It’s been almost two years since we’ve heard from NCT U, and that in itself illustrates some of the frustration with SM Entertainment’s NCT project. When the concept was first announced, we were promised an ever-expanding roster of units, but 2017 only afforded opportunities for NCT 127 and NCT Dream to promote. I love both … Continue reading
Lim Youngmin and Kim Donghyun of MXM became one of 2017’s best-selling rookies, even though their current configuration as a duo is only temporary until they join fellow Produce 101 contestants Lee Daehwi and Park Woojin to form Brand New Music’s as-yet-unnamed boy group. If that sentence sounds overly long and complex, it’s because the … Continue reading
Korean comebacks from individual members of 2PM can sometimes seem superfluous. This isn’t because they’re unwelcome, but because they’re often re-releases of already existing Japanese material. The guys are so popular in the j-pop world that their most exciting material tends to be released internationally. Such is the case with Going Going, which was originally … Continue reading
Back in 2016, it felt as if Oh My Girl were poised to become one of the leading acts of k-pop’s new wave of girl groups. They can still get there, but their level of promotion needs to increase. All that 2017 gave us was the polarizing Coloring Book, and that was nine months ago. … Continue reading
As Block B have progressed to a new stage in their career, their comebacks seem to alternate between the raucous hip-hop/pop of their past and more pensive balladry. November’s Shall We Dance brought the party vibes, and new single Don’t Leave (떠나지마요) follows it up with the inevitable come down, casting the group in a … Continue reading
As a long-time (some might say obsessive) fan of Infinite, Tell Me is not the kind of song I wanted from their return. The group has been inactive since September of 2016 — the longest they’ve ever gone between comebacks. And with all the anticipation built up from that absence (and the fact that this … Continue reading
At this point, I think I’d rather SM Entertainment abandon their digital Station project to focus more completely on full-fledged comebacks. It’s not that Station hasn’t resulted in some standout songs, but overall last year’s discography felt pretty forgettable. I fear that, rather than adding to artists’ catalogs in an interesting way, many of the … Continue reading
Despite possessing some of the most powerful pipes in k-pop, Mamamoo have never really released a straight-up ballad as a title track. But with this being the season for more reserved material, it’s the perfect time for a song like Paint Me (칠해줘). Few groups can summon the necessary power to make such a stark … Continue reading
Rap/rock hybrid N.Flying scored one of last summer’s most addictive surprises with the spirited The Real. Their agency FNC is home to several idol rock groups, making it harder for these guys to carve out a niche all their own. But by adding second vocalist Yoo Hwe Seung, N.Flying have developed a boisterous style of … Continue reading
Late last spring, Momoland were rescued from obscurity by member JooE, whose blissfully hyperactive performance during an EDM remix of the group’s single Wonderful Love went viral. Though Momoland released another mini album soon after, they haven’t fully capitalized on this notoriety until now. The girls have always promoted light, upbeat material, but BBoom BBoom (뿜뿜) … Continue reading
Kriesha Chu made her solo debut mere weeks after her stint on last year’s final season of K-Pop Star. There isn’t a whole lot of precedent for successful female solos in the idol driven k-pop industry, unless their style leans heavily toward ballads or indie r&b. But the youthful pop of Trouble offered a different … Continue reading
As often happens this time of year, I’ve been poking around East Asian music from outside the k-pop industry. With new releases slowing to a trickle throughout December, it was as good a time as any to check in with Japan. And one of the most reliable providers of quality j-pop over the past few … Continue reading
Only two days into the new year and one of my k-pop resolutions has been answered. I am firmly within the “keep k-pop weird” camp, even as many of Korea’s idol groups strive for a more internationally-minded sound that incorporates popular Western trends. A song concept like Wolf Baby‘s is something only k-pop could produce, … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. I don’t often feature OST releases as buried treasures because, … Continue reading
To be honest, the combination of Eric Nam and “winter ballad” doesn’t exactly pique my interest. Nam is one of k-pop’s most amiable personalities, and I’ve often argued that he’s at his best when he’s harnessing that charm to deliver light uptempo pop. Ballads are already at risk of becoming overly sentimental, and coupled with … Continue reading
Over the past few months, LOONA’s pre-release tracks have taken on an edgier, synth-kissed style that positions the girls just outside the mainstream. This has cultivated an ever-increasing buzz among international fans, but hasn’t led to any substantial commercial success. From the trendy sound of Heart Attack, it seems as if new member Chuu is … Continue reading
Having released over seventy (!) singles, there aren’t many genres that BoA hasn’t tackled. But the electroswing of Jazzclub is definitely a new one. The single comes from her upcoming Japanese album, which will be her first full-length in any country since 2015. I can’t imagine that the entire thing will sound as distinctive as … Continue reading
Carrying on a tradition that began with 2013’s still unbeatable Miracles In December, EXO is back with their fourth special winter album. Sometimes these releases end up being overtly tied to the holidays, and other times they’re simply an excuse to spotlight a good ballad. Universe falls into the latter category, delivering a wistful piano ballad … Continue reading
B.A.P have nearly replicated their prolific 2016, making another three comebacks this year. That constant work ethic has to be lauded, even if the material hasn’t always kept up the same level of consistency. New single Hands Up throws back to the group’s debut sound, marrying its modern verses to a gruff, 2012-era hook. This … Continue reading
For all its merits, mainstream k-pop is too often dependent on the newest and shiniest idol acts. Its current incarnation may have developed in the 90’s, but there just aren’t enough of those original superstars left who can compete with today’s trends. Luckily, dance floor diva Uhm Jung Hwa made a very welcome, long-awaited return … Continue reading
The Bias List // K-Pop Reviews & Discussion 