Snow Man debuted alongside SixTONES this January, ushering in a new era of Johnny’s talent. Both groups have gone on to enjoy incredible commercial success, proving that it’s time for the agency to open the floodgates and debut a few more of their promising junior acts (I’m personally waiting for HiHi Jets…). After a relatively … Continue reading
Whether we call Reborn a promoted track or a buried treasure depends on where GHOST9 and their agency takes it. But whatever it ends up being, its quality and the impressive nature of its “performance video” warrants attention. GHOST9 have landed on my radar in a big way, delivering the same energy and potential I … Continue reading
Like they did back in the winter of 2018, NCT is making full use of their malleable roster for a new 2020 project. Unlike 2018, which saw multiple title tracks unveiled over the course of several weeks, this album’s promotion seems to be occurring in a tighter timeframe. But, NCT has exploded in popularity over … Continue reading
When Weki Meki debuted in the summer of 2017, they billed their concept as “teen crush.” Over the years, their singles have occasionally lived up to that moniker. However, their recent one-two punch of Dazzle Dazzle and Oopsy strayed too far into cutesy chant-pop for my taste. New single Cool returns them to their edgier … Continue reading
As usual, Golden Child gets the “bias group advantage” on this site. This means not only their title track and a buried treasure will be reviewed, but I’ll be taking a look at the entire new single album Pump It Up. 1. Pump It Up // 2. That Guy // 3. Lean On Me THAT … Continue reading
With over 3,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
With over 3,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Over the past few years, BLACKPINK singles have devolved into a clear formula. Now, formulas aren’t inherently bad, but when you’re only releasing a handful of tracks and they all start to sound the same, it doesn’t make for a very interesting discography. However, after four years of inconsistent promotions, the girls finally have a … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. A few years ago, UP10TION were one of K-pop’s most promising … Continue reading
For me, A.B.C-Z have always seemed to exist on the periphery of the Johnny’s Entertainment roster, which is pretty ridiculous considering how integral they’ve been to the agency’s various pursuits. From stage plays to Shounen Club, the members are certainly not unknown. But, a lack of English subtitling and a comparatively small fan base makes … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. SuperM’s new album is so loaded with content that it’s hard … Continue reading
SM Entertainment has always scheduled quick repackage releases, but Super Junior-D&E’s Bad Liar emerges in what feels like record time. Not even a month has gone by since the guys dropped B.A.D. But then again, SM’s release schedule has been unusually packed all month, and this frenzied rush doesn’t seem as though it will slow … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Some songs improve greatly within the context of a solid album. … Continue reading
Boy group Y&W (Young & Wild) debuted this past July, but were so unknown that even I missed them. However, every so often a great idol track emerges from a group like this, even within the restraints of a limited budget and lo-fi music video. Their follow-up single Thirsty Now (목말라) is a refreshing ode … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’m surprised at how much I’m enjoying The Boyz’ The Stealer. … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Everglow’s La Di Da has been quite a revelation, and comes … Continue reading
The road to SuperM’s first full-length album has been paved by two pre-release singles: the high-octane, polarizing 100 and the EXO-meets-NCT Tiger Inside. Both did a good job showcasing the grandeur that fuels the SuperM project, but now that we’ve arrived at the album’s official title track, it feels like the time to really throw … Continue reading
When writing about boy group UNVS’s debut, I was struck by how vocal-heavy it was. In a K-pop landscape that favors concept, beat and choreo, it was refreshing to hear a song that emphasized vocal arrangement. Unfortunately, their follow-ups didn’t quite live up to this potential. But, the fourth time’s the charm with new single … Continue reading
I’m a little confused about what BDC are. Apparently, they’re a pre-debut unit, similar to MXM. But, without a full group debut on the horizon, it seems as though they should just become permanent. There aren’t many trios in K-pop, and that approach might be refreshing. Whatever they decide to do, I hope their producers … Continue reading
Over the course of their first full-length album, The Boyz succumbed to many moody boy group tropes. This came as a disappointment to me, as I much prefer their funkier, SHINee-esque moments. Right Here and Giddy Up remain defining singles for them, and haven’t been bettered by anything they’ve released since. New track The Stealer … Continue reading
The Bias List // K-Pop Reviews & Discussion 