ATEEZ’s years-long Treasure project remains one of K-pop’s most daring works – exciting, inventive and packed with killer songs. But so far, I’m not feeling the “Fever.” This follow-up project now has two mini albums under its belt. I thought its opening salvo, released last summer, was fine even if it felt more like a … Continue reading
N.Flying recently renewed their contracts with FNC Entertainment, ensuring years of new music from the band. With this firm foundation under their feet, this is the perfect time to stretch themselves with things like solo projects. Leader Seunghyub has participated in collaborations before, but On The Track (released under his moniker J.Don) is his first … Continue reading
Last month, GOT7 announced their departure from JYP Entertainment. And as the members started signing with other agencies, a reunion or continuation of group activities seemed more and more unlikely. Yet, out of the blue a new GOT7 youtube channel appeared this week, with leader JB (now coined “Jay B”) promising that the group isn’t … Continue reading
My love for Lucy’s music wasn’t immediate, but it bloomed big time over the course of 2020. The group is at their best when they embrace the full drama of their configuration, pulling in sweeps of theatrical violin courtesy of leader Yechan and pushing main vocal Sangyeop to utilize the full expressiveness of his rich … Continue reading
Starship Entertainment’s collaboration with Pepsi continues to bear unexpected collaborations. This time, it’s ex-Sistar member Soyou and Produce 48 girl group IZ*ONE (with rapper pH-1 thrown in for good measure). With ZERO:ATTITUDE, they’re given the kind of frothy dance pop befitting a soft drink advertisement. The track is pleasant fun, buoyed by production by popular … Continue reading
I’ve always felt that there was a thin line between trot and country music. The genres don’t really sound the same, and hail from completely different cultures. But, their emotive, confessional nature feels similar. So, what would a country song sound like if performed by a trot singer? JYP’s Corny Love Song (촌스러운 사랑노래) attempts … Continue reading
Reboots always scare me a bit, especially when attached to a group or artist that I like. I’m all for musical growth, but a “reboot” connotes something more dramatic – a shedding of an old sound in favor of something completely new. The Rampage’s upcoming album bears this troublesome name, and from the tracks we’ve … Continue reading
After his success on Produce X 101, UP10TION’s Kim Wooseok embarked on a solo career. So far, this has resulted in one mini album last May. Given its robust sales, I’m actually surprised that Top Media waited so long to give him a comeback. But better late than never, I suppose. He finally makes his … Continue reading
Whether intentional or not, SM Entertainment has established a template for debuting their newer girl groups. Open with a big, colorful dance track and follow up with a cover of a late-90’s/early 00’s Yoo Young-Jin produced song. This combination worked wonders for Red Velvet, but both Happiness and Be Natural were dynamite songs. I liked … Continue reading
Infinite’s Kim Myungsoo – better known by his stage name L – is in a nebulous position. He hasn’t officially left Infinite, yet he’s no longer part of their agency Woollim Entertainment. I’m not sure how that works regarding any future reunion, but that point is moot for a while. His special single Memory (기억과 … Continue reading
Like agency seniors Mamamoo, girl group Purple Kiss are building toward their upcoming debut with a series of pre-releases. This is a great way to showcase the group’s skills without confining them to one box, and the two songs we’ve now heard certainly display versatility. Last year’s My Heart Skips A Beat painted them as … Continue reading
IZ*ONE’s D-D-Dance has been floating around for a few days, with the official video premiering today on the Universe app (hence the “extended preview” version embedded below). The track is essentially a CF. And as the history of K-pop CFs has taught us, that means that the quality of the song could really land at … Continue reading
Oftentimes, it feels as if I appreciate the idea of a HyunA song more than the actual song itself. She’s such a fierce, charismatic performer, and has played an integral part in the last decade (and more!) of K-pop. She’s also released her fair share of classics, both as a soloist and part of girl … Continue reading
Taken together, IU’s past three singles (Blueming, Eight and Into the I-LAND) form an overarching sound that comes across as quite cohesive. They’re all feel-good, sing-along pop anthems, and I honestly can’t figure out why I haven’t played them more than I have. This style is a great match for IU’s vocal, and I’ll be … Continue reading
Girl group Berry Good are at that fateful crux in their career, seven years after debut. It’s the time when they’ll need to decide whether to keep going as a group or let their contracts lapse. Although they haven’t yet managed to break into the K-pop big leagues, they’ve released their fair share of solid … Continue reading
Lately, I’ve noticed a worrying boy group trend. I like to think of it as “the Road to Kingdom effect”. It’s like a K-pop pissing contest, where comeback tracks have become little more than tools to showcase elaborate, badass performances. This shouldn’t be a bad thing, right? But we’re getting to a point where these … Continue reading
I always feel guilty reviewing Epik High comebacks. I know that they’re beloved for their artistry, and there are quite a few Epik High tracks and albums that I love as well. But over the past years, their music just hasn’t been for me. At a certain level – and especially when it comes to … Continue reading
Thus far, AleXa has made her name on high-octane dance tracks, designed primarily to showcase her choreography and concept. It’s somewhat surprising, then, that she’s returned with a stripped-down ballad. Of course, it is the winter season, and January has a history of being very ballad-heavy when it comes to K-pop. I imagine that AleXa’s … Continue reading
After a Produce X 101 fueled boost, Victon have steadily released music and built a re-energized fan base. Sadly, I don’t think their A&R team and I have the same taste, because very few of their title tracks have appealed to me. Longtime readers will know what a stickler I am for “signature sounds,” and … Continue reading
KEEMBO’s Love Me 4 Me caps off an underwhelming week of K-pop releases. I’d be lying if I said my mind was really on K-pop anyway, given the events of this first week of 2021. But, I do appreciate when the industry kicks off the new year with a bang. I still remember when SM … Continue reading
The Bias List // K-Pop Reviews & Discussion 