As the wait for a full f(x) comeback enters its fourth calendar year, each and every move by its members attracts interest from fans. However, most of the f(x)-related solo material has felt pretty un-f(x) in sound, which only seems to exacerbate listeners’ impatience. Luna offered a spark of similar energy with 2016’s Free Somebody, … Continue reading
N.Flying have had a rough go of it over the past month, with bassist Kwangjin leaving the group among accusations of inappropriate online conduct. This came just days before the group was scheduled to release the second track in their year-long Fly High project. Fly High seems to mirror the ambitious (and successful) 2017 promotions … Continue reading
With so many dramas in need of sappy, soaring soundtracks, Korea has got to be one of the biggest music markets for ballads. With so many being pumped out every year, it becomes difficult to stand out. A dynamite ballad can be such a cathartic experience — especially when delivered by a robust, dependable voice. … Continue reading
I feel pangs of guilt every time I sit down to write a review of Chungha’s music because I just can’t be very objective. I try hard not to be biased against artists or groups, even if their work has been universally awful. Chungha’s music has not been awful at all — it’s actually been … Continue reading
It’s a testament to Korea’s love affair with generic Western musical trends that Shaun’s Way Back Home became one of 2018’s biggest sleeper hits, despite the fact that it came from a virtually unknown artist and wasn’t even meant to be a title track. I could debate the actual quality of that song, but in … Continue reading
December is such a barren month for new K-pop releases, and what we do get tends to be an endless stream of ballads and mid-tempos. This languid pace makes it hard to drum up any excitement for a song like Candle Light (사랑한단 뜻이야). However, the track is significant for several reasons. Not only is … Continue reading
They say you’re hardest on the things you love the most, and I feel like I’ve been especially hard on TVXQ this year. At the outset of 2018, I would’ve predicted them having a huge presence on my end-of-year lists, but unfortunately they ended up being a no-show. This is mostly due to the direction … Continue reading
JYP Entertainment artists have been blitzing the Korean and Japanese markets this year. It’s hard to think of a more prolific agency, especially when you consider the ratio between JYP’s roster of artists and number of 2018 comebacks. Just like Twice, Stray Kids and DAY6, GOT7 must be exhausted. But, that didn’t stop them from … Continue reading
Seventeen’s special digital track Getting Closer (숨이 차) is a tricky one for me to review, because it’s not at all the musical direction I hope to see the guys take. Yet at the same time, I kind of dig the song itself. One of my biggest pet peeves with K-pop fandom is the constant … Continue reading
In the spring of 2017, Winner pulled themselves out of a slump (and added fuel to an already burning trend) with the tropical pop of Really Really. Despite an island-themed comeback later that summer, it was a sound they never completely followed up on. Instead, this April saw the arrival of Everyday — a polarizing … Continue reading
On paper, the combination of Yesung and Chungha seems like an odd one. You’ve got a member of Super Junior’s vocal line, and a soloist most strongly known for her dancing. Rather than draw on either of these strengths, Whatcha Doin’ splits the difference and winds up as a pleasant but forgettable affair. This isn’t … Continue reading
I debated whether or not to review Hair In The Air. It’s essentially a Korean-language cover of an American song, taken from the soundtrack of Trolls: The Beat Goes On Netflix series. And that original version is as insipid as it gets — an overly upbeat theme song that would instantly have me reaching for the … Continue reading
When writing about EXO’s excellent album track Gravity, I mentioned that I never judge their albums before hearing the repackage. After all, some of the group’s most iconic singles (Growl, Love Me Right) were the products of repackages. Even last year’s high-energy Power improved The War album by giving it an extra shot of anthemic … Continue reading
Twice have had a truly prolific 2018. With The Best Thing I Ever Did (올해 제일 잘한 일) acting as a capper, they’ve released seven official singles and a few additional music videos. Throughout it all, I’ve been consistent in wishing the girls would tackle new sounds. I realize how hypocritical this might come across, as … Continue reading
The season of ballads continues to roll on, and it’s the perfect time of year for BTOB’s Lee Changsub to release his debut mini album. As expected, it’s a down tempo affair. But like Infinite’s Sungkyu, he’s gone for a rock-tinged sound that helps differentiate his own music from that of his group’s. Given this … Continue reading
Almost six months after their title track Shoot Me, the second part of DAY6’s Youth series is upon us. Beyond the sequential numbering of the mini-albums, there doesn’t seem to be a huge musical thread running between the two projects. But, as strong as the material has been, I’m not too concerned with continuity. On … Continue reading
Over the course of their three year career, UP10TION have never developed a signature style. Instead, they pinball from concept to concept, making their comebacks quite unpredictable. Over the past few years, they’ve released some of my favorite K-pop tracks (exhibits A, B). But, just as often, they’ve returned with subpar material that feels too … Continue reading
Laboum released one of my favorite girl group singles of 2017 with the upbeat Hwi Hwi. But rather than double down on this style of bubblegum pop, they’ve spent 2018 pursuing a more subdued, mid-tempo sound. July’s Between Us proved that they were a solid match for this musical transition, so it only makes sense … Continue reading
The much-dreaded (but inevitable) SHINee hiatus begins next week when leader Onew will begin to serve his mandatory military conscription. Before that, he’s gifted fans with his very first solo album — a collection of ballads appropriately titled Voice. His rich tone has been an anchor for so many SHINee songs, but I don’t think … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Now that the dust has settled on Red Velvet’s Really Bad … Continue reading
The Bias List // K-Pop Reviews & Discussion 