Stray Kids’ TOP has been rattling around for awhile now, but I wanted to wait until the music video was out before offering my thoughts. Though released in several different languages, TOP is essentially the group’s debut J-pop single – at least when it comes to original material. And as with most J-pop singles, it’s … Continue reading
Over the years, I’ve been asked several times to create a post where I reveal my previously-reviewed songs that I would now bump up to a perfect, 10/10 rating, allowing them to officially join my Legendary Songs category. I guess it took a global pandemic for me to finally spend the time to compile this … Continue reading
Between comebacks, Stray Kids have done a nice job maintaining interest through a series of Mixtape releases. I suppose that’s one of the benefits of self-producing so much of your material. Not all of these tracks have been title track-worthy, and few have felt like actual standouts. But, something is better than nothing, and it’s … Continue reading
Though they’ve only been around since 2018, Stray Kids have quickly amassed enough singles to be eligible for a top ten list. Not only have they made constant comebacks since their debut, but they’ve also filmed videos for many of their side tracks. Because of this, I had to leave a few strong tracks off … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2019 Overall Thoughts December always feels like a throwaway month for K-pop, and this was … Continue reading
Honestly, I came into tonight’s festival feeling pretty pessimistic. KBS’s Gayo was largely forgettable, and tonight’s line-up was missing some of my favorite acts. But, MBC ended up balking expectations and being the most enjoyable of the three gayos overall. When I think about it, this isn’t too surprising. I’ve always loved MBC’s more intimate … Continue reading
You can’t have a K-pop comeback without choreography! However, this is not a list of 2019’s most difficult or technically impressive dance routines. I’m nowhere near qualified to judge that. Instead, these are the top ten performances that really stood out to me this year. Honorable Mentions Cosmic Girls – La La Love Dongkiz – … Continue reading
This is always one of my favorite end-of-year posts, as if gives me the chance to write about a vital facet of K-pop that I rarely touch on throughout the year. Visuals can make or break a song’s legacy, and these ten videos helped to improve and expand their already-strong soundtracks. + Make sure to … Continue reading
Even as the year comes to a close, Stray Kids keep churning out new material. Less than a month after their most recent comeback, the group has unveiled a mixtape project. Since debut, they’ve included a special mixtape track on the physical version of each of their albums, with some even being paired with music … Continue reading
The end-of-year festivals officially kicked off this Christmas, with SBS’s Gayo Daejun once again opening the three-night festivities inside the immense Gocheok Sky Dome. Unfortunately, this year’s proceedings were marred before they even started, with Red Velvet’s Wendy suffering a horrible accident during rehearsals. I’m sure that idols were (understandably) concerned about the safety of … Continue reading
This particular countdown tends to be polarizing. How do you judge a “best artist,” after all? To be clear, this isn’t an objective list. It’s not based on facts and figures. Nor is it a straight-up bias list, though bias definitely plays a big part. My criteria for this category is simple, and encompasses three … Continue reading
The end of the year countdowns are finally here! As always, things kick off with the big one… The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. There are so many K-pop introduction tracks that I wish were … Continue reading
Over the course of their two-year history, Stay Kids’ releases have existed as a pair of trilogies. Last year, the I Am series opened with the dramatic District 9 and concluded with the more subdued I Am YOU. Though the genre elements have changed, the group’s 2019 Clé trilogy has followed almost the same trajectory, … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2019 Overall Thoughts While November was not the blockbuster month that October was, it offered … Continue reading
After taking a look at SM Entertainment and YG Entertainment earlier in the week, it’s time to move onto another of K-Pop’s leading agencies: JYP Entertainment. As usual, the thoughts are my own and aren’t privy to any insider information. I’m not taking into account things like profits and stock value. The purpose of these … Continue reading
Stray Kids’ Astronaut arrives nearly a week after it was originally scheduled, and several weeks after the departure of the group’s main vocal Woojin. I’m honestly surprised that they were able to release it as early as they did, given the inevitable re-recordings and edits needed to accommodate Stray Kids’ new eight-member configuration. Ironically, the … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2019 Overall Thoughts Well, friends, we have finally climbed out of the murk! October was … Continue reading
Over the past few months, Stray Kids’ experimentation with electronic influences has transformed their music into a vital, trend-setting part of the K-pop landscape. It’s easy to forget that, at their heart, the group thrives on a more straightforward hip-hop style, anchored by their trio of composers/producers 3RACHA. Personally, I prefer when Stray Kids pull … Continue reading
With another year of KCON behind me, I’m feeling recharged. This is something I needed after a lackluster K-pop summer. Though KCON seemed a bit cursed at the beginning (both ONEUS and Chungha had to cancel, following Everglow who pulled out weeks earlier), it turned out to be a great year. It’s my fifth KCON … Continue reading
The Bias List // K-Pop Reviews & Discussion 