Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Overall, I found IZ*ONE’s new album BlOOM*IZ to be a downgrade … Continue reading
Girl group 3YE have been steadily sharpening their sound with each release, injecting memorable touches into an otherwise generic K-pop style. Last year’s otherwise-bland Out Of My Mind thrived on its addictive pre-chorus, which employed the kind of airy, rapid-fire delivery that made Billie Eilish’s Bad Guy such an international success. New single Queen (퀸) goes … Continue reading
Ever since their debut in 2017, I’ve felt that WM Entertainment’s promotion of ONF has been kind of lackluster. Their first few years saw a dearth of comebacks, just as the group needed to start building a fanbase. 2019 was better in this regard, offering two mini albums and a consistent sound. Then, WM started … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Earlier this week, Pentagon were the subject of my ire for … Continue reading
Mamamoo’s massive success has spawned equally popular solo offerings from its members. This time last year, Hwasa unveiled the addictive Twit, which ended up being one of 2019’s most enduring hits. This time around, it’s Moonbyul’s turn. She’s back with her second mini album, which sees her trying on a different style for title track … Continue reading
Though they haven’t made a comeback since last summer, the spirit of ITZY looms large over recent girl group songs. The industry seems intent on harnessing their boisterous formula wherever it can, and that’s not necessarily a bad thing. But not every group shares their effortless charisma, and it can be hard to pull off … Continue reading
Girl group BVNDIT spent their debut year releasing trendy music that didn’t reinvent the wheel. Though polished and well-performed, I felt like all of their singles suffered from the same generic template. They weren’t offering anything I couldn’t get elsewhere. Now, the girls are first up for their agency’s digital project New.wav, which aims to … Continue reading
Its not too often that an idol group loses their leader and their main songwriter in one fell swoop. But, this is the reality that iKON now faces after B.I departed the group last year. It’s hard to imagine what iKON would sound like without B.I’s influence, and we don’t have to just yet. Their … Continue reading
For as popular as LOONA have become internationally, their agency has had a difficult time capitalizing on the hype. Sure, the girls attended last year’s KCON LA, but they’ve gone almost a year without a proper comeback. And though the lore surrounding their concept has been detailed and consistent, their title tracks have varied wildly … Continue reading
Everglow quickly emerged as one of last year’s most popular rookie groups, harnessing a BLACKPINK-like style that opts for edgy beat drops over chirpy aegyo. While I appreciate the concept, neither of their 2019 singles connected with me as strongly as I would’ve liked. Both felt more like catchphrases in search of a song than … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Golden Child’s Re-boot was my favorite K-pop album of 2019, and … Continue reading
BTS often previews new albums with the release of intro or outro tracks. This current era kicked off last month with Suga’s Shadow, which felt too short to write a full review on. It painted a dark, angstier style that honestly gave me pause. I was a huge fan of the group’s 2019 Persona release, … Continue reading
Dreamcatcher are currently working on new material, and main vocalist Siyeon’s first solo release arrives as a nice treat to tide fans over. She gained attention last year through vocal competition series V-1, but if you have even the slightest familiarity with Dreamcatcher, you’re going to recognize her voice. Her powerful performance provides the backbone … Continue reading
Though blockbuster sales and world domination remained elusive, Golden Child’s Wannabe expanded the group’s international appeal and earned them their first music show win. For repackaged single Without You, they’ve once again paired with composer BLSSD — one half of Woollim Entertainment in-house production team Rphabet. In a bid to court fans of moody, BTS-style … Continue reading
Though far from their only hit, Sechs Kies’ 1998 single Couple has become their most enduring classic. It’s the kind of light, melodic boy band fare that would often be played on adult contemporary stations here in the States. These kind of songs tend to have lasting appeal because they aren’t edgy or divisive enough … Continue reading
Super Junior are at the stage of their career where they can get away with anything they want, musically. And in the case of repackaged single 2YA2YAO! (it’s a mildly amusing pun in Korean), that means teaming up with Block B’s Zico for an uncharacteristic hip-hop track. In a happy bit of happenstance, Zico himself … Continue reading
As part of Johnny’s Entertainment’s dual-debut week, Snow Man joined SixTONES in releasing their first official single. With an age range from sixteen to twenty-seven and a nine-member configuration, they’re a bit of a hodgepodge group, unified by their skill for dance and acrobatics. While SixTONES introduced themselves with an unexpected sound in the rock-tinged … Continue reading
While K-pop took a break for the Lunar New Year, J-pop enjoyed a landmark week with the debut of two new Johnny’s Entertainment groups. Both SixTONES and Snow Man are already well-known to fans, but the agency has decided to give them their official unveiling on the same day with a split single release. I’ll … Continue reading
Taeyeon publicly stated that 2020 was going to be a year for her to focus on her mental health, so kicking it off with the release of Dear Me (내게 들려주고 싶은 말) seems fitting. The song leads a repackage of her October album, and is a hopeful wish for her own personal strength. It’s … Continue reading
Boy group ENOi debuted last spring with the deep house track Bloom. I didn’t get a chance to review the song, but thought it was a decent – if super generic – offering. Like I always say, being a rookie is all about standing out and crafting a style all your own. Bloom did neither … Continue reading
