As they have in the past, ATEEZ held a public vote to decide which of two songs would become their newest title track. My choice was soundly beaten, proving yet again that Old Man Nick and the general K-pop fandom have diverged in taste. Thankfully, a music video for Eternal Sunshine is waiting in the … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
After a couple of years spent ignoring music from the west, I’ve started to listen to more American and European pop in 2021. You can thank standout releases by big acts like Dua Lipa and The Weeknd for that. Granted, my Western pop consumption is still ridiculously small when compared to K-Pop and J-Pop, but … Continue reading
After making their long-awaited return earlier this summer, 2PM are releasing new music in Japan. They’ve always had a huge J-pop career – so big that it eclipsed their Korean output in recent years. We’ll see how commercially impactful With Me Again (僕とまた) ends up being, but when it comes to sheer quality, it definitely … Continue reading
I wish every release received the promotional blitz JYP Entertainment affords Stray Kids. Though it’s only been out for a few weeks, we’re already on the third official music video from their NOEASY album. Neither Thunderous nor The View did much for me, so to call Cheese my favorite single yet isn’t exactly high praise. … Continue reading
After the excellence of recent comeback libidO, I was in the process of laminating my OnlyOneOf stan card, only to be interrupted by an unexpected message from 8D Creative: 8D: By the way, Love (the group’s leader) is leaving OnlyOneOf. Just thought you should know. Me: What?!? Wh- 8D: Yep, he’s out as of this … Continue reading
Rather than return with a full group comeback, BLACKPINK’s 2021 has seen the group deliver long-promised solo songs. This spring marked the release of Rosé’s first solo, and now Lisa has dropped her self-referential LALISA. YG Entertainment has a long history of idol rappers going solo, with acts like G-Dragon, CL and Mino paving a … Continue reading
There have been a few small-agency debuts over the past day or two. My busy schedule – coupled with an indifferent opinion – has meant I haven’t covered any of these. But, I’d like to write about Luminous’s Run because I think the song is quite good. It’s straightforward and won’t likely set the industry … Continue reading
Lee Hi’s recent output is solid and rewarding, but it’s been a long time since I’d call one of her singles “fun.” Granted, K-pop has more than enough upbeat, exciting material. Lee Hi is in no way required to jump into a style that’s not a match for her ambition or personality. But, I’ve always … Continue reading
Watching the competition show LOUD has renewed my interest in P Nation and its artists. The agency is already stacked with major talent, both in front of the cameras and behind the scenes. And the series’ reinterpretations of popular songs have showcased the creativity at the core of P Nation’s ethos. It’s disappointing, then, when … Continue reading
First comebacks can be even more exciting than debuts. It’s where you begin to see the path of an artist. Will they double down and quickly develop a signature sound? Or, will they display their diversity with a new concept? I tend to prefer the former approach, unless I really disliked the debut song! With … Continue reading
I don’t know that I’ll ever understand the deal with Sungmin and Super Junior. He’s yet to return to the group since his military service, yet releases solo music under their sub-label. I know that the “controversy” surrounding his marriage effectively removed him from group activities, but I’m surprised his career continues to exist in … Continue reading
Over the years, I’ve become increasingly disillusioned with the K-pop sub-genre some affectionately call “noise music.” As dance clubs become less common and listeners primarily consume new music from their computer screens, dance-oriented tracks seem designed to get your head nodding as you watch YouTube rather than get your body moving on the dancefloor. Though … Continue reading
The effects of military enlistment have resulted in numerous side projects for DAY6. Their sub-unit Even Of Day has released two albums, and now it’s time for the group’s bassist to embark on a solo career. Young K has long been a prominent songwriter within the band, almost ensuring his own work will carry a … Continue reading
When STAYC debuted with So Bad, I was thrilled by the arrival of a girl group who seemed to deliver a new, exciting sound. Then, they returned with ASAP – a more sparsely-produced, sing-song affair that conformed to many of this era’s girl group trends. Of course, that’s the song that became a huge hit. … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. In the midst of their ONEUS … Continue reading
Stray Kids fans know that the group’s promotion doesn’t end with a single title track. In almost all cases, the group has released a follow-up music video (or more!) for album b-sides. This has quickly established a vast singles run (if you want to count these extra releases as official “singles”). Either way, it’s a … Continue reading
Lee Hi rose to fame as a contestant on the very first K-variety show I ever watched: K-pop Star. I still remember the excitement of her debut, marking the arrival of a new voice in the industry. 1,2,3,4 and – much later – Breathe, were the kind of crossover hits that stay lodged in the … Continue reading
Fresh off the heels of a collaboration with NCT’s Doyoung and Haechan, Ryan Jhun has delivered the second installment of his new Maxis series. I love when notable producers tackle this concept – finding channels for their own work rather than submitting songs to an agency. I’m not sure how long this project is slated … Continue reading
The Bias List // K-Pop Reviews & Discussion 