Woollim Entertainment is my favorite K-pop agency, and one of the things I like most about them is that they carve out a signature sound for their artists. This sound usually counters trends, opting for a more classic pop approach. But now that the agency has been sucked into the Produce 101 orbit, I fear … Continue reading
Now, this one’s interesting! Fanxy Red are an established C-pop group, re-debuting after spending some time training in Korea. I can’t remember this approach being used before — usually it’s Chinese K-pop idols leaving to perform in their (very lucrative) homeland. Fanxy Red are also known as a “girl boy group.” They all identify as … Continue reading
While their sibling group ONEUS releases a series of heavily-promoted mini albums, ONEWE has received a more subdued roll-out. I guess this makes sense. When it comes to K-pop, dance groups are an easier sell than rock bands. Still, it’s a shame that we didn’t get to hear the gorgeous Reminisce About All performed on … Continue reading
PSY’s new P Nation music label has been the source of much speculation this year. K-pop hasn’t seen this high profile an agency launch in years, and with YG Entertainment plagued by scandal after scandal, the timing is perfect for a new force in the industry. Add big-name stars like HyunA, E’Dawn, Jessi, Crush and … Continue reading
It was only a matter of time until we got an idol group song called “Rock Paper Scissors.” I mean, the game is used to decide everything in the K-pop world. I wouldn’t be surprised if agencies used it to determine comeback dates! And, it’s not shocking that a novelty track like this would come … Continue reading
Now that we’re a month or so out from the Produce X 101 finale, it’s time to welcome the endless parade of releases from the series’ contestants. Every agency is out to make a quick buck, and that rarely involves a lot of forethought or musical quality. In addition to appearing on the show, Kim … Continue reading
I was surprised when it was first announced that members of UP10TION would be participating in Produce X 101. I knew that the buzz around the group had slowed in recent years, but I always thought they were relatively high-selling. Maybe their agency just realized they needed more of a push when it came to … Continue reading
Apink have quietly become one of the longest running girl groups still active in today’s idol industry. They rarely make waves (at least internationally), but have sustained their popularity over eight years — an eternity in K-pop. When it comes to solo material from the group, main vocal Eunji is probably the first member to … Continue reading
In K-pop, it’s all too common for little-known rookie groups from smaller agencies to switch wildly between concepts in the hope that something — anything — will help them stick in the public conscious. Unfortunately, this approach very rarely works, and usually feels more inauthentic than exciting. There is no perfect road-map to K-pop success, … Continue reading
In a year flush with debuts, Everglow’s Bon Bon Chocolat stood out thanks to its edgy sound. I wasn’t as enthralled with the song as others seem to be, but I’m always eager for more girl groups who push against the grain. New single Adios continues this approach, borrowing from BLACKPINK’s repertoire to craft what … Continue reading
Pentagon made their bid for a summer hit with last month’s Humph, but my feelings about the song could basically be summed up by its title. I hate to see the group succumb to retreads of 2018 hit Shine at the expense of new sounds. Their one-two punch of Cosmo and Sha La La hinted … Continue reading
When it comes to pop music, everyone’s got their biases. But, being a fan of an entire agency is a uniquely K-pop proposition. It’s akin to being a devotee of Western companies like Marvel or Apple — knowing that your taste so closely aligns with their output that you’re bound to support anything they create. … Continue reading
After a July with few newcomers, the ‘Year of Debuts’ rolls on with an August release schedule already flush with rookies. Leading the charge is Happyface Entertainment’s D1CE, composed of long-suffering trainees who have all been involved with survival series such as Produce 101, MIXNINE and BOYS24. This is the new reality for a lot … Continue reading
Girl group Busters have been around since 2017, but this is the first time I’m writing about them here. As with most rookies from small agencies, their music has tended to blend in with the crowd, lacking any discernible identity of its own. This is despite a unique origin story. The group was formed to … Continue reading
With little attention from the K-pop industry as a whole, idol band The Rose seems to have cultivated a dedicated international fan base — enough for the group to launch tour dates around the world. They may only have a few singles under their belt, but the band has already spawned a solo album from … Continue reading
Sometimes it feels like K-pop releases are preceded by endless weeks of teasers, so Mamamoo’s surprise drop of Gleam (다 빛이나) is a refreshing new strategy. It makes me wonder if an idol act will ever release an entire album without an extended promotional lead-up. Of course, Gleam is essentially a soundtrack for a CF, … Continue reading
Despite largely being produced by the same team, VAV’s singles run has been pretty hit or miss. They’re at their best when forgoing trends and focusing on polished songwriting and dynamic instrumentals. This was the case for March’s Thrilla Killa, which bolstered the group with forceful, funky production and a charismatic concept. This is not … Continue reading
Rookie girl group GWSN have drawn attention thanks to their signature sound of aegyo-infused deep house. And though I’d prefer to remove the first half of that description, I admire that the group has such a specific vision when it comes to style. Rookies are a dime a dozen nowadays, but these girls have already … Continue reading
The year of debuts rolls on with 2019’s second Wanna One-spawned idol group. CIX will likely enjoy instant success due to the presence of member Bae Jinyoung. They’re C9 Entertainment’s first male idol group, following the ill-managed Good Day, who have yet to deliver a single comeback since their 2017 debut. With the continued popularity … Continue reading
The rise in popularity of K-hip-hop and K-r&b has fundamentally changed the K-pop landscape, and we’re reeling from those effects this summer. Hip-hop sub-units are nothing new for idol groups (hello, Infinite H!), but in a climate where this sound is becoming more ubiquitous they no longer feel like an unpredictable novelty. Bringing together members … Continue reading
