Mino made his official solo debut back in 2018, though he’s been releasing solo music since Winner’s debut in 2014. I still consider his I’m Him an underrated gem. But overall, he and I are on two different planets, musically. I appreciated the ambition and creativity of 2018’s Fiancé, but didn’t have much urge to … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Gangsta Boy (from Pinocchio / Hot Summer – 2011) Taking an old-school hip-hop approach, Gangsta Boy unveils a quirky sing-talk style for most of its verses. As expected from its era, the chorus opts for a generous dose of stylistic autotune. I … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Ending Page (from Pink Tape – 2013) Opening with rock guitar and a catchy chant, Ending Page initially seems as if it’s going to more bombastic than it is. Instead, the verses dial back to focus on acoustic guitar and a satisfying … Continue reading
Forget retro or trap or EDM or whatever trend you want to highlight. Yoo Jaesuk has become the year’s most reliable purveyor of mega-hits – at least on the Korean charts. His series Hangout with Yoo has transformed itself into a delivery method for K-pop unit groups. First we had SSAK3 with their summer smash … Continue reading
Originally scheduled for release all the way back in June, it’s been a long wait to hear CIX’s Jungle (정글). The hiatus is a stumbling block for the group, who gained quite a following during their debut year. Their music – and the producers they’ve been paired with – hasn’t been for me thus far, … Continue reading
I am not against some good Halloween-themed K-pop fun. As eager as the industry is to churn out wintery releases in December, few idol acts ever embrace the inherently goofy potential of Halloween. T1419 (we’re gonna change that mouthful of a name upon debut, right??) are teasing their upcoming music with pre-release track Dracula. And, … Continue reading
When it comes to the priorities for an AleXa comeback, the actual song seems to come about third or fourth on the list. The music video and performance are clearly the stars here, which is fine. But, as someone who listens to K-pop more often than watching the songs’ accompanying videos, this approach can be … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Chocolate Love (from Chocolate Love – 2009) Released by both f(x) and Girls’ Generation with different themes and arrangements, this “electro-pop” version of Chocolate Love is more suited to my personal taste. It comes across like many of SM’s girl group tracks … Continue reading
Last we heard from boy group D-CRUNCH, they were crunching our ears with the aggressive Pierrot. That song didn’t do much to differentiate them from the pack, but they’ve stuck to their guns with the almost-as-noisy Across The Universe (비상(飛上)). This track brings stronger textures to the table, but reinforces an exhausting trend that’s affected … Continue reading
Weeks before making his military enlistment, Crush has released a mini album with a fun concept. With Her pairs the soloist with a different female artist for each track. I think this is a wonderful idea, as each collaborator could bring out a different part of his artistry, while potentially challenging themselves as well. The … Continue reading
I have great affection for the members of Mamamoo, yet it’s been ages since I’ve loved one of their singles. Their music has always had a tongue-in-cheek, comical aspect, and that willingness to poke fun at themselves has become one of their charms. But, this approach has also made some of their comebacks feel a … Continue reading
To this day, my absolute favorite NCT track remains 2016’s Without You. That song spotlighted vocalists Doyoung, Taeil and Jaehyun without resorting to the kind of piano ballad usually reserved for vocal-driven tracks. In my mind, there are far more interesting ways to showcase your vocalists than a traditional ballad. Anthemic synth-rock is only one … Continue reading
2020 has defied expectations at every turn, but one thing I never expected to see is a B1A4 comeback. For me, B1A4 are one of K-pop’s definitive groups, with an incredible catalog of music. But, it’s been over three years since they’ve graced K-pop with a new album. The release of Origine follows a reconfiguration … Continue reading
Is it weird that, even after the first note, part of me expected Hello (안녕) to be a cover of Adele’s 2015 mega-hit? To be honest, I wouldn’t mind hearing that. Instead, Chen’s latest release is the kind of ballad you’d expect this time of year in Korea. It’s been awhile since I’ve written about … Continue reading
Weeekly debuted with a splash this summer. Tag Me wasn’t anything we hadn’t heard before, but the girls performed it well and its catchy energy proved addictive. And, they’ve been rewarded with growing hype that has made them one of this year’s notable rookies. But as important as debut tracks are, I’ve always believed that … Continue reading
Daisy (데이지) holds a special place among Pentagon’s comebacks for a variety of reasons. It’s their first single since participating in Road to Kingdom, their first without main vocal Jinho, and their first in a long while with member Yanan. The one thing that hasn’t changed is leader Hui’s participation in Daisy’s songwriting. His style … Continue reading
I’m going to try hard not to compare Dawn to G-Dragon throughout this entire review, but there are too many similarities to ignore. G-Dragon was one of my entry points into K-pop, and still one of my absolute favorite artists, so this comparison is definitely not a dig. And, it’s clear that Dawn seeks to … Continue reading
After four years of steadily-increasing success, WJSN (Cosmic Girls) have unveiled their first sub-unit. The ridiculously-titled Chocome consists of members Soobin, Luda, Yeoreum and Dayoung, and promises a quirkier concept than the group’s usual space-and-fantasy themed material. As with all sub-units, the quality of Hmph (흥칫뿡) could go either way. Thankfully, the girls fully commit … Continue reading
Back when Nu’est were really struggling commercially, they turned to Japan for the release of their Bridge the World album. Its overall sound is miles away from what the group is producing now, though I always thought that 2015’s Na Na Na Namida was an extremely underrated single. But, what a difference five years make! … Continue reading
Marking their fourth anniversary, boy group SF9 have released one of those “for the fans” ballads, though this time it’s anchoring a special single album. The guys are right to take a victory lap, as years of hard work have really paid off for them. Their success in 2020 has been a little surprising, and … Continue reading
The Bias List // K-Pop Reviews & Discussion 