At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2020 Overall Thoughts Back in late winter, my reviews were often besieged with comments stating … Continue reading
VAV’s Made For Two arrives on the heels of member Baron’s military enlistment, offering a needed salve to fans who are already missing him. Though VAV’s style has shifted to please musical trends, their title tracks have always been steered by jack-of-all-trades producer Ryan S. Jhun. At his best, Jhun has a gift for a … Continue reading
For a group that most would consider to be under-the-radar, VAV have enjoyed a surprisingly consistent promotion calendar. They’ve already released over a dozen singles/music videos since their 2015 debut. Despite having a lot to choose from, I’ve run real hot and cold with their music. They’re one of those groups that just doesn’t have … Continue reading
Despite largely being produced by the same team, VAV’s singles run has been pretty hit or miss. They’re at their best when forgoing trends and focusing on polished songwriting and dynamic instrumentals. This was the case for March’s Thrilla Killa, which bolstered the group with forceful, funky production and a charismatic concept. This is not … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2019 Overall Thoughts After a slow start to 2019, March finally seemed to kick things … Continue reading
In this day and age, I’m always impressed if I can get through a K-pop title track without a single trendy synth flourish. The tropical squiggles of yesteryear have warped into moodier, filtered electronics that instantly signal generic 2019-era tropes. Even some of my favorite singles of the last year aren’t completely immune to this … Continue reading
VAV is one of those groups who just keep plugging away. I don’t see their name mentioned much in K-pop circles, nor are they a huge presence on music shows. Yet, they’ve held international tours and make frequent comebacks with glossy, well-produced music videos. Their agency’s Chinese connections probably help when it comes to funding, … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. ESBEE Years … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2018 Overall Thoughts When it comes to k-pop, I was dreading February. Between the Pyeongchang … Continue reading
Double title tracks are not particularly common in k-pop, and even less so when it comes to artists from small agencies. Despite this, boy group VAV have released two music videos in support of their recently released mini album. Lead single Spotlight has seemed to garner the lion’s share of promotional attention, with its big budget … Continue reading
Boy group VAV have flown under the radar so far, despite being quite prolific. They released a total of four singles in 2017, but hadn’t yet compiled them into an album until now. The group caught my ear when they started collaborating with producer Ryan Jhun, who composed a few of last year’s best k-pop … Continue reading
Producer Ryan S. Jhun has had a dynamite year so far, composing song after song after song of consistently high quality. And in between his more hyped releases, he’s partnered with rookie group VAV. The guys’ past three singles have all been crafted by Jhun, and now they’ve collaborated again for She’s Mine. If I’m … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2017 Overall Thoughts July is always the month I look most forward to when it comes … Continue reading
Though still a very new group from a small agency, VAV have been lucky to pair with a-list composer/producer Ryan Jhun for their last string of singles. His involvement has brought a certain clout to their music, even if the songs themselves have been a bit of a mixed bag. But with the newly released … Continue reading
Boy group VAV have been around for six singles now, but they’ve yet to release a song that has had the impact necessary to shoot them to stardom. February’s 80’s-influenced Dance With Me was a step in the right direction, and they’ve definitely chosen the right collaborator in producer/composer Ryan S. Jhun, but it feels … Continue reading
Rookie group VAV have released a few songs already, but I didn’t bother writing about them because the music just seemed like a budget version of countless other boy groups. But looking at the production credits for Venus (Dance With Me), I was struck by one name: Ryan S. Jhun. Jhun, alongside a team of … Continue reading
The Bias List // K-Pop Reviews & Discussion 