Over the past few years, GFriend have started to branch out when it comes to their sound. Gone are the days of Iggy/Youngbae-produced title tracks, replaced with a rotating list of composers intent on pulling new elements into the core GFriend style. This mix-and-match strategy has largely been successful, though it threatens to steer the … Continue reading
JYP artists must have the most demanding schedules of any K-pop agency. Between Korea and Japan, it feels like they’re just constantly releasing material (GOT7 and Twice, especially). This endless supply of music makes it hard to keep the quality up, and it’s usually the J-pop songs that fall by the wayside. Most of GOT7’s … Continue reading
In a year already flush with debuts, it’s going to be hard for smaller agency acts to stand out. In Purplebeck’s case, at least their name is easy to google! I’m not sure what a ‘purplebeck’ is, but I’ve long since given up trying to understand K-pop monikers. They all become part of the common … Continue reading
Chungha has enjoyed sustained success since her post-IOI solo debut in 2017. With each and every single, I’m surprised by just how long her music stays on the charts. But, there’s definitely been a hole in the K-pop market for a female soloist — an heir to BoA’s throne, if you will. With the early … Continue reading
Red Velvet’s 2018 hit Really Bad Boy proved to be one of their most polarizing yet. Given this, it would’ve made sense to return to a more straightforward release this summer. And when it was announced that new single Zimzalabim (짐살라빔) would be co-composed by Red Flavor producers Caesar & Loui, it seemed that we … Continue reading
VIXX’s Leo made his solo debut last summer with the Taemin-esque Touch & Sketch. Now, he finds himself in the same place as many of his third-generation K-pop peers: counting down the months until mandatory military conscription. VIXX has already seen its leader, N, enlist earlier this year. Leo is only four months younger, so … Continue reading
SF9 have always struck me as the quintessential, generic boy group. Talented, yes, but without a defining style or concept that would make them memorable. Their singles tend to feel like the kind of grab bag fare doled out on survival shows like Produce 101. You get the sense that any K-pop group could tackle … Continue reading
So far, Noir’s music has reminded me of the famous Shakespearean phrase: “full of sound and fury, signifying nothing.” I bet you didn’t expect me to open a K-pop review with a quote from Macbeth, but it seems apt here. We can forget the “told by an idiot” part of the phrase, because Noir seem … Continue reading
Paired with the more uncharacteristic Breakthrough, Happy Happy is one half of a double-sided blitz from Twice’s upcoming Japanese promotions. The two songs come together to represent contrasting moods for both hot summer days and steamy summer nights. As you might have guessed from its title, Happy Happy is dedicated to fun-in-the-sun excitement, and falls … Continue reading
After the disbandment of Wanna One, many of its members had newly-formed groups to conveniently slide into. But, some of the most popular Wanna One personalities were heading back to an agency without any announced plans. In some cases (Kang Daniel), this resulted in a messy situation. For others (Ong Seungwu), it’s more of a … Continue reading
I must be getting old, because I’ve got absolutely no idea who this HRVY guy is. For some fans, much of Don’t Need Your Love’s appeal will likely lie in the interaction between the British singer and NCT Dream. For me, the song is most notable for being the first Dream release not to feature … Continue reading
As SM Entertainment’s most established solo artist, BoA has earned the right to release what she wants, when she wants. 2018 may have been underwhelming in many ways, but it gave us two BoA comebacks (with three promoted songs in Korea!), helping to cement her reign as the queen of K-pop. Comparatively, new self-penned single … Continue reading
There aren’t many pre-2012 boy groups left standing in K-pop, and even fewer that are still actively releasing music. With that in mind, you’ve got to give it up for Teen Top. Their output has never been the most popular or chart-conquering, but they keep chugging along with consistency. Run Away is taken from their … Continue reading
It’s been over three years since Lee Hi’s last comeback, so the fact that I’m writing about her at all feels like a minor miracle. But, this long hiatus carries with it a very real danger. The longer fans wait, the higher expectations rise. After three years, the desire for a momentous, iconic song only … Continue reading
Another day, another 2019 debut. OnlyOneOf’s claim to fame comes via a connection with much-hyped girl group LOONA. The guys were initially cobbled together within the same agency, Blockberry Creative, and share a creative director in Jaden Jeong. They’ve since transferred to a new agency, and don’t seem to be pursuing the solo-tracks-before-group-tracks strategy that … Continue reading
For a debut group with some notoriety (member Shihyun was a contestant in Produce 101, after all), We In The Zone’s roll-out has been surprisingly muted. Their agency didn’t even announce a track list before their mini album was released today. No music video teaser, either. This lackluster promotion doesn’t seem to bode well for … Continue reading
During their debut last year, D-CRUNCH displayed tons of potential but never gained much attention outside of a niche group of listeners. When I think of the best that their music has to offer, my mind immediately conjures impressive instrumentals and hard-hitting hip-hop hooks. New single Are You Ready (작당모의) gets one half of that … Continue reading
Idol rock back IZ have been active here and there, releasing one mini album each year since their debut in 2017. None of their title tracks really sound the same, which has made it difficult for them to cultivate a solid fan base. To be honest, I probably wouldn’t be writing about them now if … Continue reading
Over the course of three digital singles, Hyolyn became one of 2018’s most magnetic solo performers. Dally, See Sea and Bae were all completely different in style, yet each mastered its intended sound. Because of this, I had high expectations for Hyolyn’s first 2019 work, the grammatically frustrating youknowbetter (니가 더 잘 알잖아). Making things … Continue reading
After debuting in January, Cherry Bullet have made a quick return with new single Really Really (네가 참 좋아). Q&A became something of a sleeper hit, establishing a bright, rhythmic sound for the group. But, the real test comes now, as the girls try to secure their success with a track that betters their previous … Continue reading
The Bias List // K-Pop Reviews & Discussion 