Before enlisting in the military, two out of three members of Infinite have preceded their absence with a solo album. Now that main vocal Woohyun’s back with new material, I can’t help but think he’ll be going on hiatus soon. This makes Hold On Me bittersweet, to say the least. Woohyun faces stiff competition, but … Continue reading
With over 2,600 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. VERIVERY had a b-side on their debut mini album called Alright. … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Overall, I like The Boyz’ new single Bloom Bloom. But, my … Continue reading
Park Bom made her triumphant return to K-pop only seven weeks ago. But, she’s already back with a repackage of her first mini album — led by new title track 4:44 (4시 44분). The song features Mamamoo’s Wheein as a guest vocalist, which seems like a surprising (but not unwelcome) pairing. Freed from the logistical … Continue reading
As you might have guessed from reading my glowing end-of-year coverage, Golden Child have become my personal bias group from this new generation of K-pop. So what happens when my favorite group releases a song based on one of my least favorite genres? To be fair, Spring Again (그러다 봄) isn’t really an official comeback. … Continue reading
Kim Donghan is a self-professed Taemin fanboy, and his music is at its best when it leans heavily into those influences. He released two solo singles last year, and each left me with very different reactions. The Taemin-esque Sunset rode on an addictive early-summer groove, but the overly trendy Good Night Kiss totally fizzled. New … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2019 Overall Thoughts After a March that included some of my favorite songs of the … Continue reading
Musically, boy group Spectrum had a pretty solid 2018. Their sound borrowed heavily from current trends, but by sticking with production team Code 9, their burgeoning discography felt cohesive. It’s a shame, then, that they’re still largely unknown by K-pop fans. Such is the struggle for rookie groups from small agencies. Without the benefit of … Continue reading
Over their seventeen-month history, The Boyz have waffled between lighter and darker concepts. Long-time readers will know that I’m most inclined towards their funkier material, but November’s No Air ended up growing on me quite a bit. Nevertheless, I was excited to see that Bloom Bloom would bring them back to a bright, poppy sound. … Continue reading
It goes without saying that Nu’est’s career has been anything but typical. Their phoenix from the ashes story is the stuff of K-pop legends, and it all culminates today with their first full-group album in almost three years. After a highly successful 2017-18 in the form of sub-unit Nu’est W, the group’s reunion is also … Continue reading
With over 2,600 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’ve gotta say, I’m fully embracing this subtle Twice transformation. As … Continue reading
Another day, another post-Wanna One debut. And like so many of these solo tracks, Bae Jinyoung’s Hard to Say Goodbye (끝을 받아들이기가 어려워) is a ballad. This fact alone makes it difficult to drum up any interest, as you essentially know what you’re going to get before the song even starts. Jinyoung never felt like … Continue reading
After the disbandment of Wanna One, we’ve seen many of the group’s members make solo debuts, but we’ve yet to see what happens when several of them come together under a new moniker. Apart from Nu’est (which is its own special case), AB6IX will likely be the first time we learn how popular this post-Wanna … Continue reading
Yoon Jisung has made a quick turnaround with his second release after the disbandment of Wanna One. Because of his age, Jisung must begin serving his mandatory military conscription next month, which doesn’t leave much time to develop a solo career. It was definitely smart to strike while the iron is hot. I just wish … Continue reading
NewKidd join a growing list of fresh debuts that have kinda… sorta… already debuted. I get that their 2017-18 sub-unit releases don’t really count, but they even performed last year’s Shooting Star on music shows. Add that to member Hansol’s pre-debut, NCT-training hype and it feels like these guys have been around forever. Nevertheless, it’s … Continue reading
This may be a controversial opinion, but by focusing solely on solos and sub-units these past four months, it feels like SM Entertainment has kind of thrown away a third of the year. This isn’t to say that solos and sub-units are unwelcome, but most of the ones we’ve gotten from the agency in 2019 … Continue reading
For as often as Super Junior’s Kim Heechul is on TV, it’s easy to forget that he first made his name as a singer. His solo work has always been rooted in classic rock to some extent, and he definitely has the voice for it. His sub-unit duo M&D produced some inspired music, drawing on … Continue reading
I adore TXT’s debut mini album, and I wouldn’t be at all surprised if they end 2019 as my favorite rookies of the year. Yet, when I heard that Cat & Dog (of all tracks) was selected to be a follow-up to the brilliant Crown, I wasn’t sure how to feel. In the context of … Continue reading
The Bias List // K-Pop Reviews & Discussion 