Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. The song title “Flower Garden” makes me imagine a cutesy … Continue reading
With over 2,300 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the brand new “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first … Continue reading
Most of the time, a group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop (and j-pop), I wanted to spotlight some of these buried treasures and give them the props they deserve. This is probably the most “buried” of buried treasures I’ve … Continue reading
Try as they might, Cube Entertainment just hasn’t been able to push girl group CLC over the finish line. This makes the decision to debut (G)I-DLE a little surprising — especially since these girls are peddling quite a similar sound. But business decisions aside, I’m always here for new female acts that opt for an … Continue reading
Being an idol rock group has to be difficult. If you incorporate choreography or dancefloor-driven electronics to your music, you start to lose any rock “credibility” you might have established. Yet, the idol scene craves the kind of trendy, concept-heavy pop/r&b that is difficult for bands to replicate. Rookie quartet IZ seem to be struggling … Continue reading
Well, isn’t this a nice surprise? I’ve always enjoyed Halo’s music, but the group hasn’t been able to break through with the Korean public in a meaningful way. This struggle has resulted in numerous comebacks that have passed by unknown to most casual k-pop listeners. With a limited budget and consistently decreasing hype, I didn’t … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2018 Overall Thoughts In my mind, April represents the beginning of k-pop’s peak season. From … Continue reading
So far, 2018 has the unfortunate distinction of being the year where almost all of my favorite acts return with underwhelming title tracks. This trend has made it difficult to keep excitement up over the past couple of months. So many groups are abandoning the producers who crafted their winning sound in favor of ones … Continue reading
The day has finally come. Snuper have released enough singles to warrant a top ten list! It’s disappointing that the song to put them over the top is the supremely underwhelming Tulips, but I’m happy to say that the top four entries on this countdown are near-perfect, A+ examples of k-pop. If you haven’t checked out … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. When it rains in EXO-CBX land, it pours. In just … Continue reading
As with too many groups of their underrated stature, Berry Good has been pretty inactive of late. After carving a path of mature, melodic pop with 2016’s Angel and Don’t Believe, last year’s juvenile Bibbidi Bobbidi Boo marked a jarring tonal change that seems to have derailed their momentum. Perhaps this is a reason behind … Continue reading
It’s been exciting to watch The East Light’s music grow since their debut in late 2016, especially as they settled on the perfect disco-infused sound with January’s Real Man. Though the group hasn’t gotten all that much attention compared to some of their idol peers, their performances on weekly music shows are reliably energetic and … Continue reading
Out of more than 120 song reviews this year, only eleven singles have earned a nine or higher from my ratings system — and five of those were Japanese releases. Japan’s stalled Hallyu wave is beginning to make a rebound in an exciting way. While much of this year’s k-pop remains mired in certain trends, … Continue reading
Between Korea and Japan, barely a month goes by without new music from Twice. This prolific release schedule should be an asset, but all it’s doing is making each song feel interchangeable with the last. And now, we’re approaching the point of over saturation. Underwhelming Korean single What Is Love suffered a bit from this, … Continue reading
I’m a massive proponent of groups finding a small circle of collaborators and sticking with them long enough to develop a signature sound. Over the past few years, Snuper and Sweetune have been a match made in heaven, crafting a near-flawless run of distinct (but not identical) singles. With Tulips (튤립) — and the introduction of … Continue reading
Since Sistar disbanded last spring, Hyolyn has been busy with a number of digital singles and duets. Having dabbled in quite a few genres, it feels as if she’s still finding her place outside of her former girl group. But the thing about Hyolyn is that she’s always been a jack-of-all-trades. Her airy vocal sounds … Continue reading
The fact that Lovelyz worked with Sweetune for That Day (그날의 너) is some consolation for personal faves Snuper ditching the production team for their upcoming comeback. It also brings renewed interest to the question of Woollim Entertainment’s partnership with Sweetune. I wish I had some knowledge of the inner workings of the industry, but the … Continue reading
For fans of KAT-TUN, it’s been a long wait. The guys have been on a self-imposed hiatus for nearly two years after founding member Taguchi decided to leave the group. Ask Yourself is their first release as a trio, and their first new music we’ve heard since 2016. This return could have gone any number … Continue reading
Ever since the concept of NCT was announced, I looked forward to the day that all of its members would unite for one dynamic single. I imagined a giant chorus of vocals, an army of dancers. I imagined a song as immense and dramatic as the idea of NCT itself. But all that imagining was … Continue reading
After months of working through the exhaustive BOYS24 roll-out process, IN2IT debuted last fall with an incredibly generic, tropical house inspired single. It felt like a missed opportunity, but the newly released SnapShot rights the ship by balking the very trends its predecessor embraced. As a pure song, SnapShot is really nothing special. But, it … Continue reading
The Bias List // K-Pop Reviews & Discussion 