It’s been nearly a year and a half since B1A4 made a comeback in Korea, and the wait has felt like forever. They’re one of the few idol groups who truly have a sound all their own, and even though leader/composer Jinyoung has found much success this year producing for girl groups, there’s nothing that can … Continue reading
Following in their label-mates FTIsland‘s footsteps, CNBLUE were the second big idol band from FNC Entertainment. They perform in a somewhat lighter, pop and funk influenced style, and have enjoyed incredibly success in both Korea and Japan. And although their biggest digital hit to date, I’m A Loner, didn’t quite make it on my list, … Continue reading
K-Pop is an agency-driven genre, meaning that what gets put into the market is often expertly crafted by a team of individuals and hoisted upon a group/artist who then takes it to the next level with their talent and charisma. This doesn’t necessarily take art out of the equation, but it does create an environment … Continue reading
As a companion to my Top Ten Singles lists, it’s time to look at some of the best album tracks and b-sides from the best artists. In light of the very sad news of 2NE1’s disbandment today, it seems like a perfect time to take another look at their discography. In true YG style, they’ve … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. JINYOUNG Years … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition, too. In the singles-oriented world of kpop, I want to spotlight some of these buried treasures and give them the props they deserve. Over their relatively brief career, UP10TION have already dabbled in a … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition, too. In the singles-oriented world of kpop, I want to spotlight some of these buried treasures and give them the props they deserve. Of all the title tracks that I’ve written about this month, … Continue reading
Though she’s been a member of two girl groups this year, neither I.O.I nor Gugudan have managed to display Kim Sejeong’s full talent. Consistently ranked at or near the top during the Produce 101 variety series, she quickly became known for her incredible vocals and refined image. She seems perfectly suited to ballads, which makes … Continue reading
In a truly how-the-hell-did-that-happen moment for k-pop, veteran girl group Sistar have collaborated with disco/dance legend Giorgio Moroder for special single One More Day. Given that Moroder is practically the originator of what we now call EDM, it makes sense that the track is dance music at its most classic, eschewing today’s tired build/drop format … Continue reading
VIXX have had an incredibly prolific 2016, releasing six singles between both Korea and Japan. Though there have been some major standouts, as the year’s gone on it’s begun to feel a bit more like quantity over quality. But thankfully, after the downbeat double header of Fantasy and The Closer, Milky Way brings back a … Continue reading
Boy group UP10TION are back with their fifth (!) mini album in the space of just over a year. This is the way to do it for rookies — just blitz the market with continual comebacks so that no one can forget you. And it’s working. The guys wowed me with August’s Tonight, which felt very … Continue reading
90’s boy group Sechs Kies have recently returned after sixteen years away from the music scene, signing with mega agency YG Entertainment. Back in k-pop’s first generation of idols, the title track system wasn’t quite as refined and uniform as it is now, so it was a bit tricky to decide which songs would actually … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. BRAVE BROTHERS … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition, too. In the singles-oriented world of kpop, I want to spotlight some of these buried treasures and give them the props they deserve. Astro’s music is consistently strong, whether we’re talking about title tracks … Continue reading
Rookie group KNK are back with a new single… and no music video. Citing quality issues, the (presumably) completed video was cancelled and won’t be re-filmed. It’s a head-scratcher of a move, and would actually be kind of laughable if it wasn’t so sad. I mean, imagine the poor editor realizing that, no matter how … Continue reading
Taking into account both Korean and Japanese releases, BAP has now given us six singles since last November. And although none have become instant classics in their discography, the fact that they’ve all been so consistently good (and varied in sound) is quite a feat. Fly High continues that trend, opting for a more generic … Continue reading
The moment I heard a brief preview for It’s Raining, I nearly jumped out of my seat with excitement. I’ve long held the opinion that Infinite’s The Chaser is the best k-pop song of all time, and It’s Raining seemed to be using its sound as a template. Snuper have made their name in partnership … Continue reading
Repackages of albums are pretty common in k-pop, especially when you’re dealing with SM Entertainment. But Shinee’s new one has got to be a record, arriving only five weeks after October’s 1of1. Not that I’m complaining. The hypnotic Tell Me What To Do pairs the group with prolific producer/composer Yoo Young-Jin for the first time since … Continue reading
After two years with a stranglehold on the charts, AOA have had a difficult year in Korea. So, it makes sense that they’d put renewed focus on their Japanese career with the release of Wow War Tonight. The song sounds nothing like the two original j-pop singles they’ve given us thus far, but that’s actually … Continue reading
As the weather gets chillier and December approaches, it’s the time of year to dust off the old K-pop Christmas playlist. Korean acts have been giving us special holiday songs for years, but I narrowed my ten picks to tracks released over the past five years. Some have official music videos, and some do not. … Continue reading
The Bias List // K-Pop Reviews & Discussion 