What’s up with this month’s strongest boy group tracks going to acts so under-funded that their management can’t even properly encode a music video? Seriously, the video for N.Tic’s second single, Do You Know Who I Am (내가 누군지 아니), is of incredibly poor quality. It’s jittery, pixelated and lumbers along with occasional audio sync issues. … Continue reading
Thanks to my daily publication schedule, there’s very little in the K-pop world that passes me by. But every once and awhile, I miss a song that deserves my attention. Soloist Soya hadn’t caught my ear yet this year, releasing a pair of uninspired tropical tracks over the spring and summer. But, I really shouldn’t … Continue reading
Stray Kids threw down the gauntlet with March’s awesome District 9, blending hip-hop and rock for a refreshingly old-school sound that turned things up to eleven to harness K-pop’s unashamed energy. The song’s rock elements were toned down for August’s My Pace, and that continues to be the case with new single I Am YOU. I’m … Continue reading
Any issues I’ve had with Monsta X’s sound are laid bare during Underwater, the opening track on their new album. You’ve got this gorgeous melody, impeccably performed and carefully arranged. But then the track shifts to incorporate the group’s rappers, resulting in the jarring inclusion of noisy, clattertrap synths and overly-aggressive hip-hop. This kind of … Continue reading
Launching in mid-2015, DSP Media’s April debuted with six members (including KARD’s Somin as their leader). Three years later, the group still has six members, but not without a few changes over time. What hasn’t changed all that much is their sound — an effervescent burst of innocent pop music with the occasional symphonic flourish. … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Today, I’ve got a real buried treasure for you. Not that … Continue reading
As much as I love anything EXO-related, I’ve always found Lay’s solo music to be oddly hookless. His songs have mood and texture, and I enjoy his vocal tone and undeniable charisma. Yet even now I can’t recall a single melody from his discography. There have been highlights, for sure, and notable WTF moments (mostly … Continue reading
The third iteration of SM’s Station project is living up to its promise of providing momentous — and often unexpected — duets. So far, this has mainly consisted of collaborations between various Korean acts from differing agencies. But with Written in the Stars, SM has cast its sights globally. American notoriety seems to have become … Continue reading
When I think of the artists I would have pegged to go the tropical route, Lee Hongki wouldn’t have even entered the conversation. As the front man of rock band FTIsland, his raspy, powerful voice seems too intense for the style, easily becoming the focal point of anything he records. But as last week’s oddball … Continue reading
Before there was girl group Elris, there was soloist Sohee. She participated in the final season of audition series K-Pop Star, and went on to release a solo track before her group debuted. I’m actually surprised to hear her on her own again this soon, but Hurry Up was probably too good an opportunity to … Continue reading
The idea of a “healing song” must seem especially attractive in a culture like Seoul’s, which values the kind of non-stop work ethic that has resulted in massive technological advancement over a comparatively short period of time. Music can certainly be healing — but like everything, “healing” is subjective. The idea of a calming, barely-above-a-whisper … Continue reading
Though “lead vocalist” was part of Kim Donghan’s member profile when he was a member of project group JBJ, he’s most well known for his dancing. And like so many dancers-turned-soloists, his idiosyncrasies lie more in movement than vocal color. He’s got a perfectly serviceable pop tone, but lacks the kind of texture that would … Continue reading
A sense of innocence has tethered all of April’s music together thus far, but that’s too much of a simplification when it comes to talking about their discography. Structurally and stylistically, they’ve slowly become one of K-pop’s most interesting girl groups. Their singles run has pin-balled from one sound to the next, and now they’ve … Continue reading
Zion.T’s release schedule has slowed drastically since signing with YG Entertainment subsidiary The Black Label, but Korea seems poised to enthusiastically embrace his material all the same. As if his name wasn’t enough to draw headlines, new single Hello Tutorial pairs him with Red Velvet’s Seulgi — a performer who has already been part of … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. It’s only been three days, but I’ve already gone on quite … Continue reading
Over the years, Kis-My-Ft2 has slowly become my favorite act in the ever-growing Johnny’s Entertainment roster. For my money, they’ve got an unbeatable string of singles, and their bombastic 80’s power pop dance style hits all the right buttons when it comes to my (admittedly cheesy) musical taste. 2018 has been pretty slow for them … Continue reading
Despite my slightly snarky review of the song, Cinderella Girl was an inescapably catchy debut for King & Prince. It perfectly positioned them as Johnny’s Entertainment’s next big thing, and a bonafide sensation in Japan. But as time has taught us again and again, a follow-up is just as important as a debut — maybe … Continue reading
VAV is one of those groups who just keep plugging away. I don’t see their name mentioned much in K-pop circles, nor are they a huge presence on music shows. Yet, they’ve held international tours and make frequent comebacks with glossy, well-produced music videos. Their agency’s Chinese connections probably help when it comes to funding, … Continue reading
When I heard that NCT 127’s Regular was going to be a hybrid of trap and Latin, I let out an audible groan. Trap is one of the few genres I absolutely detest, and K-pop’s Latin trend already feels overplayed just as it’s getting started. Add to that the fact that SM Entertainment seems eager … Continue reading
Weki Meki have been circling the girl crush concept since their debut last year, nailing the attitude but struggling to find songs that fully harnessed their talent. The group’s work has been declared “messy” by many listeners, but I don’t think that’s inherently a bad thing. As a fan of K-pop’s anything-goes past, I love … Continue reading
The Bias List // K-Pop Reviews & Discussion 