When it comes to Triple H’s sub-unit debut, more will probably be made of the controversial music video than the song itself. I don’t tend to write extensively about videos, but 365 Fresh is definitely one of the more memorable ones in recent memory. I’m not sure romanticizing things like suicide and drug use is … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2017 Overall Thoughts 2017 continues to fall behind when compared to last year. Though it was easy … Continue reading
When it comes to the founding fathers of modern k-pop, it’s hard to think of one more influential than Seo Taiji. He’s lauded for his solo work as well, but this countdown will focus on his material with Seo Taiji & Boys. The trio released only four studio albums together, but within that short time they amassed … Continue reading
Despite its downbeat title, Sad Song (슬픈 노래) is actually the more uptempo offering from Sechs Kies‘ 20th Anniversary comeback. Calling it a dance track might be a bit misleading, as it retains the moodiness of its counterpart Be Well, but its persistent electro beat gives the song a stylish drive that raises the energy to … Continue reading
When Sechs Kies first signed with YG Entertainment, it was hard to imagine what their new music would sound like. They were one of the defining k-pop groups of the late 90’s, known for hard hitting dance tracks and delicate, mid-tempo singalongs. As with any comeback from a first generation band, I would have hoped … Continue reading
The last time we heard from k-pop royalty BoA, it was as part of another SM Station track. One-off singles are all well and good, but it’s surprising that SM hasn’t given one of their most iconic artists a proper comeback since 2015. With the second season of Produce 101 currently reminding viewers what a warm … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Regular readers are probably getting sick of my continued adoration … Continue reading
LOONA do not need to be any more confusing or convoluted than they already are, and the name of their new song is not helping things. It’s the most needlessly obscure title since Decalcomanie. Sonatine was a 1993 Japanese gangster movie, but I doubt that that was the inspiration for this particular track. I suppose the word could just … Continue reading
The cute and fluffy girl group track is an evergreen in the k-pop world, but it’s been particularly prevalent over the past couple of years. Momoland debuted last November with a track that crash boom banged its way into listeners’ memories in the most shameless, stuffed-with-candy style its producers could muster. New single Wonderful Love … Continue reading
Bullet Train (Choutokkyuu) have never been the most subtle of groups. I mean, just look at that song title. If it wasn’t already demanding enough, they just had to go and capitalize DANCE. But as k-pop continues to strive for the cooler and sleeker and trendier, it can be refreshing to listen to a group … Continue reading
Rather than a full-fledged comeback, Lonely (종현) is part of the second half of Jonghyun’s Story OP project, which collects songs he’s written based on stories sent in by listeners of his now-completed Blue Night radio program. It’s an interesting conceit for an album, and the work itself couldn’t be more different than the material … Continue reading
There’s something to be said for sticking with a producer for longer than a handful of releases. And when that producer is Sweetune, a group can be assured that they’re in good hands. Though Snuper may not have reaped the same commercial success as some of their peers, they have been the most consistent rookie group … Continue reading
Co-ed group K.A.R.D’s pre-release strategy has been ambitious and quite successful, and with Rumor they’ve completed the trilogy of singles that herald their upcoming debut. If K.A.R.D’s story so far is one of rising tension and interest, we should be heading toward a climax. But strangely enough, the group has given us similar-sounding tracks three … Continue reading
One of k-pop’s most daring boundary-pushers, Gain is not only part of girl group Brown Eyed Girls, but a compelling solo artist as well. Over the course of six mini albums, she’s delivered a diverse variety of styles and sounds, all woven together by the force of her undeniable charisma. Here’s her best work. 10. … Continue reading
Though k-pop rises or falls on the strength of its singles, a group’s real strengths can often be found in the lesser-known material that makes up their mini albums and full lengths. The definition of “album” in k-pop is so wide that I’ve got to lay down some ground rules before composing any sort of … Continue reading
Many have given IU the nickname “digital queen.” Such is the strength of her wide-reaching popularity in Korea. Nearly anything she releases instantly jumps to the top of the charts, even if her music may not make the same waves internationally. She’s by no means unpopular outside of Korea, but like Taylor Swift in the States, … Continue reading
This time last year I was writing about Apink’s 2016 fan appreciation song, which managed to be a pretty solid representation of a sub-genre that’s severely limited in scope and creativity. There’s just not a lot you can do with this style of release. Always was never going to be edgy or inventive. Its production … Continue reading
Whenever you have a music market that’s over-saturated, there are bound to be groups that struggle to stand out. For DIA, this struggle has been a constant one. None of their singles have been unpleasant, but time after time it feels like they’ve been given another group’s leftovers. I don’t doubt the girls’ talent or … Continue reading
With Kyuhyun soon to fulfill his mandatory military conscription, there’s a hole for another solo Super Junior balladeer to fill. Yesung seems to be up to the task, releasing the very OST-sounding Paper Umbrella (봄날의 소나기). This follows his spring-like Here I Am from last April, which I was not a fan of. When it … Continue reading
Breakout rookies SF9 are wasting no time establishing themselves, releasing a new mini album just two months after the last one. Thus far, the group has adopted an aggressive hip-hop style with mixed results, but for Easy Love (쉽다) they’ve switched it up quite a bit. This is SF9 as melodic as we’ve ever heard … Continue reading
The Bias List // K-Pop Reviews & Discussion 