Just two-and-a-half weeks since their comeback in Korea, Twice have delivered their next Japanese single. This is truly the K-pop group who doesn’t sleep. Rather than draw from the retro style of October’s I Can’t Stop Me, Better feels more like a sequel to last year’s Fake & True and Feel Special. It continues Twice’s … Continue reading
Boy group E’Last debuted this spring with a theatrical sound that hearkened back to older generations of K-pop. I really enjoyed their single Swear, but didn’t return to it nearly as much as I would have thought. Still, I’m excited to see the group maintain their dramatic flair with new track Tears Of Chaos (눈물자국). … Continue reading
Kim Junsu has always been one of those indispensable K-pop vocalists. There’s no one else quite like him, and just hearing his voice hearkens back to earlier eras. His last album was released all the way back in the spring of 2016, promoted by the excellent, underrated Rock The World. Now, after four years and … Continue reading
Less than a year after debut, Japan’s Produce 101-spawned JO1 is releasing their first full album. Of course, the Japanese market works differently than K-pop, usually cobbling together a run of already-released singles and b-sides into an album. But, this still seems like a quick accomplishment for the rookie group. After the generic Infinity, August’s … Continue reading
Of all the Wanna One members, Ha Sungwoon never really caught my attention. Yet, his solo career has gone from strength to strength. He’s proving himself a great pop songwriter with surprising versatility. And, I love the funky route his title tracks have taken. Forbidden Island (그 섬) continues this arc, thriving on a hearty … Continue reading
For me, Taemin’s Never Gonna Dance Again project has been an experience of contrasts. And when it comes to its title tracks, that’s been especially true. Criminal drew out everything I love most about Taemin’s music, and has quickly become my favorite solo single in his discography. In contrast, new release Idea (IDEA:理想) embraces the … Continue reading
One of the biggest benefits to GFriend upon joining Big Hit Labels has been the ability to expand their field of collaborators. While their sound hasn’t shifted drastically, bringing in producer Frants has been a goldmine for the group. This partnership kicked off with February’s extraordinary Labyrinth (which still should have been a single!). It … Continue reading
It’s no secret how much I adored Sexy Zone’s Run. That song felt like the climax to years of musical growth for the group. And immediately after its release, fans were treated to the announcement of member So Matsushima rejoining the group after a nearly two year hiatus. New single Not Found finds Sexy Zone … Continue reading
Industry veterans Super Junior will be returning in December with their tenth (!) studio album, but before that they’ve pre-released the nostalgic fan song The Melody (우리에게). It arrives on the fifteenth anniversary of the group’s debut, alongside a scrapbook-like music video that traces their illustrious career. So, rather than being a notable song on … Continue reading
Twice now, I’ve underestimated Treasure’s title tracks. Though Boy and I Love You each earned a “good” rating on this blog, both quickly grew on me despite some of my quibbles. This hindsight leads me to approach new single MMM (음) with a different perspective. Yet, just as I’m poised to embrace another jarring dance … Continue reading
Berry Good are a resilient bunch. It’s been over a year since their last comeback, and when you’re talking about a lower-profile group that kind of a hiatus can be very anxiety-producing. But, the girls are back with new single ACCIO (presumably named after the magic spell in Harry Potter). Upon hearing the first teaser, … Continue reading
I’ve been watching Park Jihoon in the web-drama Love Revolution and have been really impressed with his knack for comedy. With that drama’s dorky/endearing character fresh in my mind, it’s quite jarring to watch the music video for new single Gotcha. But, I guess this is just a testament to his versatility as a performer. … Continue reading
Though they debuted with little hype, Secret Number caught my attention with strong vocals and a song that took advantage of that skill. I haven’t played Who Dis? all that often since its release in May, but I still have a soft spot for its straightforward arrangement and hearty delivery. New single Got That Boom … Continue reading
Since debut, Mamamoo’s sound has changed quite drastically. Looking back, I think the turning point was 2018’s Starry Night, which went on to become a big hit for them. From that point on, most of their title tracks have rejected the big vocal moments that characterized their first few years. In their place is a … Continue reading
AB6IX’s music has really grown on me since debut, but my impression was initially quite negative thanks to pre-release Hollywood. I mention this because new single Salute hearkens back to many of the elements that I disliked about Hollywood, offering a noisy beat-drop in place of a chorus. It feels like Salute was designed with … Continue reading
Monsta X have returned with their fourth full Korean album Fatal Love (though their minis often have enough tracks to count as “full” under other agencies’ qualifications). And, the album feels like a bit of a progression for the group, leaning closer in sound to their English-language work. Whether that’s a positive thing or not … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. DRIPPIN’s debut mini album doesn’t have a weak song on it. … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Though I Can’t Stop Me is the undisputed highlight of Twice’s … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. TXT’s Blue Hour has already grown on me, and I think … Continue reading
Almost a year ago, CL debuted her In The Name Of Love project, much to the delight of 2NE1 fans. But, the album was marred by a lack of promotion, and never became the big return-to-form I was hoping for. As talented and iconic as CL is, she’s facing an uphill battle in an industry … Continue reading
