during previous Octobers, but I’m … Continue reading
Over the past few years, Purple Kiss have flirted with quite a number of genres. Their singles run tends to bounce between negative and positive reviews on this blog. I prefer their more melodic tracks, especially given the strength of their vocalists. New single On My Bike offers a bit of everything, melding their various … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Purple Kiss have had a somewhat disjointed singles run so far, swerving from one sound to another in shifts that can often feel drastic. My most played song (Autopilot) isn’t a title track at all. I’d love to hear that kind of synth-powered melodic showcase promoted with videos and performances. Instead, we have the trendy, … Continue reading
One of the unique features of The Bias List is its “buried treasure” write-ups. I try my hardest to comb through every major K-pop album released each year and when a song catches my ear I highlight it on the blog. This countdown is an encapsulation of those write-ups, ranking my top 40 b-sides and … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2023 Overall Thoughts After a very strong August, it felt like we entered the K-pop … Continue reading
Purple Kiss are intent on keeping summer going throughout September, making a sharp turn and releasing their frothiest, most upbeat track yet. They’ve gone down the funky route before, but 7HEAVEN is downright ebullient. As a fan of big, summery dance tracks, this is music to my ears. Why not keep the party going all … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2023 Overall Thoughts I hate to say it, but my interest in K-pop is kind … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. This is the first “buried treasure” … Continue reading
It’s been a rather long hiatus for Purple Kiss, with their most recent mini album released last summer. The atmospheric sound characterizing many of their title tracks isn’t the best match for the summer months, but it’s right at home during the darker days of winter. New single Sweet Juice delivers a fantasy concept that … Continue reading
Since their debut, Purple Kiss have shifted between lighter and darker concepts. But even when they’ve embraced pop fluff, it’s been filtered through a warped prism. More than anything, new single Nerdy feels like the natural successor to last year’s Zombie – still the group’s high water mark, in my opinion. I appreciate its groove, … Continue reading
Someone on Purple Kiss’s team must really want to screw with this comeback’s search engine optimization, huh? Searching for memeM (맴맴) is bound to flood your screen with Purple Kiss memes instead of music. Knowing K-pop, maybe that’s the point! Last we heard from the ladies, they delivered a quirky horror concept. Zombie stood out … Continue reading
Imagine a big bushy Christmas tree — or replace that with whatever decoration or tradition matches your wintertime festivities. Underneath are packages galore, each containing a winter-themed K-pop track. Some have been unwrapped early (Stray Kids’ Christmas EveL, Billlie’s Snowy Night, ONEUS/ONEWE’s Stay) but there are still plenty to go. After furiously opening each gift, … Continue reading
This was a very uneventful year for K-pop rookies. There were no big agency debuts until Xdinary Heroes a few days ago, leaving 2021 to acts who were more under-the-radar. For me, none of these rookies were consistently excellent. Some released one or two knockout songs, only to follow-up with underwhelming returns. Others are too … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2021 Overall Thoughts September is usually a hit of miss month. Releases tend to be … Continue reading
First comebacks can be even more exciting than debuts. It’s where you begin to see the path of an artist. Will they double down and quickly develop a signature sound? Or, will they display their diversity with a new concept? I tend to prefer the former approach, unless I really disliked the debut song! With … Continue reading
The Bias List // K-Pop Reviews & Discussion 