Fresh off their Kingdom victory, Stray Kids have returned with their second full-length album. Not many K-pop groups release two full albums back-to-back, but I’m sure Stray Kids’ self-producing status leaves them with plenty of material to choose from. Although last year’s God’s Menu was a fun, memorable title track, its parent album was stuffed … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I hate to admit it, but … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. This week in K-pop followed 2021 … Continue reading
One of the cool (and frustrating) things about the Johnny’s Entertainment system is its junior groups. Yes, all agencies have trainees waiting for debut, but Johnny’s Junior have their own televised performance show and their own songs. They also star in dramas, stage plays and variety. It’s a way to build fan bases and cut … Continue reading
One advantage of being a self-produced band is that you can release new music whenever you like. Irrelevant Answer (동문서답) is a special surprise single from Lucy, released alongside a lo-fi music video that focuses on the group’s performance. Without the gloss of a full-fledged comeback, the song feels more extraneous than essential. But, more … Continue reading
CRAVITY have had a very successful debut year, but I’ve yet to connect with any of their title tracks. Some of their b-sides and follow-up promotions have shown more promise, but the group’s sound seems stuck in this noisy, shouty style that takes promising concepts and upends them with ill-fitting breakdowns. This was especially apparent … Continue reading
When I first launched The Bias List, I hoped to build the kind of K-pop blog that I, as a fan, would want to read. I sought consistency, passion, and… yes… a certain level of bias. I didn’t want to be a glorified press release, automatically loving every piece of music for fear of disappointing … Continue reading
Military enlistment has always been part of K-pop’s boy group narrative, but in past generations these enlistments often occurred after a group had already reached their commercial peak (or ended their contract). This newer generation tends to have a slower, steadier rise in fan base, meaning that some members enlist just as their group is … Continue reading
WayV’s Ten has been a busy guy. After releasing his solo Paint Me Naked last week, he’s teaming with fellow WayV member YangYang for another English-language dance track. Low Low takes more influence from hip-hop, though the song doesn’t actually include any rap. Instead, it finds comfort in a breezy, head-nodding beat that matches well … Continue reading
CIX’s debut-era sound wasn’t for me, but they captured my attention with the bright, melodic Cinema. With the release of their first full album, the group continues to move toward a lighter style, even donning the age-old K-pop sailor suits for promo shots. While clichés like that don’t usually bode well, I appreciate the group’s … Continue reading
When TXT released 0X1=LOVESONG at the tail end of May, I wasn’t sure whether its catchy pop punk sound would fade quickly or grow into one of their strongest title tracks. Several months later, the song has exceeded all expectations, ranking among my favorite comebacks of 2021. It’s amazing how well this angsty sound fits … Continue reading
Nearly a year after covering Turbo’s 90’s hit Black Cat Nero, ATEEZ have teamed with the group’s frontman, Kim Jong Kook, for an old-school summer song. This project includes an online variety series and a fun, fan service music video. It also marks the return of ATEEZ member Mingi, who has been absent from the … Continue reading
With Queendom, Red Velvet have come off the longest hiatus of their career. It’s been over a year and a half since 2019’s Psycho. And while the girls have kept busy with solo projects, the unique Red Velvet sound has been missed. Momentous comebacks call for momentous songs, and Queendom’s dramatic title seems to promise … Continue reading
Kis-My-Ft2 are celebrating their tenth anniversary, and that means it’s time for the requisite greatest hits package. Yes, Japan still does “greatest hits” albums – and they actually sell well! Kis-My-Ft2 remain my favorite Johnny’s group, though that’s as much to do with their entertaining personalities and interplay as the actual music. Still, I put … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Unsurprisingly, The Boyz’ Thrill Ride has … Continue reading
BZ-Boys debuted over two years ago as part of Chrome Entertainment (former home of Crayon Pop). Chrome has struggled to get any of its groups off the ground since Bar Bar Bar’s surprising success in 2013, and BZ-Boys haven’t made many waves yet. In fact, I had to search back to see if I’d ever … Continue reading
Though he may not receive the same level of attention as other production teams, Ryan Jhun has been a K-pop architect for over a decade now. His touch can be found in many modern classics (View, Love Me Right, Dumb Dumb, Lucifer, My First And Last, Baby Don’t Stop etc etc etc) and his name … Continue reading
Park Jihoon is immensely charming (especially as an actor), but I’ve found his solo work pretty hit and miss. For every Wing there’s a Gotcha, making it difficult to identify the overarching sound his agency is aiming for. I hope they’ve settled on the funk synth style of new single Gallery, because this song is … Continue reading
2021 continues to be light on girl group releases, with the sheer number of boy group comebacks dominating K-pop’s schedule. I’m not sure why this is, but August feels particularly lopsided. Red Velvet, Brave Girls and Weeekly are pretty much holding things down. Throwing their hat into the ring is brand new group Hi-L. They … Continue reading
The arc of SixTONES’ 2021 discography has played out differently than I would have expected. Accurately or not, I associate them with a certain rock-influenced style that comes across as big and edgy. Apart from their January album, most of their recent work has leaned closer to alternative pop and/or hip-hop. This isn’t necessarily a … Continue reading
The Bias List // K-Pop Reviews & Discussion 