It’s time to flash back seven years to 2012, an era of huge choruses, thumping dance beats and an endless supply of sci-fi influenced music videos. 2012’s charms were endless, but here are fifty of the absolute best singles. To be eligible for this top fifty list, songs must have had a Korean release as … Continue reading
It’s time to flash back seven years to 2012, an era of huge choruses, thumping dance beats and an endless supply of sci-fi influenced music videos. 2012’s charms were endless, but here are fifty of the absolute best singles. To be eligible for this top fifty list, songs must have had a Korean release as … Continue reading
It’s time to flash back seven years to 2012, an era of huge choruses, thumping dance beats and an endless supply of sci-fi influenced music videos. 2012’s charms were endless, but here are fifty of the absolute best singles. To be eligible for this top fifty list, songs must have had a Korean release as … Continue reading
This is one of those features I’ve been wanting to tackle for years now. In many ways, the singles of 2012 set the standard I measure all future and past K-pop against. Song for song, it was the pinnacle of so much that I love about Korean music. It was a year of gargantuan choruses, … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2019 Overall Thoughts Last year, January bucked expectations and became my favorite musical month of … Continue reading
When it came time to draft my “top ten rookies of 2018” list, I wanted to find a place for NeonPunch. After all, their June debut was an early-summer highlight amidst a sea of similarly-pitched 90’s dance throwbacks. But, the girls came and went without much fanfare. With only one song to their name, it … Continue reading
If judged solely by the English-speaking corners of K-pop’s internet fandom, CLC might as well be the biggest girl group on the planet. In their four years of promotion, they’ve yet to enjoy any major milestones in Korea. However, they’ve amassed a dedicated international following eager to support the underdog. That fan base has strengthened … Continue reading
In a first for the Produce series, girl group IZ*ONE will be promoting actively in both Korea and Japan. As jaded as I’ve become with these survival series, I’ve got to admit that this is a pretty shrewd business decision. The girls have already made a strong mark in Korea with La Vie en Rose … Continue reading
Those who have followed The Bias List for some time have gone on the Snuper journey right alongside me. It’s a story that starts with Sweetune-fueled promise, climaxes with Sweetune-fueled perfection, and takes a nasty little turn with a non-Sweetune-fueled 2018 that is better left forgotten. Time will tell if there are still pages left … Continue reading
Debuting in 2016, Pentagon have finally amassed enough title tracks to be eligible for a top ten countdown. Of all the rookies in their generation, it feels like Pentagon have been on a roller coaster of highs and lows, finding both breakout success and frustrating hardships. Through it all, they’ve built a rock-solid discography, equally … Continue reading
In theory, boy group Hotshot stood to benefit big time from 2017’s second season of Produce 101. But despite member Sungwoon becoming part of Wanna One, the guys have struggled to stand out in K-pop’s ever-competitive industry. Both group comebacks came and went without much fanfare, and it’s unclear if that will improve now that … Continue reading
After a series of scattershot singles, IMFACT hit me hard with last year’s NaNaNa. It worked within a now-familiar genre (deep house), but inverted the structure just enough to simultaneously make it interesting and draw on the guys’ impressive vocals. Thankfully, new single Only U follows the same general sound, even if it feels more … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Seventeen’s new album is primarily a downbeat affair, which matches the … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Over the course of their two mini albums, I’ve come to … Continue reading
The year of debuts rolls on with the first new girl group of 2019. Cherry Bullet hails from FNC Entertainment, home to AOA. Perhaps inspired by their seniors, the girls have been teasing a video game concept similar to last year’s Bingle Bangle. And true to form, Q&A feels like Bingle Bangle with more bite. … Continue reading
I’ve gotta admit, I was worried. When Seventeen started teasing Home as a mixture of “future” r&b (why is everything labeled “future” so hopelessly dull?) and more traditional balladry, I prepared myself for the worst. You all know how tired I am of pop music’s ever-increasing love affair with downbeat pace and moody atmosphere. Add … Continue reading
2019 is still young, but it’s already given us an Eung Eung, a Ya and now an U Um U Um (으음으음). Is this the year of nonsense filler word titles? Probably not, but it’s an interesting pattern. Hyomin’s U Um U Um (that’s a lot of U’s!) follows last year’s Mango, which didn’t sit … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. It’s ironic (and feels almost sinful to write), but now that … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Astro have taken a slightly more mature turn on their new … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. After a 2018 that saw few notable debuts, 2019 seems like … Continue reading
