After taking a look at K-pop’s biggest agencies, I’d like to turn my attention to the smaller (but still important) players in the K-pop game, three at a time. Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
There’s a specific style of J-pop performed by Korean acts (or Japanese acts fronted by Korean companies) that’s become ubiquitous over the past few years. Anything related to the Produce franchise or HYBE Corporation seems to be sucked into its orbit, and Mirae’s new Japanese single Running Up also fits within this framework. It’s characterized … Continue reading
I’ll be forever side-eying DSP Media for abandoning Mirae’s promising futuristic concept to turn them into just-another-boy-group. Since then, their music then has seen highs and lows but lacks continuity and vision. Jump is another sonic swerve, borrowing elements from early-90’s hip hop and fusing them to a rather pedestrian song. I like this group … Continue reading
Following a tradition first established in 2020, I’m celebrating the holidays today with the opening of gifts. These packages come in the form of seasonal K-pop tracks not yet reviewed on the blog. This year, the rules are simple. I’m either keeping the gifts or planning to return them. There’s a pretty fine line between … Continue reading
I spend the whole year plucking “buried treasures” from K-pop’s vast slate of albums, and now it’s time for those b-sides to have their own countdown! As usual, some of 2022’s strongest music was never promoted with a glossy video or music show blitz. Over the next two days, I’ll be counting down my forty … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I was pumped for Mirae’s long-awaited … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2022 Overall Thoughts Well, September was certainly a contrast to August! With hindsight, August was … Continue reading
I picked Mirae as my top rookie of 2021, but so far runners-up IVE have eclipsed them in 2022. This is due to a variety of factors. DSP Media has waited too long between comebacks, and has had difficulty building upon the futuristic theme of Mirae’s debut. But with new album Ourturn the first of … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2022 Overall Thoughts It’s a new K-pop year! I always feel optimistic in January because … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Nothing about Mirae’s new album cements … Continue reading
I chose Mirae as my favorite rookie of 2021 due to the strength of their single Killa as well as their entertaining presence in variety. But, follow-up track Splash revealed a weakness in their armor. Like so many K-pop acts, their sound seems dictated by a “throw everything at the wall” approach rather than an … Continue reading
Each year, it feels like my B-Sides and Album Tracks list grows stronger and stronger. Too often, K-pop agencies miss the boat on releasing these incredible songs as title tracks. 2021 was no different, revealing a host of gems that would have topped my Singles list had they been promoted. Instead, I’ve got two days … Continue reading
This was a very uneventful year for K-pop rookies. There were no big agency debuts until Xdinary Heroes a few days ago, leaving 2021 to acts who were more under-the-radar. For me, none of these rookies were consistently excellent. Some released one or two knockout songs, only to follow-up with underwhelming returns. Others are too … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. It’s very common for K-pop acts … Continue reading
In a year without many excellent debuts, Mirae’s Killa easily stands at the top of the pack. The guys emerged with a fully-realized futuristic sound that complimented their group name and showcased their skills. They did exactly what a good rookie is supposed to: invite listeners into their world and make a convincing claim as … Continue reading
What a difference a year makes! This time in 2020, I struggled to cobble together a mid-year list worth celebrating. I ended up finding five songs, though one wasn’t technically a single. This year, I’ve got a whopping fourteen tracks! That’s quite a turnaround, and a testament to 2021’s strength. Because of this, I’ve scrapped … Continue reading
The Bias List // K-Pop Reviews & Discussion 