Reviews are only a snapshot in time, which means that many of the songs I write about will rise or fall as the months go on. I tend to be pretty moderate in my reviews, so none of these following selections have moved drastically from my original thoughts, but the first half of 2019 definitely … Continue reading
So far, 2019 has been an odd year for K-pop. If I were to sum it up, these first six months have pinballed between “thrilling” and “frustrating.” Taken as a whole, I think 2019 easily usurps 2018 at this same point. But, many of my favorite songs were released in close proximity to one another … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2019 Overall Thoughts Well… June happened. The K-pop gods giveth and they taketh away, and … Continue reading
Stray Kids are a difficult group to decipher, and I’m starting to think they like it that way. March’s Miroh was a watershed moment for them, and remains one of 2019’s finest singles. By bolstering their hard-hitting hip-hop sound with equally impactful EDM influence, the song seemed to spark a newfound ambition in the group’s … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2019 Overall Thoughts After a slow start to 2019, March finally seemed to kick things … Continue reading
At the end of last year, I picked Stray Kids as my top rookie of 2018. However, that was largely based on the incredible strength of their March debut. By the end of the year, I’d fallen a little out of love with their music. Part of me was afraid they’d begin to get lost … Continue reading
MBC brings us the last end-of-year festival of 2018, and K-pop’s final music show before the new year. Even when it’s not the best of the three gayos, I’ve always enjoyed MBC’s format. It has a more intimate feel to it, with the audience close to the performances and fellow idols looking on in the … Continue reading
Just like last year, my K-pop Christmas present is the kick-off to the year-end music festivals. First up is SBS’s Gayo Daejun, which is typically notable for its star-studded, primarily big-name line-up that includes artists from YG Entertainment. Coming in, I wasn’t all that excited about the year’s Gayo because most of my favorite songs … Continue reading
2018 was a fantastic year when it came to album tracks. In fact, many of them were stronger (and more interesting) than their title track counterparts. This makes for a very competitive top 40 list. Check out yesterday’s first part of the countdown, and read on for the top twenty of the year! NUMBERS 40-21 … Continue reading
Unlike the past few years, no rookie really caught my attention in 2018. There were a few high-profile debuts, but most new acts came from very small agencies. Instead, this was a year where 2017’s rookies really got a chance to shine. In many ways, 2018 felt like the year of the project group — … Continue reading
The end of the year countdowns are finally here! As always, things kick off with the big one… The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
In what has become an annual tradition, it’s time to take a look at K-pop’s biggest agencies and offer my 2018 verdict. Last weekend, I looked at SM Entertainment and YG Entertainment, and now it’s time to complete the “big three” with JYP Entertainment. As usual, the thoughts are my own and aren’t privy to any … Continue reading
Stray Kids threw down the gauntlet with March’s awesome District 9, blending hip-hop and rock for a refreshingly old-school sound that turned things up to eleven to harness K-pop’s unashamed energy. The song’s rock elements were toned down for August’s My Pace, and that continues to be the case with new single I Am YOU. I’m … Continue reading
Stray Kids have become a real toss-up group for me. I loved their debut mini album from start to finish, and still think that District 9 is one of the year’s top singles. However, the recently released I Am WHO has not clicked with me at all. Even title track My Pace, which initially earned … Continue reading
Rookie group Stray Kids released my favorite debut of the year with March’s District 9. That track positioned them as an exciting new force in K-pop, blending trendy hip-hop with a bombastic rock edge that felt unique and disruptive. It was always going to be a difficult song to follow up, so it makes sense … Continue reading
As part of my 2018 mid-year retrospective, it’s time to look at those songs that either rose or fell as the months have passed. Some songs are slow-burners. Others impress in the moment but fizzle out quickly. And sometimes, a song surpasses expectations to become a cultural phenomenon. This year has actually seen more risers … Continue reading
Now that I’ve had a chance to spotlight the year’s best singles, it’s time to look at the standout albums of 2018’s first six months. As usual, I split the categories between full and mini, with three strong contenders from each. What are your picks? FULL LENGTH ALBUMS Infinite – Top Seed While their first comeback … Continue reading
As we move into July, we’re entering K-Pop’s third quarter of releases for the year. As always, it’s a good time to take stock of what 2018 has offered so far. Back in early spring, I remember feeling pretty pessimistic about this year’s singles, but I’ve actually been able to compile a strong mid-year list. … Continue reading
For some, the heavy rock/hip-hop assault of Stray Kids’ District 9 may have felt too noisy and unrelenting. In my case, the song is only improving with age, and has quickly cemented these rookies as an exciting (and needed) burst of energy within the 2018 k-pop landscape. But as strong as their debut is, the … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2018 Overall Thoughts Well, March certainly didn’t pan out the way I had expected. If … Continue reading
The Bias List // K-Pop Reviews & Discussion 