As a newly debuted boy group, UP10TION’s management have smartly had them make incredibly frequent comebacks, never letting more than a couple months pass between albums. In this time, the group has cycled through all manner of concepts, showing their versatility but never really marking a definitive sound for themselves the way a group like … Continue reading
I hesitate to review commemorative anniversary songs because, more often than not, their sole purpose isn’t to be a terrific song, but a marker of a group’s career milestone. And I certainly congratulate Girls’ Generation on their incredible nine years together. Even at this stage in their career, they remain one of k-pop’s most defining … Continue reading
Throughout their six years together, Nine Muses have been one of the most consistent, underrated girl groups in all of k-pop. Even with so many member changes, their music has always remained quality. 9MUSES A is their first sub-unit project, and its very existence is honestly a little confusing. I get the need for solos … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
WM Entertainment’s Oh My Girl just won’t stop this year, releasing comeback after comeback. This isn’t a complaint (after all, they should be doing this as a rookie group), but I do wish their label-mates B1A4 were given the chance to finally release that new album they’ve been promising us. Even though it hasn’t been … Continue reading
I just love it when this happens. INX are a newly-debuted 5-member boy group from an agency that I’ve never heard of, and although they’re clearly working within a budget, they’ve burst onto the scene with an incredible debut song. It’s rare to find a debut group who aren’t simply a carbon copy of several … Continue reading
Listening to How’s This? (ì–´ë•Œ?), it’s hard to believe that HyunA’s Red was one of my favorite k-pop songs of 2014. Since then, the quality of her music has seemed to devolve with each passing release, culminating in what I hope is her low point. “How’s This?” — she asks us? Well, it’s pretty darn … Continue reading
It’s that time of year again! 2016 marked my second KCON, with a super solid line-up of performers that caused the concert side of things to sell out, and skyrocketed attendance for the convention. The past three days were a series of definite highs and lows, so read on to hear my thoughts. Convention Let’s … Continue reading
As a companion to my Top Ten Singles lists, it’s time to look at some of the best album tracks and b-sides from the best artists. B1A4 is one of my favorite k-pop groups, and a lot of that is due to their strength as an albums artist. Here’s the best of the best. Honorable Mentions: … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. THOMAS TROELSEN … Continue reading
As a companion to my Top Ten Singles lists, it’s time to look at some of the best album tracks and b-sides from the best artists. Of course Infinite had to come first. They have a discography large and amazing enough to fill several lists like this, but here are the best of the best. … Continue reading
Call me a bad k-pop fan, but I had absolutely no idea that there was even a group called Unicorn. I kind of love it, though. I mean…. Unicorn? The only thing that would make it better was if they were secretly a heavy metal band. But it turns out that they’re a girl group, … Continue reading
With NCT 127’s Taste the Feeling, SM Station has given us a song with a purpose, though it might be kind of a silly one. The track is a cover of a song used to promote Coca Cola, and that’s exactly what it’ll do in Korea as well. It’s also tied to the upcoming Olympics, … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-sides and album tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Though it can’t really be considered a true … Continue reading
It’s an astonishingly (frustratingly) bare week for k-pop, but thank god for Japan, because there has been a slew of new j-pop releases over the past couple of weeks. I haven’t talked about Da-iCE on the blog before, but I’m a new convert to their music. Their vocal distribution reminds me a lot of Beast, … Continue reading
Rock group FTIsland are really on a roll this year. First, they released their Japanese N.W.U album with its excellent single You Don’t Know Who I Am, then they came back last week in Korea with one of the strongest singles of their career. Now, they’ve got another hit coming down the pike for an … Continue reading
As their latest Japanese release (and first as a five-piece), Beast have given us two singles under the concept “day and night.” I was pretty underwhelmed by the day, but it turns out that the night is where things really heat up. Though I enjoyed their latest Korean album (and loved the title track), it … Continue reading
Also known as Children of Empire (though that name has more to do with their agency, Star Empire, than their actual concept), ZE:A is a nine-member boy group who has been around for over half a decade. Though they haven’t come back as a whole in quite awhile, individual members are very well known for their … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. YOO YOUNG-JIN … Continue reading
This week, SM’s Station gives us something close to an actual comeback. All four members of f(x) perform All Mine, a modern EDM track that fits nicely alongside much of SM’s recent output. I’m in two minds about the song. Oddly enough, I’m finding that I can adore it and be angry with it at the … Continue reading
The Bias List // K-Pop Reviews & Discussion 