Seventeen members have used the buzzword “mixtape” as a way to slowly branch out as soloists. Last time I checked, a digital single doesn’t quite count as a mixtape, but I’ll happily take new music in whatever form it’s offered. After similar efforts from Hoshi, The8, Wonwoo and Mingyu last year, Seventeen’s vocal leader Woozi … Continue reading
Several years after launching their ambitious SuperM project, SM Entertainment has developed a similar strategy for their female artists. From what I can gather, Girls On Top will encompass multiple mix-and-match units. First up is GOT The Beat – a performance unit comprised of BoA, SNSD’s Taeyeon and Hyoyeon, Red Velvet’s Seulgi and Wendy, and … Continue reading
It’s a K-pop tale as old as 2016: group forms through (usually controversial) survival show, group sells a boatload of albums in preorders, group releases a song that fans complain about but stream anyway. Of course, there are exceptions, but it feels like these cobbled-together, made-for-TV acts take awhile to find their bearings. The newly-debuted … Continue reading
Okay, I’ve had my fun (?) with these Universe releases and their half-mvs. Universe has actually gotten better at uploading the full videos to YouTube (whether we want them or not!), but it’s hard to get excited about a K-pop product that feels like a total afterthought. With that in mind, I’m going to let … Continue reading
Ahead of a new 2022 project, BamBam is closing out 2021 with pre-release single Who Are You. The song has already garnered attention thanks to a guest feature from Red Velvet’s Seulgi, but it deserves praise on its own merits as well. After a solo debut that felt a little throwaway, Who Are You takes … Continue reading
Imagine a big bushy Christmas tree — or replace that with whatever decoration or tradition matches your wintertime festivities. Underneath are packages galore, each containing a winter-themed K-pop track. Some have been unwrapped early (Stray Kids’ Christmas EveL, Billlie’s Snowy Night, ONEUS/ONEWE’s Stay) but there are still plenty to go. After furiously opening each gift, … Continue reading
With the full YouTube release of every Universe MV a few weeks ago, I thought maybe the app had turned a corner. Unfortunately, Oh My Girl’s Shark brings us right back to where we started, with official “previews” on YouTube alongside an invitation to download Universe for the full experience. I guess this means my … Continue reading
“Brother” groups ONEUS and ONEWE have a history of collaborations, from a pre-debut single to a fun variety show. They also share real (twin) brothers. I’ve long hoped for another collaboration – perhaps a full album? In my mind, they need to unite their specific skills and release a full-on idol dance track backed by … Continue reading
Compared to his SHINee bandmates, Minho’s solo career has always gotten short shrift. Fans have made do with a digital single here and there, rather than the mini and full albums that carved out niches for Taemin and Key. Because of this, I’m not totally sure how a full Minho comeback would sound. Would he … Continue reading
Even decades after formation, some things haven’t changed about SM Entertainment. They’re still clever vultures, digging through old pop detritus and repainting it to craft shiny new baubles. A recent example is aespa’s Next Level (pulled from an old Fast & Furious soundtrack), but SM has been doing this since the 90’s. SES’s 1998 hit … Continue reading
When it comes to my listening habits, the holidays are the only time I really make room for jazzy, coffeeshop-esque music. Coziness is a valuable asset throughout December, and some of my favorite winter songs adopt this style. Billlie’s Snowy Night won’t be climbing to the very top of that list, but it’ll definitely be … Continue reading
Since their 2016 debut, I’ve been (im)patiently waiting for NCT to revisit the sprawling sound of Without You. It’s still my favorite NCT track (and the only time a debut song has topped my year-end list). Beautiful isn’t nearly as amazing, but its vocal-heavy drive occupies similar territory. This is the second release from NCT … Continue reading
December marches on with an uncharacteristically steady stream of big comebacks. As we move closer to the new year, Mamamoo’s Moonbyul is gearing up for the release of her new album. Its first tease comes courtesy of pre-release G999, featuring hip-hop artist Mirani. I’ve found Mamamoo solos to be pretty hit or miss, including much … Continue reading
FTIsland don’t get enough credit for being as enduring a force as they are. Sure, they’re not the five-member powerhouse they once were, but with over fourteen years of idol life behind them, they’re one of K-pop’s longest-running groups. With age comes the threat of monotony. How does a band in their fifteenth year keep … Continue reading
ATEEZ have been very intentional when it comes to their album series. Treasure had a beginning, middle and end, and Fever has followed the same approach. Kicking off in mid-2020, this project has sprawled across seventeen months. Now, we’ve reached its “epilogue” – an odds-and-ends release that wraps up the era. We heard pre-release title … Continue reading
With barely a moment to take a breath since their release as NCT 127, the NCT guys are back for their latest full-group project. NCT 2021 promises another round of mix-and-match sub-units, though the teasers so far suggest no real change in sound or style. Title track Universe (Let’s Play Ball) brings together Doyoung, Jungwoo, … Continue reading
With over 3,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
Over the years, I haven’t been particularly kind to Ravi’s solo music. I settled on an “if you don’t have anything nice to say, don’t say anything at all” approach, choosing not to write about every song he releases. But, I’m always up for a pleasant surprise and still preview his work in case something … Continue reading
With half of Winner currently enlisted, Kang Seungyoon and Mino have each delivered a full album this year. In Mino’s case, To Infinity is his third full-length, making him a prolific soloist. I haven’t connected with much of his music, despite enjoying a lot of his solo tracks on Winner albums. New comeback TANG!♡ (탕!♡) … Continue reading
The Bias List // K-Pop Reviews & Discussion 