It’s been awhile since we’ve heard from KARD’s BM. I haven’t written about his solo music since January 2022, but he’s back with a new track and a new collaborator. Nectar features Jay Park — a suitable sparring partner and likely inspiration for the future of BM’s work.
Nectar feels equally indebted to both artists. It’s more laidback than I would expect from a BM track, but draws from many of the rhythmic elements that’s made KARD’s music so addictive. There’s also a playful smoothness I associate with Jay Park’s sound. Their contrasting tones work well together, even if the song doesn’t offer much interplay.
The song unfolds like an understated call to the dancefloor. It’s all about the groove. Even the vocal melodies loop to form rhythm rather than delivering climactic centerpieces. There’s a hypnotic quality to this approach that makes Nectar easy to play on a loop. That’s an asset in this streaming age, but doesn’t allow for the standout moments I tend to seek in music. Jay Park’s verse offers a dramatic counterpoint, but even this feels more like vocal riffing than finely honed songcraft.
| Hooks | 7 |
| Production | 8 |
| Longevity | 8 |
| Bias | 7 |
| RATING | 7.5 |
BM has no filter. All the songs on his new EP are explicit. That’s why I love him so much.
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its kinda boring for me. 7.25/10 for me
(also not related but what are your current thoughts to the upcoming battle of Tokyo Jr vs neo album?)
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Didn’t know it was being released until now tbh, but I’m excited. I love the Battle Of Tokyo series. Interesting that Generations have seemingly aged out of it, though.
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boring? Where? It’s innovative for KPOP. He’s the god of KPOP you just don’t know it yet
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This reminded me of Unlock It by Charli XCX, in the way the Jay Park ft killed my vibe! lol
I really like BM and KARD so even though I have not heard the EP yet, I know I’ll probably enjoy it a lot.
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just feels like they’re trying to copy what’s been done baby times in dancehall/afrobeat. Cringe especially with resident blackaboo jay park on the song
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many* not baby
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wrong, it’s 100/10
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