The Top 10 K-Pop Choreography of 2019

You can’t have a K-pop comeback without choreography! However, this is not a list of 2019’s most difficult or technically impressive dance routines. I’m nowhere near qualified to judge that. Instead, these are the top ten performances that really stood out to me this year.

Honorable Mentions

Cosmic Girls – La La Love
Dongkiz – Fever
JBJ95 – Spark
TRCNG – Missing

+ Make sure to check out the rest of the year-end countdowns here!


Perfectly accentuating the music, Violeta‘s choreography was all about the girls’ near-constant arm movement, taking advantage of IZ*ONE’s large group configuration to craft waves of synchronized point moves.


A very stylish routine, with a sense of fluidity you don’t often see in boy group choreography. There’s a connectivity to the formations, often linking the members together for some inventive interactions.


Wannabe repainted Golden Child’s concept with darker tones, and its choreography matched that transformation. The routine is all about restraint, drawing the eye with its languid movements before clobbering you over the head with a dynamic breakdown.


Delicate and interpretive, LOONA’s Butterfly produced some memorable formations, morphing to replicate wings and delivering a satisfying domino effect as the girls descended into a perfectly synchronized dance line.


Say My Name‘s choreography played around with pacing, speeding up and slowing down as the song warranted. Of all of their routines, it felt the closest to the pirate aesthetic they were going for, highlighted by that eye-catching point dance during the chorus.


Opening with an addictive, twirling diagonal formation, Fancy goes on to deliver some of the most memorable girl group choreo of the year. Its chorus is instantly iconic, offering endless fodder for cover performances and random play dance challenges.


Seventeen have never produced a bad dance routine, but they’re at their best when they really go for the jugular. Hit is one of their most fast-paced, unrelenting dances, perfectly capturing the intensity of the song while taking advantage of their large configuration. Still, some of its most impressive moments shine spotlight on only one or two members.


Fresh and fun, Crown‘s routine was yet another ingredient that contributed to TXT’s musical identity. Emphasizing friendship and unity, the choreography is unique and playful with an undeniably youthful charm. I love how it opens and closes with the exact same formation, giving the routine a satisfying symmetry.


Like TXT, ITZY came out of the gate with a fully-formed identity. Dalla Dalla‘s charismatic choreography helped to fuel that, punchy and enthusiastic with a sense of unpredictability that keeps eyes glued to the screen. Its chorus is particularly memorable, though the spirited bridge best highlights the group’s brand.


One of the year’s most unique routines, Side Effects bolstered Stray Kids with a small army of back-up dancers, allowing them to play with formations in a really theatrical way. The choreography flawlessly harnesses the song’s emotion and angst, as the guys are swallowed by the crowd only to come roaring back at the end. I was utterly captivated the first time I saw this song performed. It still feels like nothing else I’ve seen in K-pop.


7 thoughts on “The Top 10 K-Pop Choreography of 2019

  1. Pingback: K-POP Best of 2019 Masterpost | The Bias List // K-Pop Reviews & Discussion

  2. If I had to make a list it wouldn’t be much different than yours. I would like to put some light on GWSN Red Sun’s choreography which was really captivating. Seventeen’s Home, BTS’ BWL and Twice’s Feel Special were also serious contenders for the top 10.

    Liked by 1 person

  3. Good list. I’d also like to give nods to:
    Everglow: Bon Bon Chocolat & Adios
    GWSN: Pinky Star
    Bvndit: Dramatic
    3YE: OOMM (Out Of My Mind)
    TWICE: Feel Special

    No links this time, but you can search YouTube for any of those songs with “dance” or “performance” to check them out.


  4. I loved k-pop choreo that plays around with formations a lot, seventeen is definitely one of the best at it but side effects is definitely much more “grand”

    Honorable Mentions:

    Taemin – Famous (He’s like the one top for inventive move for solo)
    Seventeen – Home
    Dreamcatcher – Piri
    NCT127 – Superhuman


  5. Weird choice to rank Fancy higher than Butterfly? Fancy is more technical than some past cutesy Twice choreos, but Butterfly makes more use of different levels, takes more risks with synchronisation, requires more isolation, and has constant switching between airy moves and sharper moves that punctuate the beat. And the complexity of the formations is on another level.


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