Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. It’s a wonder I enjoy BTS’ new album as much … Continue reading
With over 2,300 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the brand new “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first … Continue reading
Comparing the debuts of UNI.T and UNB encapsulates the k-pop scene as a whole. Both groups hail from KBS’s survival series The Unit, but there’s clearly been a stronger promotional focus on the boys. Not only did UNI.T debut second, but they’ve been given less original tracks and a cheaper music video (compared to UNB’s … Continue reading
To be honest, BTS’ explosive international fame has coincided with my growing ambivalence towards their music. Though I enjoyed last year’s Love Yourself: Her album, I can’t say that either DNA or Mic Drop held a candle to their peak run of 2015-2016 singles. This has resulted in an awkward mix of feelings surrounding the … Continue reading
If any group might have been spared the effects of k-pop’s prolonged tropical love affair, I assumed it would be one like N.Flying. Since reemerging with new member Hweseung last summer, they’ve consistently delivered a rollicking brand of punchy power pop, as joyously silly as it is addictive. Tropical house doesn’t usually play well with … Continue reading
I don’t know what it is about this year, but so far most of my highest rated songs have been Japanese releases by Korean acts. The Hallyu Wave in Japan has well and truly reignited, and the prospect of so many original songs coming down the line is very exciting. With the rock-influenced Call Call … Continue reading
Despite not being your typical idol, rapper Kanto was one of the many acts to compete in KBS’s The Unit rebooting series. Though he failed to make the show’s debuting group, he quickly became a standout character. With his gruff voice and commanding stage presence, his performances felt refreshingly edgy. In this way, Salty (시큰둥) bucks … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. EXO-CBX’s new Japanese album is pretty much a party from … Continue reading
I wouldn’t normally review a special live version of a b-side, but I wanted to post something today about Sungkyu’s enlistment. Infinite have been my bias group almost as long as I’ve been into k-pop, and I’ve often considered Sungkyu my favorite k-pop personality. The fact that he’s successfully delivered solo work that differs from … Continue reading
With over 2,300 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the brand new “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first … Continue reading
With over 2,300 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the brand new “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first … Continue reading
In the short time since it’s been on the air, Produce 101 has spawned its own mini-genre of hyperactive, multitracked pop anthem. Whether it’s Midas-T, Ryan S. Jhun, or now Flow Blow in charge of production, the end product sounds roughly the same. Last year’s Season 2 theme set the bar incredibly high, so it’s … Continue reading
To their credit, Dreamcatcher have settled on a unique concept and stuck with it. Their hybrid of hard rock and dance pop may not be for everyone, but their commitment to the sound has resulted in a remarkably consistent discography. Stacked against their past work, new single You And I lands somewhere in the middle … Continue reading
Favorite have one of the least-searchable group names on the internet. Without a grasp on Hangul, international fans are going to be sifting through hundreds of pages on “favorite k-pop groups” before stumbling on one dedicated to these girls. But rather than rest on one ill-conceived name, the group has returned with their second mini … Continue reading
Ever since re-configuring under their own label, the members of Highlight have been freed to release a steady stream of solo singles and albums. Unfortunately, none of these have had much staying power with me. As part of his production team Good Life, Yong Junhyung has been responsible for most of Highlight’s material since 2013, … Continue reading
I’ve long believed that the NCT concept is not half as confusing as many make it out to be, but even I’m a bit stymied by this new Japanese release. Wasn’t a large selling point of NCT the idea that the brand could encompass multi-national units that each operated in different countries? If that’s so, … Continue reading
Cross Gene have been away from the Korean music scene since February of 2017, when they released their brilliantly dramatic Black Or White in tandem with its violent, horror show music video. New single Touch It (달랑말랑) feels like the comeback they should have made last summer when k-pop’s tropical trend was at its peak. No … Continue reading
With so many acts moving away from their usual producers this year, it’s kind of refreshing that Teen Top has stuck with good ol’ Brave Sound for new single Seoul Night (서울밤). Some matches are just meant to be, and this has been a particularly symbiotic relationship throughout the years. The group struck gold with … Continue reading
There’s some irony in calling a song “The New Era,” but crafting it to sound like every other song from the last era. I’ve had my issues with GOT7’s Korean discography of late, but their Japanese releases are really just on another level. Sales-wise, they seem to be successful, but I can’t wrap my brain … Continue reading
Watching (and obsessing over) Avengers: Infinity War last week has got me thinking. If I wielded the Infinity Gauntlet and had the power to shape the universe, how would I control K-Pop? Infinite comebacks every month! New Sweetune songs every week! Just kidding. I’m not going to be that biased. Instead, I thought it would … Continue reading
The Bias List // K-Pop Reviews & Discussion 