If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Sweetch Years … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Though he excels at them, I must admit to slight disappointment … Continue reading
Few K-pop artists can spark my interest in the quintessential melancholic Korean ballad, but Infinite’s Woohyun wields one of my favorite voices of all time. Impossibly rich and incredibly emotional, it’s a tone that elevates anything it touches. Ballads are his bread and butter, but I’ve got to admit… I’ve always preferred Woohyun the dance-pop … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2018 Overall Thoughts I’ve always seen the month of July as the pinnacle of each … Continue reading
As part of my 2018 mid-year retrospective, it’s time to look at those songs that either rose or fell as the months have passed. Some songs are slow-burners. Others impress in the moment but fizzle out quickly. And sometimes, a song surpasses expectations to become a cultural phenomenon. This year has actually seen more risers … Continue reading
One of the most refreshing things about Golden Child’s emergence as K-pop rookies is their full embrace of upbeat, unashamed pop music. As idol groups continue to push into the West with sounds appealing to current trends, Golden Child has maintained a more classic approach. From Damdadi to It’s U, their brand of hooky, high-energy … Continue reading
Now that I’ve had a chance to spotlight the year’s best singles, it’s time to look at the standout albums of 2018’s first six months. As usual, I split the categories between full and mini, with three strong contenders from each. What are your picks? FULL LENGTH ALBUMS Infinite – Top Seed While their first comeback … Continue reading
As we move into July, we’re entering K-Pop’s third quarter of releases for the year. As always, it’s a good time to take stock of what 2018 has offered so far. Back in early spring, I remember feeling pretty pessimistic about this year’s singles, but I’ve actually been able to compile a strong mid-year list. … Continue reading
I’m never one to balk at the thought of new music, but Wag-zak’s existence is a bit of a head-scratcher. Released quietly on a weekend, days before the comeback of another Woollim Entertainment act and without the participation of main vocal Jin, I’m not sure what the song’s commercial goal is supposed to be. But … Continue reading
I wouldn’t normally review a special live version of a b-side, but I wanted to post something today about Sungkyu’s enlistment. Infinite have been my bias group almost as long as I’ve been into k-pop, and I’ve often considered Sungkyu my favorite k-pop personality. The fact that he’s successfully delivered solo work that differs from … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2018 Overall Thoughts In my mind, April represents the beginning of k-pop’s peak season. From … Continue reading
The fact that Lovelyz worked with Sweetune for That Day (그날의 너) is some consolation for personal faves Snuper ditching the production team for their upcoming comeback. It also brings renewed interest to the question of Woollim Entertainment’s partnership with Sweetune. I wish I had some knowledge of the inner workings of the industry, but the … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2018 Overall Thoughts Well, March certainly didn’t pan out the way I had expected. If … Continue reading
Back in 2010, Woollim Entertainment’s Infinite debuted with Come Back Again, but followed it up by promoting album track-turned-single She’s Back. This multi-pronged promo approach doesn’t happen all that often anymore in k-pop without a repackage, but I’m delighted that it has been extended to Infinite-successors Golden Child. The group has made a quick turnaround … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2018 Overall Thoughts When it comes to k-pop, I was dreading February. Between the Pyeongchang … Continue reading
Some matches are made in heaven, and Infinite‘s Kim Sungkyu + Nell’s Kim Jongwan is one of them. Not only did Jongwan compose all of Sungkyu’s 2015 mini album 27, but he’s often been lauded by the man himself as the performer that inspired him to become a musician. Now, the duo have returned after … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. For lovers of the “pop” part of k-pop, Golden Child’s … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2018 Overall Thoughts It’s a brand new year, which means all possibilities are on the … Continue reading
When it was announced that Golden Child would be working with Sweetune for their comeback, I was absolutely elated. Not only would 2017’s most-promising rookie group be paired with my favorite producers, but it would also be the first time that Woollim Entertainment has worked with Sweetune on a title track since 2014. The agency made … Continue reading
Infinite’s long-awaited comeback resulted in the title track Tell Me, which divided opinion on this site and others. It’s taken from the group’s third full-length album, Top Seed, and kicks off a string of ten other newly released songs. Just like with 2016’s Infinite Only, I’m here to offer my thoughts on every single one … Continue reading
The Bias List // K-Pop Reviews & Discussion 