Disclaimer: As with my write-ups on the Big Three agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general k-pop fan-base. Before you … Continue reading
Disclaimer: As with my write-ups on the Big Three agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general k-pop fan-base. If you’re … Continue reading
In what has become an annual tradition, it’s time to take a look at K-pop’s biggest agencies and offer my 2018 verdict. Last weekend, I looked at SM Entertainment and YG Entertainment, and now it’s time to complete the “big three” with JYP Entertainment. As usual, the thoughts are my own and aren’t privy to any … Continue reading
In what has become an annual tradition, it’s time to take a look at K-pop’s biggest agencies and offer my 2018 verdict. After yesterday’s focus on SM Entertainment, it’s time to move onto YG Entertainment. As usual, the thoughts are my own and aren’t privy to any insider information. I’m not taking into account things … Continue reading
In what has become an annual tradition, it’s time to take a look at K-pop’s biggest agencies and offer my 2018 verdict. First up is SM Entertainment. As usual, the thoughts are my own and aren’t privy to any insider information. I’m not taking into account things like profits and stock value. The purpose of … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. CODE 9 … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. LEEZ Years … Continue reading
Launching in mid-2015, DSP Media’s April debuted with six members (including KARD’s Somin as their leader). Three years later, the group still has six members, but not without a few changes over time. What hasn’t changed all that much is their sound — an effervescent burst of innocent pop music with the occasional symphonic flourish. … Continue reading
The idea of music agency fandom might seem strange to Western audiences, as most notable labels around the world are vast corporations with rosters that share very little common. But of course, K-pop is different. Even as the industry has expanded, it has remained a relatively small microcosm of the global pop music landscape. When … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Sweetch Years … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Steven Lee … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Collapsedone Years … Continue reading
Another year of KCON LA is behind us, and it was a fantastic experience. Instead of simply recapping the weekend, I thought I’d offer some sage advice from a veteran KCONer. This was my fourth year attending the event, and there’s a lot I’ve discovered since 2015. So strap yourselves in, because this is officially … Continue reading
Debuting in 2014, Laboum have slowly gained prominence through a series of stylistic shifts. Though they’ve yet to break into K-pop’s upper echelons, they’ve given us ten super-solid pop singles. Here they are, ranked up to the very best! 10. Pit-A-Pat (2014) A bubbly debut, Pit-A-Pat surges forward with percussive production and a huge chorus that … Continue reading
Of all the girl groups working in K-pop right now, GFriend have consistently released my favorite music. This makes their top ten list pretty incredible, as the vast majority of these songs are absolute stunners. The group hasn’t been quite as prolific as some of their peers when it comes to title tracks, releasing only … Continue reading
In just a few short years, Taeyeon has gone from being the leader of Girls’ Generation to one of SM Entertainment’s most bankable solo stars. And with the recent arrival of her Japanese debut, she’s released just enough singles for a top ten list. Now, my favorite Taeyeon song of all time happens to be an … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Ferdy Years … Continue reading
To celebrate SHINee’s tenth anniversary, and their recently completed Story of Light project, it’s the perfect time to look back at their impressive catalog of album tracks and b-sides. This was a post I was both looking forward to and dreading. SHINee’s discography is too strong and vast to narrow down to only ten tracks. … Continue reading
As part of my 2018 mid-year retrospective, it’s time to look at those songs that either rose or fell as the months have passed. Some songs are slow-burners. Others impress in the moment but fizzle out quickly. And sometimes, a song surpasses expectations to become a cultural phenomenon. This year has actually seen more risers … Continue reading
Now that I’ve had a chance to spotlight the year’s best singles, it’s time to look at the standout albums of 2018’s first six months. As usual, I split the categories between full and mini, with three strong contenders from each. What are your picks? FULL LENGTH ALBUMS Infinite – Top Seed While their first comeback … Continue reading
The Bias List // K-Pop Reviews & Discussion 