Holland made waves earlier this year as Korea’s first openly gay idol star, and most of us were happy to overlook a relatively subdued (some would even say “dull”) debut song for the larger meaning behind it. Now, he’s returned with stronger production and an even ballsier statement. I’m Not Afraid isn’t quite perfect, but … Continue reading
Over the course of Nine Muses’ convoluted history, the group has been home to fourteen different members. Not all have promoted at the same time, with girls leaving and joining on a pretty regular basis. This constant churn has made unit cohesion a difficult concept, and also affects the members’ ability to successfully go solo. … Continue reading
One of the most refreshing things about Golden Child’s emergence as K-pop rookies is their full embrace of upbeat, unashamed pop music. As idol groups continue to push into the West with sounds appealing to current trends, Golden Child has maintained a more classic approach. From Damdadi to It’s U, their brand of hooky, high-energy … Continue reading
It’s hard to believe that it’s already been eight years since Teen Top made their debut. While they’ve never been at the very top of the K-pop pack, they’re an example of a group who has remained remarkably steady over the years. Even after losing member L.Joe to contract re-negotiations, they’ve carried on with their … Continue reading
Over the past few years, Apink have stuck to a very familiar pop sound. For many, it felt like the group was simply spinning their wheels rather than expand expectations of what an Apink single could be. While this tried and true formula resulted in a steady level of success, the girls ran the risk … Continue reading
I’m never one to balk at the thought of new music, but Wag-zak’s existence is a bit of a head-scratcher. Released quietly on a weekend, days before the comeback of another Woollim Entertainment act and without the participation of main vocal Jin, I’m not sure what the song’s commercial goal is supposed to be. But … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2018 Overall Thoughts After two and a half years, it finally happened. June’s cumulative rating … Continue reading
As successful as Taeyeon has been in Korea, I’m surprised that it took SM this long to launch her as a soloist in Japan. The agency has been killing it with their Japanese releases lately by maintaining their artists’ signature sounds with a few j-pop twists. Taeyeon could have easily promoted Stay in Korea, and … Continue reading
It didn’t receive nearly as much media attention, but 100% are currently in a similar situation as SHINee. They’ve also been reduced to a four-member group after the tragic loss of their leader Minwoo earlier this year, even if the exact circumstances may differ. Japanese single Summer Night is their first new music without him, … Continue reading
After Sistar’s disbandment last year, there’s a gap in the market for the new k-pop queens of summer. AOA seemed to be gunning for the position with May’s Bingle Bangle, and Momoland made a convincing bid with this week’s BAAM, but ELRIS have gone one step further by returning with an album entirely dedicated to … Continue reading
When producers LDN Noise and Ryan S. Jhun collaborate, we tend to get instant classics. From Married To The Music to Dumb Dumb, their track record is incredibly strong. And frankly, I’m surprised that KBS was willing to secure such behind-the-scenes star power for UNB. It would be easy to saddle the temporary project group … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. If I have any misgiving about Nu’est’s post-2016 material, it’s that … Continue reading
It’s so great to have TVXQ back, steadily releasing new music in both Korea and Japan. Yet as much as I’ve enjoyed their new material, I’m still waiting for a comeback with that old “SM Performance” style that they execute better than anyone. Over the course of its history, the duo’s Japanese discography has been … Continue reading
Other than fromis_9’s debut in January, producers Iggy and Youngbae have had a pretty barren 2018. Most of their recent work has been relegated to b-sides on girl group albums. But now the duo has been enlisted to pen the debut title track of new group NeonPunch. And rather than emulate the innocent pop sound … Continue reading
Sometimes time away can be a good thing. “Absence makes the heart grow fonder” is a cliché for a reason. Last year, DAY6 were incredibly active in Korea, releasing two songs a month as part of their Every DAY6 project. But though this resulted in some exciting music during the first half of the year, … Continue reading
Momoland’s Bboom Bboom only improved the more popular and ubiquitous it became. There’s something irresistible about cultural touchstones — hooks and moves and moments that everyone knows (whether they enjoy them or not). But this mega-hit status presents one very big problem. How do you follow up on a phenomenon? Years ago, Crayon Pop were faced … Continue reading
Nu’est’s post-Produce 101 ascendance has been nothing short of extraordinary, and I’m surprised that they took so long to follow up on last October’s successful Where You At. Despite that song’s adherence to the annoying-instrumental-drop-as-chorus trend, I eventually came around to enjoying its dynamic arrangement. In contrast, new single Dejavu feels much more subdued and less … Continue reading
Ever since the announcement of SHINee’s sixth album promotions, many were wondering how the group would address the unavoidable — the tragic passing of founding member Jonghyun late last year. It was there in the melancholic edges of Good Evening, and even in I Want You’s wistful lyrics, but it’s woven into every fiber of … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. ESBEE Years … Continue reading
Ever since their debut in late 2016, The East Light have provided a steady stream of music in collaboration with their producer Midas-T. Taking into account pre-releases, title tracks and follow-up promotions, the group has never truly gone on hiatus in almost two years. This unending schedule would be tiring if the music wasn’t always … Continue reading
The Bias List // K-Pop Reviews & Discussion 