After last week’s EDM track, it seemed as if SM Station may have been transitioning to a more uptempo output. But, never underestimate how deeply Korea loves a big, drippy ballad. And given the enormous success of Baekhyun’s duet with Suzy earlier in the year, it only makes sense that SM would seek to capitalize … Continue reading
I missed talking about CoCoSoRi’s debut back in January, though it’s probably for the best since it didn’t really leave much of a mark on me. I applaud the duo’s desire to take the quirkier girl group route favored by acts like Orange Caramel and Crayon Pop, especially since there isn’t a lot of it … Continue reading
Many idols thrive on a larger than life stage image, but you never really feel that with Park Boram. She has a unique, conversational style that feels more like she’s sitting across from you in a coffee shop talking about her day. While this likely attracts many listeners looking for something more personal and relatable in their … Continue reading
I want to preface this review by noting that I named Super Junior’s Devil as my top kpop song of 2015. I mention this because I know how fan loyalty and bias can color the work of groups and individuals, especially those from acts as big as SJ. I’m sure I’ll be just as biased with … Continue reading
So far, SM’s weekly Platform experiment has been a disappointment, supplying almost exclusively slow and unmemorable side tracks. The fact that it’s billed as being a bonus or supplement to the agency’s usual releases makes it hard to be completely annoyed with it, but it still feels like a missed opportunity. I’m not going crazy over … Continue reading
Naming your debut song Macarena certainly sets up some very specific expectations, and most of them aren’t that great. Never in my life have I felt the need for a kpop cover of the infamous Macarena song, so I’m thankful that this track sounds nothing like it, even though the choreography incorporates its most iconic dance move. … Continue reading
For better or worse, when it comes to Hyomin’s solo material, she’s become known as much for her body as her music. This began with 2014’s controversial Nice Body, and now continues with the sensual Sketch and its downright raunchy music video. Now, there’s nothing wrong with a salacious image, as long as it’s connected to … Continue reading
Red Velvet’s Dumb Dumb was one of the best kpop tracks of last year and, along with Ice Cream Cake, helped to build tremendous good will towards the girls. Because of this, I’m utterly bewildered by SM’s decision to release the tepid, downtempo One Of These Nights as their new single. Part of me wants … Continue reading
The Bigbangification of Beast continues with Guess Who, their new Japanese single. They began to veer toward this more hip-hop influenced sound with last year’s Yey, but that song grew on me the more I heard it. I’m not sure Guess Who will share the same fate. There’s just not as much to hold onto … Continue reading
With each song released through SM’s Music Station, it’s becoming more apparent that the platform is tailored to solo or duet ballads. This makes sense, as the songs aren’t promoted through performances or appearances, and it would be counter-intuitive to waste a full-fledged concept or choreography on something that is essentially a bonus treat for fans. … Continue reading
KNK are a new boy group with YNB Entertainment, home to (highly underrated) girl group Bestie. Because I’ve enjoyed Bestie’s material so much, my interest was piqued when it came to KNK. Unfortunately, I think I’m going to have to wait until their follow-up single before forming a solid opinion about them, because Knock has … Continue reading
In case it wasn’t clear, new boy group Voisper’s name stands for voice + whisper. I’m not exactly sure what this is supposed to mean. I know that in Kpop Star, JYP always preaches the importance of “half air, half voice” when singing, but I’m not sure a whisper approach would sound anything but creepy. … Continue reading
This has got to be the most embarrassing release from a major company in recent memory. CLC are from Cube Entertainment, home to such icons as Beast and 4Minute. They struggled in their debut last year, despite releasing some songs I really enjoyed. Now, after a nine-month hiatus, they’ve come back with two new members. … Continue reading
As a sub-unit of girl group AOA, AOA Cream is composed of members Chanmi, Hyejeong and Yuna, none of which have received a huge spotlight in the past. I don’t believe for a second that the trio’s suggestive name was an accident. AOA’s ridden the sexy concept to great success, but they’ve had a series of very … Continue reading
For anyone worried that Mamamoo’s upcoming album would be one-note, we now have their second pre-release, the satirical Pride of 1cm. Compared to the gorgeous darkness of I Miss You (review here), 1cm is a total departure in sound and message. Skewering Korean idols’ obsession with height, the track comes across as more of a … Continue reading
R&B singer Dean (often stylized DΞΔN) is the new kid of the block who seems poised to gain a lot of traction this year. He’s written great tracks for EXO and Vixx, among others, and has been steadily collaborating with other artists over the past year or so. But, when it comes to his solo … Continue reading
As stylish and charismatic a figure as Kim Jaejoong is within the Korean entertainment industry, I’ve always found his solo music to be melodically lightweight. Other than the heavy goth concept of Mine, none of his past singles felt particularly impactful. That’s not to say that they’re bad. It’s more an admission that, to me at … Continue reading
The guys of 2PM have been in the kpop scene in one form or another for over seven years, which means that the time is drawing near for their mandatory 2-year military conscription. As such, I fully expect that we’ll be hearing a lot from them for the next year or so, and that starts … Continue reading
I feel like you have to be in the right mood to properly enjoy a Korean ballad. More often than not, they adhere to a very specific (some would say schmaltzy) formula that fits best as the background to a k-drama. However, this particular ballad carries a bit of a different pedigree to it, given … Continue reading
I have great admiration for Shinhwa as a group and love a lot of their material, but for some reason none of the members’ solo output has done anything for me. Unfortunately, Shin Hye Sung’s new song continues the trend. It really comes down to personal preference, because the song succeeds in what it sets out … Continue reading
The Bias List // K-Pop Reviews & Discussion 