With the full YouTube release of every Universe MV a few weeks ago, I thought maybe the app had turned a corner. Unfortunately, Oh My Girl’s Shark brings us right back to where we started, with official “previews” on YouTube alongside an invitation to download Universe for the full experience. I guess this means my … Continue reading
“Brother” groups ONEUS and ONEWE have a history of collaborations, from a pre-debut single to a fun variety show. They also share real (twin) brothers. I’ve long hoped for another collaboration – perhaps a full album? In my mind, they need to unite their specific skills and release a full-on idol dance track backed by … Continue reading
Compared to his SHINee bandmates, Minho’s solo career has always gotten short shrift. Fans have made do with a digital single here and there, rather than the mini and full albums that carved out niches for Taemin and Key. Because of this, I’m not totally sure how a full Minho comeback would sound. Would he … Continue reading
Even decades after formation, some things haven’t changed about SM Entertainment. They’re still clever vultures, digging through old pop detritus and repainting it to craft shiny new baubles. A recent example is aespa’s Next Level (pulled from an old Fast & Furious soundtrack), but SM has been doing this since the 90’s. SES’s 1998 hit … Continue reading
When it comes to my listening habits, the holidays are the only time I really make room for jazzy, coffeeshop-esque music. Coziness is a valuable asset throughout December, and some of my favorite winter songs adopt this style. Billlie’s Snowy Night won’t be climbing to the very top of that list, but it’ll definitely be … Continue reading
Since their 2016 debut, I’ve been (im)patiently waiting for NCT to revisit the sprawling sound of Without You. It’s still my favorite NCT track (and the only time a debut song has topped my year-end list). Beautiful isn’t nearly as amazing, but its vocal-heavy drive occupies similar territory. This is the second release from NCT … Continue reading
December marches on with an uncharacteristically steady stream of big comebacks. As we move closer to the new year, Mamamoo’s Moonbyul is gearing up for the release of her new album. Its first tease comes courtesy of pre-release G999, featuring hip-hop artist Mirani. I’ve found Mamamoo solos to be pretty hit or miss, including much … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
FTIsland don’t get enough credit for being as enduring a force as they are. Sure, they’re not the five-member powerhouse they once were, but with over fourteen years of idol life behind them, they’re one of K-pop’s longest-running groups. With age comes the threat of monotony. How does a band in their fifteenth year keep … Continue reading
ATEEZ have been very intentional when it comes to their album series. Treasure had a beginning, middle and end, and Fever has followed the same approach. Kicking off in mid-2020, this project has sprawled across seventeen months. Now, we’ve reached its “epilogue” – an odds-and-ends release that wraps up the era. We heard pre-release title … Continue reading
With barely a moment to take a breath since their release as NCT 127, the NCT guys are back for their latest full-group project. NCT 2021 promises another round of mix-and-match sub-units, though the teasers so far suggest no real change in sound or style. Title track Universe (Let’s Play Ball) brings together Doyoung, Jungwoo, … Continue reading
With over 3,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
Over the years, I haven’t been particularly kind to Ravi’s solo music. I settled on an “if you don’t have anything nice to say, don’t say anything at all” approach, choosing not to write about every song he releases. But, I’m always up for a pleasant surprise and still preview his work in case something … Continue reading
With half of Winner currently enlisted, Kang Seungyoon and Mino have each delivered a full album this year. In Mino’s case, To Infinity is his third full-length, making him a prolific soloist. I haven’t connected with much of his music, despite enjoying a lot of his solo tracks on Winner albums. New comeback TANG!♡ (탕!♡) … Continue reading
I’m still reeling over how fantastic Lucy’s June album Gatcha was. Those four songs felt like a crystallization of the group’s potential – diverse and sprawling with great melodies and inventive arrangements. Since then, the guys have received well-deserved attention thanks to a shout-out from Korea’s national archery team. New single Rolling Rolling (떼굴떼굴) could … Continue reading
Kicking off a season of debuts for JYP Entertainment, new band Xdinary Heroes make their first push into the market with Happy Death Day. As the agency’s second band, they have big shoes to fill. DAY6 has been a critical and commercial success, making it difficult for Xdinary Heroes to stand apart. To the group’s … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Everglow are proud pirates, but their … Continue reading
Dramas weren’t a big part of my K-pop/J-pop consumption until last year, so I was mostly immune to OST hits. That’s still the case for Korean soundtracks, which don’t often double as promoted title tracks. But in Japan, nearly every single is a tie-in with a drama, anime or commercial. It’s a wonderfully symbiotic relationship, … Continue reading
The Bias List // K-Pop Reviews & Discussion 