The rollout for Hey! Say! JUMP’s new album has been kind of fun. A few months ago, they secretly uploaded a couple of music videos on youtube under mysterious pen names. Without revealing their faces, these “new” groups established a bit of buzz, though anyone remotely familiar with Jump’s vocals instantly knew it was them. … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Zig Zag (from Electric Shock – 2012) Zig Zag is a percussive beast, throwing all its weight behind the robust set of rhythmic elements that make up most of its instrumental. Even the swoops of distorted synth have a percussive drive. And … Continue reading
Okay, the first thing that pops into my head when I see the title of this song is the classic Michael Jackson/Siedah Garrett ballad, which sets the bar pretty darn high. I have no reason to expect something similar, since pop music has moved on to a different palette of sounds in the past 30+ … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! X (from 4 Walls – 2015) Continuing the retro grooves that fuel most of the 4 Walls album, X brings us back to 80’s electro-funk in great style. The gurgling instrumental is immensely appealing, and offers a playground for the girls to … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! When I’m Alone (from 4 Walls – 2015) With a co-writing credit from Carly Rae Jepsen (!), you might expect When I’m Alone to be an upbeat bubblegum pop song. Instead, this glistening, synth-fueled slow burn caps off the 4 Walls album … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Traveler (ft. Zico) (from 4 Walls – 2015) Traveler has a slinky dance beat that’s quite addictive. To describe the texture, the best word I can think of is “corrugated,” though I guess “oscillating” is probably the better musical term. Either way, … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Toy (from Pink Tape – 2013) It’s not easy to stand out within the adventurous Pink Tape album, but I’ve always found Toy to be a particular highlight. I adore the fade-in that opens the track, making the chanted hook that follows … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Taking Sweetune out of the equation, I think that e.one may … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Thrill Love (from Hungry Romeo, Luxury Juliet OST – 2010) Another of f(x)’s many OST releases, Thrill Love has a bit of spark to it. It’s not a patch on their best work, but the effusive synth production gives it a fluffy … Continue reading
Upon first hearing GHOST9’s debut track Think of Dawn, I was disappointed that they seemed to be opting for a heavy, lumbering sound that had already been done to death. But in the context of the album, the song began to make sense and eventually grew into a 2020 highlight. This is the importance of … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Sweet Witches (from Pinocchio / Hot Summer – 2011) Sweet Witches is an off-kilter electro pop track with a bit of a lounge feel. It’s a real oddball, from its simple synth beat to its staccato melody. Almost the entire track hinges … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Summer Lover (from Red Light – 2014) You’ll probably have a sense of how Summer Lover sounds before even playing it, and the song does a good job encapsulating the appeal of the season. The instrumental melds a stomping beat to an … Continue reading
I was beginning to wonder where all the K-pop Christmas songs were this year. Usually, December brings us quite a few. But while I’m waiting for the Woollim Family holiday track I’ve somehow convinced myself will become a reality, The Boyz have snuck up and put their own gift under the tree. Christmassy is light … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. While BoA’s Better doesn’t have quite as many highlights as 2018’s … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Song for song, ENHYPEN’s debut mini album is perfectly solid. However, … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Spit It Out (from Red Light – 2014) Spit It Out’s introduction is quite exciting, unveiling an ascending bed of synths and vocals. This quickly collapses into an off-kilter rap before segueing into a rapid-fire melodic verse. The song moves at such … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Though Kai’s debut mini album isn’t exactly the sound I’d hoped … Continue reading
After getting done in by a firing squad in their last music video, ONEUS have moved full circle with the bright, funky BBUSYEO (뿌셔). How’s that for versatility? This marks the group’s first digital single release and arrives days after their first online concert. And really, a song like BBUSYEO is tailor-made for a concert … Continue reading
K-pop legend BoA has returned with her tenth Korean album, celebrating twenty (!) years since her debut. That kind of career is rare for any pop star, but the K-pop industry tends to be extra fickle. The fact that BoA remains such a dynamic presence is a testament to her skill, charisma and willingness to … Continue reading
A week after unveiling pre-release song Breath, GOT7 have made their official comeback with Last Piece, the title track to their fourth full-length album. Breath didn’t exactly fill me with anticipation, but the teasers for Last Piece hinted at a grittier instrumental that felt fresh and exciting. The entire song doesn’t quite live up to … Continue reading
The Bias List // K-Pop Reviews & Discussion 