I couldn’t tell you how either of rookie group Queenz Eye’s singles sound, though I covered one on the blog earlier this summer. However, they’ve caught my ear with new track This Is Love by taking a more melodic approach that puts their vocals at the forefront. To be fair, This Is Love is only … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. TXT’s new album has exactly two … Continue reading
TXT continue to push into global markets, building upon their winter smash Sugar Rush Ride with English and Spanish language collaborations featuring Jonas Brothers and Anitta. Both tracks are present on their new album (minus Anitta), offering a taste of different genres. Meanwhile, new single Chasing The Feeling is the latest in a long line … Continue reading
Soloist Jini was briefly a member of JYP girl group NMIXX before leaving at the end of last year. Free from the “mixxpop” concept and backed by a new agency, she’s returned with her first EP. More and more, K-pop soloists have been leading the charge for new sounds, unburdened by structural constraints that often … Continue reading
Despite only releasing music for about a year, the tripleS universe has already spawned a sizable catalog. These releases have mostly been split into units, though the overall aesthetic is pretty similar across the different groups. Fans of this cohesive vibe will be delighted to see another new unit make their debut. For me, many … Continue reading
It’s been awhile since we’ve heard Ailee’s immense vocals, especially on something other than a ballad. But today, she’s made a long-awaited return and brought bombastic dancefloor drive with her. Ra Ta Ta takes EDM, hip-hop and Latin elements and throws them into a blender. It’s at its best when firing on all cylinders. Ailee’s … Continue reading
Good things come to those who wait, and in the case of INI that means better music. I’ve been a fan of the group since their Produce 101 days, but their first year of releases left much to be desired. However, they’ve been on a roll in 2023, kicking off with digital single New Day … Continue reading
As K-pop’s boy groups rediscover rock music this year, Just B enters the fray with an advantage. Since their debut, they’ve traded in rock sounds — most notably on standout b-side Get Away. Their take on the genre tends to be a bit more bombastic than many of their peers, and that continues on new … Continue reading
Lim Young Woong is a chart behemoth in Korea, but I’ve never featured his music on the blog before. His beginnings in trot music marked him as someone just outside the idol landscape, but as soon as the first teaser dropped for new single Do Or Die my interest was piqued. He’s made a complete … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Though ONF’s new album is reliably … Continue reading
NCT 127 secured a Bias List first with the only “buried treasure” post published before an album was released. That’s thanks to b-side Angel Eyes, which was pre-released alongside a special performance video. To be honest, that song is much more my speed than most of the group’s recent title tracks. At this point, it’s … Continue reading
2023 has already seen a ton of boy group debuts, and the stream keeps on coming. Many of these acts have introduced themselves with a pre-release, building anticipation before unveiling their title track. 82MAJOR has a few familiar faces, including participants from Fantasy Boys and Show Me The Money. Sure Thing follows what I’d like … Continue reading
It was incredibly smart for ONF to enlist in their mandatory military service together, assuring they would return as a full group within two years. So many boy groups choose a staggered approach, which is fine if you actually release music during these configuration changes. But too often, this simply results in diminished returns. If … Continue reading
K-pop artists have a history with League Of Legends‘ themes and I don’t usually write about these songs on the blog. However, everything NewJeans touches seems to become a colossal smash so I feel a certain obligation to cover as much of their music as possible. And refreshingly, the anthemic Gods is a big sidestep … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. In the history of The Bias … Continue reading
Jungkook has found a winning formula with singles that cater to Y2K pop sounds and feature a popular American rapper. His summer hit Seven proved more durable then expected, offering a breezy take on garage music with a simple — but addictive — hook. If Seven borrowed liberally from Fill Me In era Craig David, … Continue reading
More often than not, Kep1er’s b-sides tend to eclipse their title tracks. Check out Back To The City, Together Forever and MVSK to see what I mean. They’ve yet to promote a song that connects with me in the same way, but with a possible contract extension in the works they may have more time. … Continue reading
There are better people than me to recount the long, sordid saga of LOONA’s relationship with former agency Blockberry Creative. Suffice it to say, there are five members remaining and they’ve re-formed as “Loossemble” — one of the most unfortunate group names I’ve heard in some time. Fresh starts like this have worked for other … Continue reading
As global K-pop collaborations become more frequent, the pairing of talents matters more and more. Which artists can compliment each other and tease out new dynamics? When it comes to TXT, I found their pairing with Jonas Brothers quite cloying. In that case, the song highlighted a milquetoast, kid’s movie soundtrack vibe that some of … Continue reading
Given Johnny’s & Associates’ recent implosion, I’m paying close attention to Hideaki Takizawa’s newly-established TOBE label, which is becoming a home to more and more ex-Johnny’s talents. I have my own take on the J&A controversy (mostly, I’m irritated that the agency’s talents seem to be the ones paying for their late founder’s crimes), but … Continue reading
The Bias List // K-Pop Reviews & Discussion 