After pre-releasing a song a few weeks ago, Kim Jaejoong is back with his new album, No.X. It’s released as he’s serving in the military, so we won’t be seeing any sort of promotion. I’ve noted before that, although I can appreciate his solo material, none of it has really stuck with me in the … Continue reading
As a companion to their just-released Tragedy (review here), KAT-TUN also gave us Atsuku Nare, which translates to Be Motivated, and its accompanying music video. I wasn’t that impressed with Tragedy, but luckily Atsuku adheres to the elements of the group’s music that I prefer. The song was written with athletics in mind, though it doesn’t sound like your … Continue reading
U-Kiss has had a career arc that feels somehow unfulfilled. Despite being a veteran idol group (they debuted all the way back in 2008), their prominence in Korea has really plummeted as they’ve focused their attention on Japan instead. Because of this, they’re a group that many forget actually still exists. This isn’t fair, but it just … Continue reading
Alongside their two group title tracks (Baby Baby and Sentimental), Winner has also released a solo from youngest member Nam Taehyun. Taehyun previously gave us the sweet, brittle Confession from the group’s debut album. But I’m Young does it one better, taking on darker, more nuanced territory. When writing about a song, I try not to … Continue reading
Winner has come back with no less than three title tracks, and the promise of more to come throughout the year. Of the three, Baby Baby probably makes the most impact, while Sentimental is happy being a looser, more fun addition to their discography. The track plays with Winner’s image and essentially turns them into an … Continue reading
When it became clear that both Winner and iKON were going to be active under YG at the same time, many were concerned how each group would differentiate themselves from the other. Now that we’ve had multiple comebacks from both, I think it’s safe to say that Winner has carved out its own specific niche … Continue reading
Mamamoo can sing. They’ve shown us that over and over again. They can also perform the hell out of a song. In this way, they’re a very different idol group than most. In fact, they have more in common with the golden age of Motown than with the kpop world. And just like Motown, their … Continue reading
After the massive solo success Super Junior’s Kyuhyun has received, it only made sense that another of the group’s vocal line should release a solo. As a vocalist, Ryeowook has a completely different style than Kyuhyun, which heightened interest in how The Little Prince would sound. Fortunately, the song gives Ryeowook’s light tenor plenty of … Continue reading
Zico has been incredibly prolific over the past few months, releasing single after single. As a big fan of his group Block B, I’m just a little bitter that his solo career seems to be taking precedence over a full group comeback, but you can’t blame the guy. Everything he releases climbs straight to the … Continue reading
It’s been awhile since we’ve heard one of these cross-genre, mash-up type of singles. There was a time when it was kind of a trend, exemplified by Girls’ Generation’s mega-hit I Got A Boy. The formula is a difficult one, and its success rests on how well the song’s disparate elements are fused together. As … Continue reading
The second of News’ double a-side single releases, Hikari No Shizuku, which translates to Drop Of Light, is a very different beast from their other single, Touch. In short, it’s a traditional News ballad, making use of the guys’ powerful harmonies and performance style. As a ballad, it’s not the best they’ve ever released, but it’s … Continue reading
Dal Shabet isn’t a girl group that I’ve followed with any real regularity. I did love their B.B.B. from 2014 but thought last year’s Joker was pretty weak. This year, they’re the first big idol group to make a comeback, though they’re down to a four-piece (there used to be six). They’ve also enlisted super … Continue reading
It’s become routine for almost every successful kpop group to branch out into the Japanese market. Oftentimes the sound is quite different from their Korean material, which makes sense because the bulk of jpop is completely different than kpop. Some artists have a pretty stellar Japanese sound (Girls’ Generation, Myname, 2PM, Infinite), while others frustratingly lower … Continue reading
The second of iKON’s singles to be released on Christmas Eve (and presumably their last for awhile), What’s Wrong follows another classic YG template of anthemic rap-rock. This has brought us one of my favorite kpop songs of all time in G-Dragon’s Crooked, and was most recently heard in Bigbang’s Sober from earlier in the … Continue reading
This is iKON’s sixth single in the space of four months. They’ve really been cranking them out under YG’s new promotional strategy of just blitzing the world with singles before eventually releasing an album. On the plus side, it’s allowed the group to show a lot of different sides to themselves. On the other hand, … Continue reading
I know enough about the history of kpop to understand how big of an influence Turbo had back in the early to mid nineties, and what a big deal it is for them to come back after such a long time. However, what I’ve heard from their 90’s output has been difficult to enjoy. Having … Continue reading
I never thought kpop and Star Wars would find a need to combine, but I guess Disney knows what it’s doing in terms of international outreach, because they paired with Korea’s biggest group for a themed track. Now, a short clip of a 2012-ish EXO demo called Lightsaber has been available for some time, but … Continue reading
The Bias List // K-Pop Reviews & Discussion 