It’s been a long wait for a new Sungkyu comeback – almost three years, to be specific. And though we got a taste of his voice on this year’s Relay and OST track Beautiful, his first post-military album felt like it kept getting pushed back. Now in the doldrums of December, Sungkyu has officially returned … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Traveler (ft. Zico) (from 4 Walls – 2015) Traveler has a slinky dance beat that’s quite addictive. To describe the texture, the best word I can think of is “corrugated,” though I guess “oscillating” is probably the better musical term. Either way, … Continue reading
Well… 2020 was certainly different, wasn’t it? It was a year where the industry couldn’t function as usual, but that didn’t stop K-pop from churning out more music than ever. It was a year of unprecedented international success and rising album sales — just as most other music markets struggled to move physical product. It … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Toy (from Pink Tape – 2013) It’s not easy to stand out within the adventurous Pink Tape album, but I’ve always found Toy to be a particular highlight. I adore the fade-in that opens the track, making the chanted hook that follows … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Taking Sweetune out of the equation, I think that e.one may … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Thrill Love (from Hungry Romeo, Luxury Juliet OST – 2010) Another of f(x)’s many OST releases, Thrill Love has a bit of spark to it. It’s not a patch on their best work, but the effusive synth production gives it a fluffy … Continue reading
Earlier in the year, ONEWE added an EDM layer to their moody rock sound, delivering the potent End Of Spring. They followed this up with the relatively forgettable Parting. And now, nearly two seasons later, they’re back with a song befitting December. A Book In Memory (기억 속 한 권의 책) slows things down for … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! The Truth Is (Shh!) (from Juloring Animal Detectives OST – 2010) Earlier in this feature, I remarked on how unadventurous f(x)’s OST songs were compared to their album work. Well… I guess all it takes is a children’s animation to bring out … Continue reading
Upon first hearing GHOST9’s debut track Think of Dawn, I was disappointed that they seemed to be opting for a heavy, lumbering sound that had already been done to death. But in the context of the album, the song began to make sense and eventually grew into a 2020 highlight. This is the importance of … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Sweet Witches (from Pinocchio / Hot Summer – 2011) Sweet Witches is an off-kilter electro pop track with a bit of a lounge feel. It’s a real oddball, from its simple synth beat to its staccato melody. Almost the entire track hinges … Continue reading
Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general k-pop fan-base. Make sure to … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Surprise Party (from Nu ABO – 2010) With a glossy 90’s r&b beat and wisps of strings and keys, Surprise Party’s instrumental is its greatest asset. The entire thing harnesses a head-nodding groove, ornamenting the track in all the right places with … Continue reading
Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general k-pop fan-base. If you’re curious … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Summer Lover (from Red Light – 2014) You’ll probably have a sense of how Summer Lover sounds before even playing it, and the song does a good job encapsulating the appeal of the season. The instrumental melds a stomping beat to an … Continue reading
The theme of this year’s MAMA Awards was “New-topia,” which sounds a bit chilling in a weird way. But, things were definitely new here. This was unlike any MAMA yet, lacking a live audience. But even though everything was accomplished on soundstages, I think the producers did a great job making this still feel like … Continue reading
I was beginning to wonder where all the K-pop Christmas songs were this year. Usually, December brings us quite a few. But while I’m waiting for the Woollim Family holiday track I’ve somehow convinced myself will become a reality, The Boyz have snuck up and put their own gift under the tree. Christmassy is light … Continue reading
With their contracts expiring next spring, IZ*ONE have delivered three Korean comebacks this year. They’ve been active in Japan as well, but I think it’s best to just brush that single under the rug. Instead, we have Panorama – a track that harnesses the energetic IZ*ONE sound we’ve all come to know. It slots nicely … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Step By Me (from Chu – 2009) Released as part of f(x)’s first single album, Step By Me only hints at the daring group they would become. Instead, it exists in the “cuter” range of the girls’ discography, offering a throwback rhythm … Continue reading
After taking a look at the 2020 prospects of SM Entertainment, YG Entertainment and JYP Entertainment, it’s time for the final Big Four agency, Big Hit Labels! As usual, the thoughts are my own and aren’t privy to any insider information. I’m not taking into account things like profits and stock value. The purpose of these … Continue reading
The Bias List // K-Pop Reviews & Discussion 