It was a long time coming, but EXO‘s first official sub-unit was an unqualified success this past October. Given the high quality of their first mini album, the emergence of new side track Crush U is definitely welcome. The song was released to promote NCSoft, a video game company, and is a collaboration with composer/singer … Continue reading
As we move through the year’s best k-pop moments, it’s important not to forget 2016’s most memorable choreography, which is one of the genre’s most valuable hallmarks. Dance routines are such a huge part of most k-pop comebacks, highlighted by a catchy “point dance” that aims to be easily repeated by viewers. As groups’ rosters begin … Continue reading
Now that we’ve taken a look at this year’s best debuts, it’s time to count down the ten artists who really defined 2016. This list’s criteria is about 75% musical quality/personal taste and 25% influence on the k-pop industry. Since rookies have their own list, they’re ineligible for this particular countdown. + Make sure to check … Continue reading
In k-pop, music videos are nearly as important as the songs themselves. It’s become such a visual genre, regularly churning out glossy videos that look much more expensive than they are. Without focusing too much on the actual song (though it’s impossible to fully separate the two), here were the top ten visual moments of … Continue reading
One of the things I look most forward to each year in k-pop is the rise of new rookie groups. 2016 was particularly kind when it came to promising new artists, with a few offering some of the best songs of the year. Unlike the MAMA Awards, I won’t be considering the massively successful I.O.I as … Continue reading
Ever since December of 2013, EXO has released a special winter album or single around the holidays. This is a smart move, as it lets the guys deliver a ballad title track during an appropriate time of the year. Ballads aren’t usually used as title tracks when it comes to massive idol groups, but with … Continue reading
Now that we’ve taken a look at the best songs of the year, it’s time to dive deeper into the albums. K-pop is infamous for its diverse definition of what an “album” is, but my criteria for this countdown was that the project had to consist of at least five tracks to be eligible, though … Continue reading
The end of the year countdowns are here! We’re starting things off with the big one… the top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. Unlike last year, j-pop releases will be placed in their own countdown, … Continue reading
The end of the year countdowns are here! We’re starting things off with the big one… the top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. Unlike last year, j-pop releases will be placed in their own countdown, … Continue reading
The end of the year countdowns are here! We’re starting things off with the big one… the top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. Unlike last year, j-pop releases will be placed in their own countdown, … Continue reading
The end of the year countdowns are here! We’re starting things off with the big one… the top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. Unlike last year, j-pop releases will be placed in their own countdown, … Continue reading
Although EXO debuted in Japan last year with a reworking of Korean track Love Me Right, Coming Over marks their first original single recorded in Japanese. In general, SM groups have a strong track record when it comes to their j-pop releases, and given that EXO is currently the agency’s most successful act, one would expect … Continue reading
After receiving a boost of much-deserved spotlight for her dancing on summer series Hit The Stage, Hyoyeon is the latest Girls’ Generation member to get a crack at a solo single. And while distributing it digitally through the SM Station platform is a bit of a cop-out to those waiting for an accompanying mini album, … Continue reading
With just a passing glance at the title of Shinee’s new Japanese single, it’s hard not to imagine the guys traipsing around a faux-snow set while belting out the Christmas classic. And as horribly cheesy as that sounds, I’ll admit that part of me would have actually looked forward to it. In reality, Winter Wonderland … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
Repackages of albums are pretty common in k-pop, especially when you’re dealing with SM Entertainment. But Shinee’s new one has got to be a record, arriving only five weeks after October’s 1of1. Not that I’m complaining. The hypnotic Tell Me What To Do pairs the group with prolific producer/composer Yoo Young-Jin for the first time since … Continue reading
For the past several years, Super Junior’s Kyuhyun has been a reliable deliverer of autumn ballads. Now that he’s set to transition into his military enlistment soon, he’s overcompensated for his upcoming absence with a full album of them. For me, a Kyuhyun ballad is a Kyuhyun ballad — really just the same thing repeated … Continue reading
A day after YG’s BLACKPINK released the minimalist acoustic ballad Stay, SM Entertainment counter punches with its own version in the form of Taeyeon’s 11:11. But unlike the former’s flirtation with tempo change and folk elements, 11:11 plays it straight down the middle. Surprisingly, this no-nonsense approach actually pays off. More than any other … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
As a group heading into its fifth year, the first official EXO sub-unit seems almost overdue, especially given their large number of members and initial unit configuration of EXO-M and EXO-K. When it was announced that CBX would comprise of Chen, Baekhyun and Xiumin, it was hard to guess exactly what sound they’d be paired with. … Continue reading
The Bias List // K-Pop Reviews & Discussion 