At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Over the years, K-pop agencies have found ways to keep content coming even as male idols serve their mandatory military enlistment. NCT’s Taeyong won’t be discharged until later this year, but he pre-recorded a video for “new” track 501 and surprise-released it for fans eagerly awaiting his return. I can’t say I’ve been a big … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Rose is an interesting display of time travel. NCT’s Taeyong is still on hiatus as he fulfils his military service. This song was first unveiled in 2021 and the video premiered during an event last year. Now, it’s finally made its way online in time for Korea’s Rose Day. I don’t think we can call … Continue reading
NCT’s Taeyong has been positioned as the breakout solo star of the group, quickly crafting a quirky hip-hop sound that pulls in elements of many different genres. It’s an uphill battle for me, as I find his hyper-affected performance style a little tricky to get into. New single Tap follows suit, upping the eccentricities at … Continue reading
NCT’s Taeyong has released solo work before, but today marks the debut of his first solo album. I’m surprised more NCT members haven’t promoted as soloists. After all, there are so many guys to choose from! To be honest, I didn’t have high hopes for Shalala (샤랄라). Taeyong’s moments in NCT’s tracks tend to drive … Continue reading
It’s cool that SM Entertainment has kept its digital Station platform going. The idea launched around the same time The Bias List did, offering an avenue for the agency’s artists to expand their catalog by tackling new genres and collaborating with talent from around the industry. Love Theory pairs NCT’s Taeyong with K-hip-hop artist Wonstein. … Continue reading
After taking a look at SM Entertainment over the long weekend, it’s time to move onto an agency with very different activity in 2019. Prepare yourselves, friends. It’s YG Entertainment. As usual, the thoughts are my own and aren’t privy to any insider information. I’m not taking into account things like profits and stock value. … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Like it or not, this summer in K-pop has been completely hijacked by downtempo hip-hop and r&b — a holding pattern that is likely to continue next week with big releases by EXO-SC and Kang Daniel. I personally despise this turn of events, but what are you going to do? The music charts want what … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2018 Overall Thoughts When it comes to k-pop, I was dreading February. Between the Pyeongchang … Continue reading
As we continue to build towards the unveiling of NCT‘s first full-length album, Baby Don’t Stop is the second volley in a series of pre-releases by sub-units of the group. Last week’s Boss set the bar pretty high, but to be honest I didn’t expect much from Stop. Taeyong and Ten are two of NCT’s most … Continue reading
My k-pop loving heart skips a beat every time I hear the name Yoo Young Jin. Despite having vastly different styles, he and Sweetune are my all-time favorite k-pop composers. But while I can find clear Western touchstones for Sweetune’s 80’s-drenched style, Yoo Young Jin’s unique beat-driven blend is without precedent. SM Entertainment uses his … Continue reading
Hitchhiker has long been one of my favorite SM Entertainment producers, collaborating with acts like Shinee and Super Junior to brilliant effect. His experimental solo work is a little harder to enjoy on a pure pop level, relying heavier on trippy, repetitive riffs and percussive loops than any sense of melody. Last year’s $10 felt … Continue reading
The Bias List // K-Pop Reviews & Discussion 