It’s been three long years since the release of Ailee’s last album, and even longer since she’s given us something relentlessly uptempo. My favorite Ailee song will always be the mighty U&I, which positioned her as a Beyonce-like superstar fusing undeniable attitude with unmistakable vocal talent. Just because you’ve got an amazing voice doesn’t mean … Continue reading
One of K-pop’s most coveted holy grails is the long-rumored f(x) comeback. Or, maybe it’s more of an urban legend — often discussed, but never actually coming to fruition. Like many agencies, SM Entertainment seems to have a hard time managing more than one girl group at once, so rather than continue f(x)’s powerful legacy, … Continue reading
Only a group of BTS’s stature could elevate the OST for a mobile game into an event release. The guys have been releasing collaboration tracks for the past few weeks for their new BTS World soundtrack, but none have clicked with me in the way their music usually does. Heartbeat, though, features no guest artist … Continue reading
(G)I-DLE have quickly jumped to the forefront of this generation’s girl group landscape, but that kind of meteoric rise is not without its growing pains. February’s Senorita wasn’t as universally admired as their 2018 work, raising the stakes for its follow-up. New single Uh-Oh rights the ship to some extent, even if its retro hip-hop … Continue reading
With over 2,600 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Red Velvet’s Zimzalabim has proven to be one of the year’s … Continue reading
With K-pop becoming more global by the year, it makes sense that we’re seeing more acts specifically target Western audiences. BTS have gone about this the right way, refusing to sacrifice their sound (or language) simply to fit in. Too many K-pop artist have tried to crack the American market with sub-par, English-language material. Few … Continue reading
Stray Kids are a difficult group to decipher, and I’m starting to think they like it that way. March’s Miroh was a watershed moment for them, and remains one of 2019’s finest singles. By bolstering their hard-hitting hip-hop sound with equally impactful EDM influence, the song seemed to spark a newfound ambition in the group’s … Continue reading
Super Junior’s Yesung first debuted as a soloist in 2016, and pretty much all of his Korean work has gone down the same emotional ballad route. He’s an excellent vocalist, for sure, but my favorite Yesung track is actually 2017’s Splash, an uptempo J-pop single that positioned him as an easy-listening, funk-pop performer. Thankfully, Pink … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. As expected, Yunho’s solo album is a very strong body of … Continue reading
My anticipation for TVXQ’s long-awaited comeback was through the roof last year, but things didn’t go exactly as I’d hoped. Yes, the duo delivered two very solid albums, but each lacked the classic SM Performance sound that I’ve long associated with their music. Luckily, Yunho is making up for that with his (even longer-awaited) solo … Continue reading
With a title like Breakthrough, you better have the goods to deliver. Thus far, Twice’s Japanese material has ranged from fair to frenetically frustrating. Last year’s BDZ hinted at some musical progress, but their immense popularity doesn’t exactly spawn motivation to change. More than a breakthrough, the group needs to take a sledgehammer to their … Continue reading
The smartest thing that ATEEZ have done so far is stick with the same team of producers for each and every track. Like many newer K-pop acts, they self-produce a fair share of their material, but the already-iconic ATEEZ sound is driven most strongly by behind-the-scenes talent in the form of Leez, Eden, Buddy and … Continue reading
I would not be surprised to see ATEEZ completely blow up over the next few years. They give me similar vibes to early BTS, both in sound and ambition. For their third mini album, the guys hosted a public vote between songs Illusion and Wave. Both would receive music videos, but only one would be … Continue reading
With over 2,600 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Teen Top’s new single Run Away begins to feel even more … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. There are few things I love more than a solid K-pop … Continue reading
I am of the K-pop camp that firmly enjoys artists with a signature sound. Cosmic Girls established theirs right off the bat, and have been deepening that spacey, synth-dripped style ever since. Whenever they’ve gone off course (the Twice-esque Happy and bubblegum pop Kiss Me), their music has suffered. So, when it was announced that … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Though I don’t think I’ll ever enjoy ONEUS’s Twilight as much … Continue reading
As spring heads into summer, we’re beginning to hear follow-up title tracks from 2019’s January debuts. An artist’s second single is almost as important as their first. While you only get one chance to make a first impression, the K-pop market is fickle and fast-moving. Debut years are all about multiple comebacks and signature sounds. … Continue reading
