It’s a testament to just how badly I’m wishing for a B1A4 comeback that when the solo debut of main vocal Sandeul was announced, I let out a disappointed sigh. This is insane, since Sandeul is an amazing performer with so much potential as a solo artist. But to me, the only thing this announcement … Continue reading
With Heartbeat, SM Entertainment has completed their f(x)-driven EDM trilogy that started with Wave in May and continued with July’s All Mine. Given the strict adherence to genre structure, all three tracks feel somewhat interchangeable, but this helps create a welcome sense of continuity when they’re taken together, one right after another. Heartbeat was released as … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. The general consensus seems to be that most of the … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. The very best GOT7 tracks, whether it’s A, Just Right … Continue reading
After my disappointment with March’s Fly, I was afraid that GOT7 were moving in a musical direction that just wasn’t going to be for me. Hard Carry (하드캐리) does little to assuage those fears… but at least it’s a much stronger release. And while I long for the sound of their excellent 2015 material, a … Continue reading
After what feels like ages, Crayon Pop has finally returned with their first full album. Much has been made about the fact that this release includes production and composition work from the girls themselves, but those expecting its music to sound any different from previous releases will likely be disappointed. Personally, I’m relieved that Doo … Continue reading
Throughout their seventeen-year career, mega-successful j-pop group Arashi have traded in a variety of sounds. Of those, Power of the Paradise represents my absolute favorite — a dramatic mix of bombast and symphonics, all powering a sugar rush of propulsive pop melody. Though they’ve recorded better songs in this genre, Paradise pulses forward as a celebratory singalong, … Continue reading
In honor of the release of Infinite’s sixth mini-album, Infinite Only, I’ll be taking an in-depth look at each track. Every day this week, I’ll review one song, working through the album in chronological order. Eternity (intro) The Eye Air One Day True Love THANK YOU Zero Though Infinite are most famous for their dance tracks, … Continue reading
SM Station has been a great excuse for releasing fun side tracks that would never make sense as part of a group’s album. Dancing King arrives after a longstanding promise made on mega-hit variety series Infinite Challenge. Host Yoo Jae-suk (who’s basically the most famous celebrity in Korea) has now fulfilled his mission to collaborate with … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Though I wasn’t too over-the-moon about 2PM’s latest comeback, … Continue reading
For the past few days, Winner’s Mino and iKON’s Bobby have been building up to their sub-unit with solo releases. And as enjoyable as they’ve both been, it turns out that (for Hit Me, at least) the two are strongest together. I can’t even begin to describe how refreshing it is to hear them actually … Continue reading
J-Pop group w-inds. have had a long and varied career, moving through different pop sounds as they’ve progressed as a group. Over the past few years, they’ve settled on a kind of throwback funk template that suits them well. With new single Backstage, they add some modern tropical house flavor, which results in a nice … Continue reading
Ever since their debut in 2014, Halo have been on my list of underrated k-pop groups. I worry for them. Despite releasing an excellent pop track back in December, they weren’t even able to film a music video to accompany it. Thankfully, through the crowd-sourcing Makestar platform, their new single Mariya (마리야) gets a charmingly … Continue reading
It’s been a long while since I last reviewed a straight-up Korean ballad, but it’s a slow Tuesday and vocal duo Homme are the sole big release of the moment. Though their music has little in common with labelmates BTS, Dilemma (딜레마) was co-written by that group’s leader, Rap Monster, as well as frequent BTS-collaborator … Continue reading
The longer SM Entertainment’s NCT project is in existence, the more excited I get about its potential. Some of that is due to the agency’s smart showcasing of members’ personalities through variety series, but most of it is a direct result of the project’s ambition and scope. More than anything, NCT is a vessel to channel … Continue reading
On Crush’s first album, there’s a collaboration with Zion. T called Hey Baby. I’ve wanted to love the rest of Crush’s music ever since I first heard this song. Hey Baby offered a pitch-perfect recreation of the early 90’s New Jack Swing sound, filtered through the lens of Michael Jackson era performance style. It’s a … Continue reading
With a group name as hilariously misguided as MASC’s (just look it up on urban dictionary), it was hard to expect much from their debut single. But, I’m happy to be proven wrong, as MASC joins 2016’s already impressive list of excellent rookie debuts. Unlike so many others from agencies of their size, MASC feels … Continue reading
It’s interesting how SM’s Station platform has started to include songs that are closer to CFs (ie: advertisements). First, we had NCT 127’s Coca Cola/Olympics anthem, and now Yuri and Seohyun from Girls’ Generation are pairing with Pantene for the hair-tastic music video that compliments Secret. Thankfully, the song hides its corporate inspiration well, at … Continue reading
VIXX continues their Greek God inspired series of albums with a stark contrast to the 80’s funk pop of April’s excellent Dynamite. The group first found major success with darker concepts, so it makes sense to see them back in the brooding, gothic mood for Fantasy. But even if the concept seems somewhat familiar for … Continue reading
For too long, J-Min has seemed like an afterthought within SM Entertainment’s larger roster. I suspect much of this is due to the fact that she works within a rock-oriented, singer-songwriter territory that the agency really doesn’t specialize in. It could also be because her career really kicked off in Japan before she started releasing … Continue reading
