Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. While BoA’s Better doesn’t have quite as many highlights as 2018’s … Continue reading
I’ve been a little hard on NCT lately, but that’s only because I find their concept so promising. It borrows quite a bit from systems that the J-pop market has been using for ages, but has the potential to bring a uniquely K-pop aesthetic to the approach. That potential has popped up here and there … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Song for song, ENHYPEN’s debut mini album is perfectly solid. However, … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Though Kai’s debut mini album isn’t exactly the sound I’d hoped … Continue reading
After getting done in by a firing squad in their last music video, ONEUS have moved full circle with the bright, funky BBUSYEO (뿌셔). How’s that for versatility? This marks the group’s first digital single release and arrives days after their first online concert. And really, a song like BBUSYEO is tailor-made for a concert … Continue reading
K-pop legend BoA has returned with her tenth Korean album, celebrating twenty (!) years since her debut. That kind of career is rare for any pop star, but the K-pop industry tends to be extra fickle. The fact that BoA remains such a dynamic presence is a testament to her skill, charisma and willingness to … Continue reading
A week after unveiling pre-release song Breath, GOT7 have made their official comeback with Last Piece, the title track to their fourth full-length album. Breath didn’t exactly fill me with anticipation, but the teasers for Last Piece hinted at a grittier instrumental that felt fresh and exciting. The entire song doesn’t quite live up to … Continue reading
After recapping each and every episode of this summer’s I-LAND, I feel a strange sort of kinship to ENHYPEN. This comes despite the fact that I rarely enjoyed the music that came out of that series. Still, the guys have plenty of potential, and that fact that they’re bolstered by the support of Big Hit … Continue reading
EXO’s Kai has been primed for a solo debut for years now. As one of the group’s most dynamic performers, it feels like the sky’s the limit when it comes to the showstoppers he could deliver on his own. And, the pre-release teaser film for his debut album harnessed that theatricality in exciting ways. Yet, … Continue reading
For reasons I’m still not entirely clear on, J-pop idol group Keyakizaka46 has renamed and rebranded itself as Sakurazaka46. Apart from some member changes earlier in the year, the reboot hasn’t really affected their general sound. Ahead of their first single release in early December, the girls are blitzing fans with multiple music videos. They’re … Continue reading
With eighties synth sounds currently in vogue, Bullet Train feel like the perfect J-pop match for the sound. Given their exuberant – often goofy – dance style, they’re uniquely positioned to capitalize on the cheesier side of the era. And all it takes is one look at the delightful outfits in the music video for … Continue reading
Some melodies are so instant and insistent that you come away from the very first listen with the hook rattling around in your head. This is often referred to as an “earworm,” and Japanese group BuZZ’s Sun and Love is the mother of all earworms. These guys have been around for a few years, but … Continue reading
It’s not always appropriate or fair to compare different artists to one another, but you’ll have to indulge me on this. For the past few months, you’ve suffered through me ranting about how I wish SM Entertainment would lean further into the ambition of the NCT project, giving them a big, bombastic showstopper rather than … Continue reading
The year of random, sporadic Chungha releases continues, with an album finally in sight early next year. In 2020, she’s focused on showcasing her versatility as an artist, and this approach has been quite successful. Chungha is really growing into her own, unafraid to skirt between multiple genres. The most recent example of this is … Continue reading
NCT is absolutely stuffed with talent and personality. But, that only goes so far without strong songs to harness it. On the whole, both parts of the NCT Resonance album remind me of a b-side collection. They’re not so common anymore, but artists used to cobble together unreleased material and outtakes into a special album … Continue reading
While it might not be an official debut, My Heart Skip A Beat is the first taste of new RBW girl group Purple Kiss. Sharing an agency with Mamamoo, expectations are high for what these girls will eventually deliver. And, I wouldn’t be surprised if Heart ends up being a red herring. It comes across … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Though OST releases frequently play it safe when it comes to … Continue reading
Shortly after their formative survival series concluded, JYP’s NiziU soared to the top of Japanese charts. They’ve been a fixture there for months, which only goes to show how powerful certain agencies are. I mean, the girls hadn’t even made their official debut until now! As with most survival series-spawned groups, it didn’t matter if … Continue reading
Despite woo!ah!’s exuberant name, their self-titled debut failed to elicit much excitement. But, rookie groups often take some time to get going, and that may be the case here. New single Bad Girl may not offer anything revelatory or new, but it already feels more assured. Like so many girl group tracks this year, Bad … Continue reading
As a Sweetune fanatic, it’s been depressing to watch the production team fade into obscurity over the past two years. With retro pop the trend of the day, I want nothing more than their patented sound to make its way back into the K-pop mainstream. But alas, 2019 and 2020 have seen the team’s output … Continue reading
The Bias List // K-Pop Reviews & Discussion 