Fans of Monsta X are very lucky. Hardly a month goes by without some kind of release from the group or its members. They tour constantly, including a hefty amount of international stops. From the point of view of someone who’s been waiting nine months for a damn Golden Child comeback, this regularity of content … Continue reading
Pepsi certainly has some sway over the K-pop market, don’t they? Last month, they gave Ong Seungwoo a solo (semi) debut with the Energetic rip-off Heart Sign, and now they’ve gathered two popular idols from different agencies for a performance-focused duet. Cool Love brings together Hongbin from VIXX and Hyungwon from Monsta X. Neither idols … Continue reading
As EXO starts to transition into a military enlistment-driven era that will undoubtedly see less group comebacks, the members have been branching out with solo projects and sub-units. As expected, this music has been tailored to each members’ personal taste and skill set. This meant way too many ballads for Chen. And now, it means … Continue reading
Such is the selling power of BTS that they don’t even have to rap or sing on a track to make waves. Heize’s new single was co-written/produced by Suga, and her agency wants you to know it. This isn’t to say that Heize needs much help in the promotion department. Her idiosyncratic voice and smooth … Continue reading
So, the million dollar question is: what is a De-aeseohsta? Yes, it’s a Romanization of the Korean title (디에세오스타) of Honey Popcorn’s new single, but that doesn’t shed much light on the meaning. From what I can tell, it’s a word (phrase?) that doesn’t naturally translate to English. So… I’ve got nothing. Yes, I just … Continue reading
As popular as BTS are around the world, I’m surprised that their Japanese-language material hasn’t felt more essential. For me, the best thing to come out of their J-pop discography isn’t Japanese at all. Instead, it’s the galvanizing ‘Stadium Remix’ of Korean single IDOL (ie: my now-definitive version of the track). Barring a couple of … Continue reading
I’m tired of writing about farewell singles. It feels like we’ve had an inordinate amount of idols enlisting in the military this year, and most of them have ushered in their hiatus with a sentimental goodbye track for the fans. I don’t enjoy being critical of these songs. I know how much it stings to … Continue reading
Over the past few years, GFriend have started to branch out when it comes to their sound. Gone are the days of Iggy/Youngbae-produced title tracks, replaced with a rotating list of composers intent on pulling new elements into the core GFriend style. This mix-and-match strategy has largely been successful, though it threatens to steer the … Continue reading
JYP artists must have the most demanding schedules of any K-pop agency. Between Korea and Japan, it feels like they’re just constantly releasing material (GOT7 and Twice, especially). This endless supply of music makes it hard to keep the quality up, and it’s usually the J-pop songs that fall by the wayside. Most of GOT7’s … Continue reading
In a year already flush with debuts, it’s going to be hard for smaller agency acts to stand out. In Purplebeck’s case, at least their name is easy to google! I’m not sure what a ‘purplebeck’ is, but I’ve long since given up trying to understand K-pop monikers. They all become part of the common … Continue reading
Chungha has enjoyed sustained success since her post-IOI solo debut in 2017. With each and every single, I’m surprised by just how long her music stays on the charts. But, there’s definitely been a hole in the K-pop market for a female soloist — an heir to BoA’s throne, if you will. With the early … Continue reading
Red Velvet’s 2018 hit Really Bad Boy proved to be one of their most polarizing yet. Given this, it would’ve made sense to return to a more straightforward release this summer. And when it was announced that new single Zimzalabim (짐살라빔) would be co-composed by Red Flavor producers Caesar & Loui, it seemed that we … Continue reading
VIXX’s Leo made his solo debut last summer with the Taemin-esque Touch & Sketch. Now, he finds himself in the same place as many of his third-generation K-pop peers: counting down the months until mandatory military conscription. VIXX has already seen its leader, N, enlist earlier this year. Leo is only four months younger, so … Continue reading
SF9 have always struck me as the quintessential, generic boy group. Talented, yes, but without a defining style or concept that would make them memorable. Their singles tend to feel like the kind of grab bag fare doled out on survival shows like Produce 101. You get the sense that any K-pop group could tackle … Continue reading
So far, Noir’s music has reminded me of the famous Shakespearean phrase: “full of sound and fury, signifying nothing.” I bet you didn’t expect me to open a K-pop review with a quote from Macbeth, but it seems apt here. We can forget the “told by an idiot” part of the phrase, because Noir seem … Continue reading
Paired with the more uncharacteristic Breakthrough, Happy Happy is one half of a double-sided blitz from Twice’s upcoming Japanese promotions. The two songs come together to represent contrasting moods for both hot summer days and steamy summer nights. As you might have guessed from its title, Happy Happy is dedicated to fun-in-the-sun excitement, and falls … Continue reading
After the disbandment of Wanna One, many of its members had newly-formed groups to conveniently slide into. But, some of the most popular Wanna One personalities were heading back to an agency without any announced plans. In some cases (Kang Daniel), this resulted in a messy situation. For others (Ong Seungwu), it’s more of a … Continue reading
I must be getting old, because I’ve got absolutely no idea who this HRVY guy is. For some fans, much of Don’t Need Your Love’s appeal will likely lie in the interaction between the British singer and NCT Dream. For me, the song is most notable for being the first Dream release not to feature … Continue reading
As SM Entertainment’s most established solo artist, BoA has earned the right to release what she wants, when she wants. 2018 may have been underwhelming in many ways, but it gave us two BoA comebacks (with three promoted songs in Korea!), helping to cement her reign as the queen of K-pop. Comparatively, new self-penned single … Continue reading
There aren’t many pre-2012 boy groups left standing in K-pop, and even fewer that are still actively releasing music. With that in mind, you’ve got to give it up for Teen Top. Their output has never been the most popular or chart-conquering, but they keep chugging along with consistency. Run Away is taken from their … Continue reading
