SixTONES have been taking advantage of their popularity with a veritable marathon of releases. A single in November, a full album in January and another single coming up next month. Johnny’s Entertainment does this occasionally with its acts, and it’s always a nice way to build momentum. New single ST arrives on the heels of … Continue reading
Rookies MCND quickly established their sound in 2020 – a playful blend of energetic hip-hop and trendier boy group tropes. Their music was at its best when it embraced its inherent goofiness (Ice Age remains a guilty pleasure), and new single Crush (우당탕) returns to that tone. The song is more of an extension than … Continue reading
I was beginning to wonder if Jeong Sewoon would ever return with the follow-up to part one of his album 24. But with a title representative of his (Korean) age, I suppose the second half had to come out before his May birthday. Dividing the album in parts allows for a contrast of sounds, and … Continue reading
Ex-Rainz member Hong Eunki has released several solo singles, though I’ve yet to cover any of them on this site. But 2021 is only a few days old, and there just hasn’t been much music released yet. On&On benefits from this desolate slate. All eyes and ears are ready for something new. So, does Eunki … Continue reading
Whether related to the pandemic or not, SM Entertainment’s reach into the Japanese market seemed to stall in 2020. I’ve always considered them one of the few K-pop agencies that really put an effort into their J-pop discography, with incredible catalogs from Girls’ Generation, TVXQ, SHINee and EXO. Last year’s release slate was relegated to … Continue reading
Back in November, woo!ah’s boisterous Bad Girl attempted to deliver the edgy girl crush energy of 2020. It was mostly successful, despite a few musical diversions that chipped away at the song’s consistency. Now, like any ambitious rookie group, the girls have returned with a follow-up single from their latest album. I Don’t Miss U … Continue reading
Rain’s 2020 has been a story of resurgence, as his ridiculous 2017 single Gang unexpectedly rose to fame and he became one third of retro pop pastiche SSAK3. JYP’s 2020 has seen him embracing his own history, including collaborations with some of the artists he’s mentored over the years. Switch To Me (나로 바꾸자) brings … Continue reading
Billed primarily as a winter single, King & Prince’s I Promise is the kind of sentimental pop song you could listen to year-round. After a 2020 filled with diverse sounds, the track brings them right back to the sweet style found on their blockbuster 2018 debut Cinderella Girl. It’s nothing we haven’t heard before, but … Continue reading
Fresh off her stint with Refund Sisters, K-pop legend Uhm Jung Hwa has returned. And, she’s brought ‘sister’ Hwasa along for the ride. These two divas pair with rapper DPR Live for the retro-leaning Hop In (호피무늬). Last time Jung Hwa released a solo music video was all the way back in December of 2017, … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! 4 Walls (from 4 Walls – 2015) I often wonder how I would have responded to 4 Walls had it been released before SHINee’s View. This song was originally meant for the guys, but it fits f(x) like a glove. Yet, I’m … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! 12:25 (Wish List) (from Winter Garden – 2015) Unlike yesterday’s look at an f(x) holiday track, this write-up will be more favorable. 12.25 happens to be firmly ensconced on my own holiday playlist. I love its off-kilter sound, leveraging the infinite power … Continue reading
The rollout for Hey! Say! JUMP’s new album has been kind of fun. A few months ago, they secretly uploaded a couple of music videos on youtube under mysterious pen names. Without revealing their faces, these “new” groups established a bit of buzz, though anyone remotely familiar with Jump’s vocals instantly knew it was them. … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Zig Zag (from Electric Shock – 2012) Zig Zag is a percussive beast, throwing all its weight behind the robust set of rhythmic elements that make up most of its instrumental. Even the swoops of distorted synth have a percussive drive. And … Continue reading
Okay, the first thing that pops into my head when I see the title of this song is the classic Michael Jackson/Siedah Garrett ballad, which sets the bar pretty darn high. I have no reason to expect something similar, since pop music has moved on to a different palette of sounds in the past 30+ … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! X (from 4 Walls – 2015) Continuing the retro grooves that fuel most of the 4 Walls album, X brings us back to 80’s electro-funk in great style. The gurgling instrumental is immensely appealing, and offers a playground for the girls to … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! When I’m Alone (from 4 Walls – 2015) With a co-writing credit from Carly Rae Jepsen (!), you might expect When I’m Alone to be an upbeat bubblegum pop song. Instead, this glistening, synth-fueled slow burn caps off the 4 Walls album … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Traveler (ft. Zico) (from 4 Walls – 2015) Traveler has a slinky dance beat that’s quite addictive. To describe the texture, the best word I can think of is “corrugated,” though I guess “oscillating” is probably the better musical term. Either way, … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Toy (from Pink Tape – 2013) It’s not easy to stand out within the adventurous Pink Tape album, but I’ve always found Toy to be a particular highlight. I adore the fade-in that opens the track, making the chanted hook that follows … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Taking Sweetune out of the equation, I think that e.one may … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Thrill Love (from Hungry Romeo, Luxury Juliet OST – 2010) Another of f(x)’s many OST releases, Thrill Love has a bit of spark to it. It’s not a patch on their best work, but the effusive synth production gives it a fluffy … Continue reading
The Bias List // K-Pop Reviews & Discussion 