Last May, Akdong Musician brought us Spring, a mini album full of bright folk pop perfectly suited for the season. Now, just as the new year begins, they’re back with Winter, their second full-length album. It’s (presumably) the last before Chanhyuk’s two-year stint in the military, and has been heralded by an ambitious short film … Continue reading
After trying something new with last year’s Good Luck, AOA have made their way back to frequent collaborator Brave Brothers for Excuse Me, their first of two title tracks. It’s a move I’ve been hoping for, as Good Luck didn’t quite pack the same punch as the group’s best material. And although Excuse Me doesn’t … Continue reading
As actor/singer Seo In Guk’s 2017 enlistment date approaches, he’s tasked with leaving his final mark on the entertainment world until he returns to k-pop in a couple of years. When it comes to fans of male acts or groups, military conscription is a real thorn in the side. Fortunately, BeBe offers a glimpse at … Continue reading
Take a bit of Madonna and mix it with Kylie Minogue’s club-friendly dance music and you have a western approximation of what Uhm Jung Hwa is to k-pop. Debuting as a musician way back in 1993, she’s releasing her first new music in eight years. Legendary comebacks have seemed to become a thing in 2016, … Continue reading
Though it’s hard to gauge whether The East Light has made any meaningful impact on the k-pop scene thus far, they’ve been an unexpected highlight of the year for me. It’s refreshing to see a young group come on to shows like Music Bank playing instruments (or at the very least, miming them!) and tackling … Continue reading
Many k-pop fans have been clamoring for the emergence of a new co-ed group on the idol scene. They’ve been few and far between, with a pretty mixed track record when it comes to success. And then, seemingly out of nowhere come K.A.R.D — DSP Media’s ambitious new project. Whether they endure past the three singles … Continue reading
Originally scheduled for release in September of 2015, Bigbang‘s full Made album is finally here — though with only three new songs it feels more like a repackage than a full comeback. Even so, it marks the last we’ll hear from the group as a whole for quite some time, as members begin their mandatory … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition, too. In the singles-oriented world of kpop, I want to spotlight some of these buried treasures and give them the props they deserve. Twice now, Pentagon have delivered an album track that’s stronger than … Continue reading
Although EXO debuted in Japan last year with a reworking of Korean track Love Me Right, Coming Over marks their first original single recorded in Japanese. In general, SM groups have a strong track record when it comes to their j-pop releases, and given that EXO is currently the agency’s most successful act, one would expect … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition, too. In the singles-oriented world of kpop, I want to spotlight some of these buried treasures and give them the props they deserve. Over their relatively brief career, UP10TION have already dabbled in a … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition, too. In the singles-oriented world of kpop, I want to spotlight some of these buried treasures and give them the props they deserve. Of all the title tracks that I’ve written about this month, … Continue reading
VIXX have had an incredibly prolific 2016, releasing six singles between both Korea and Japan. Though there have been some major standouts, as the year’s gone on it’s begun to feel a bit more like quantity over quality. But thankfully, after the downbeat double header of Fantasy and The Closer, Milky Way brings back a … Continue reading
Boy group UP10TION are back with their fifth (!) mini album in the space of just over a year. This is the way to do it for rookies — just blitz the market with continual comebacks so that no one can forget you. And it’s working. The guys wowed me with August’s Tonight, which felt very … Continue reading
Taking into account both Korean and Japanese releases, BAP has now given us six singles since last November. And although none have become instant classics in their discography, the fact that they’ve all been so consistently good (and varied in sound) is quite a feat. Fly High continues that trend, opting for a more generic … Continue reading
After two years with a stranglehold on the charts, AOA have had a difficult year in Korea. So, it makes sense that they’d put renewed focus on their Japanese career with the release of Wow War Tonight. The song sounds nothing like the two original j-pop singles they’ve given us thus far, but that’s actually … Continue reading
As BTOB has essentially turned into a ballad group, fans have been waiting for when they would finally come back with something more uptempo. After all, amidst the slower material on their most recent albums, the group has proven that they can still throw out a ridiculously fun, new-jack swing influenced dance track. But Pray … Continue reading
On the road to re-establishing their brand over the past year or so, B.A.P have blitzed us with a variety of sounds, from the dark theatricality of last November’s Young, Wild & Free to the uptempo pop of Feel So Good and That’s My Jam. Now, they return with a song that feels like a … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition, too. In the singles-oriented world of kpop, I want to spotlight some of these buried treasures and give them the props they deserve. A large chunk of VIXX’s discography was built with the help … Continue reading
K-pop rookies seem to be getting younger and younger with each passing year, so the emergence of The East Light (with an average age of 15) isn’t all that surprising. But unlike the hyper-polished pop of similarly-aged NCT Dream, these guys are tackling a less likely genre of music: classic garage rock. And despite their … Continue reading
A day after YG’s BLACKPINK released the minimalist acoustic ballad Stay, SM Entertainment counter punches with its own version in the form of Taeyeon’s 11:11. But unlike the former’s flirtation with tempo change and folk elements, 11:11 plays it straight down the middle. Surprisingly, this no-nonsense approach actually pays off. More than any other … Continue reading
