Modern K-pop has always felt the need to position its male groups as edgy and badass, but the moodiness has seemed to kick into overdrive this year. Call it the BTS-effect, or the mirroring of current trends in Western pop, but for a lover of upbeat production and colorful melodies, this trend has resulted in … Continue reading
To celebrate SHINee’s tenth anniversary, and their recently completed Story of Light project, it’s the perfect time to look back at their impressive catalog of album tracks and b-sides. This was a post I was both looking forward to and dreading. SHINee’s discography is too strong and vast to narrow down to only ten tracks. … Continue reading
Now that I’ve had a chance to spotlight the year’s best singles, it’s time to look at the standout albums of 2018’s first six months. As usual, I split the categories between full and mini, with three strong contenders from each. What are your picks? FULL LENGTH ALBUMS Infinite – Top Seed While their first comeback … Continue reading
As we move into July, we’re entering K-Pop’s third quarter of releases for the year. As always, it’s a good time to take stock of what 2018 has offered so far. Back in early spring, I remember feeling pretty pessimistic about this year’s singles, but I’ve actually been able to compile a strong mid-year list. … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2018 Overall Thoughts After two and a half years, it finally happened. June’s cumulative rating … Continue reading
Ever since the announcement of SHINee’s sixth album promotions, many were wondering how the group would address the unavoidable — the tragic passing of founding member Jonghyun late last year. It was there in the melancholic edges of Good Evening, and even in I Want You’s wistful lyrics, but it’s woven into every fiber of … Continue reading
As SHINee move into the second part of their Story Of Light promotions, they’ve set a high bar for themselves. I’m still reeling from last month’s awesome Good Evening, which means new single I Want You arrives with some unfair expectations. The fact that the song adheres to k-pop’s seemingly unending tropical trend makes things … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2018 Overall Thoughts All things considered, May was a pretty solid month. It definitely had … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. With The Story Of Light Ep.1, SHINee offer the opening salvo … Continue reading
Three years ago this month, SHINee released their masterful View, which would go on to become one of 2015’s most enduring songs of summer and jump-start k-pop’s fascination with 90’s deep house. Now, three years later, the group finds themselves at an altogether different crossroads. After the loss of member Jonghyun last December, their tenth … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Coach & … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Joombas Music … Continue reading
When considering a review of Jonghyun’s posthumous single Shinin‘, I struggled with how to structure my thoughts. As his final comeback, it didn’t feel right to look at the song through a critical lens. I respect his craft so much, but there hasn’t always been a huge overlap between his musical sensibilities and mine. This … Continue reading
Though the Bias List focuses almost exclusively on k-pop, many Korean artists make a foray into Japan as well. Those releases deserve their own countdown, paired with a number of their Japanese counterparts. Huge disclaimer with this countdown. I am a k-pop blogger, first and foremost. My j-pop exposure is limited, and tends to be … Continue reading
Hundreds (if not thousands) of songs are released each year in Korea, but only a fraction receive full title track promotion. This leaves behind many buried treasures in need of a spotlight. Here are forty of 2017’s best: NUMBERS 40-21 HERE + Make sure to check out the rest of the year-end countdowns here! 20. LOONA … Continue reading
I’m putting the end-of-year countdowns on hold until tomorrow because it seems crass to post as normal today. In the meantime, I was struggling to decide what to write about SHINee’s Jonghyun that hasn’t already been written. SHINee were one of the groups that first got me into k-pop, and still one of my absolute … Continue reading
I felt very much in the minority when it came to Taemin’s Move album back in October. So many raved about his shifting musical style and the cohesive mood that ran through the material. And I hear that. But too often the songs felt like a study in a trend-focused r&b vibe without a strong … Continue reading
Taemin’s Press It was my favorite album of last year, so this comeback arrives with much anticipation (especially since it was originally confirmed for an August release). One of the reasons I gravitate to his solo music is that he pulls influence from the kind of classic, larger-than-life performers who simply don’t exist any more. … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. ANDREW CHOI … Continue reading
Shinee‘s Taemin has long been one of k-pop’s most arresting performers, and Japan has taken note of that as well. Last summer, he launched his solo j-pop career with the captivating Sayonara Hitori, which was later remade into Korean single Goodbye. For his 2017 follow-up, he hasn’t strayed too far from that sound, taking things … Continue reading
The Bias List // K-Pop Reviews & Discussion 