One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Step (from Pink Tape – 2013) Step is the militant club anthem f(x) were born to deliver. It has personality for days, throbbing over brassy synths and distorted electronics. Much of the melody is targeted at the same endpoint, giving the verses … Continue reading
Some melodies are so instant and insistent that you come away from the very first listen with the hook rattling around in your head. This is often referred to as an “earworm,” and Japanese group BuZZ’s Sun and Love is the mother of all earworms. These guys have been around for a few years, but … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Pinocchio (Danger) (from Pinocchio / Hot Summer – 2011) I feel like repackage Hot Summer often steals the limelight from Pinocchio, but this track is far more quintessentially f(x). The stomping electro beat takes no prisoners, nudged along by the group’s rhythmic … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Papi (from 4 Walls – 2015) Papi is pure fun, indebted to nothing more than having a good time. It’s a monstrous dance track, thriving on a generous dose of electro bass and a chirpy synth loop. The chorus is instantly memorable, … Continue reading
Remember WARPs? They came out of nowhere last December with the brilliant Rock Tonight, which ended up being one of my favorite J-pop tracks of 2019. Then, they seemed to disappear off the face of the earth. This isn’t too surprising, as I’m sure the COVID pandemic played a part in derailing whatever plans they … Continue reading
LDH Japan has suddenly begun to blitz the internet with new music videos from its Exile Tribe acts, which is pretty exciting. Unfortunately, many of these have been in support of ballads that were digitally released months ago. But then we have Rising Soul – a new single by the agency’s popular Sandaime J Soul … Continue reading
One of the biggest benefits to GFriend upon joining Big Hit Labels has been the ability to expand their field of collaborators. While their sound hasn’t shifted drastically, bringing in producer Frants has been a goldmine for the group. This partnership kicked off with February’s extraordinary Labyrinth (which still should have been a single!). It … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Hot Summer (from Hot Summer – 2011) Originally a single by German pop group Monrose, I’ve always considered Hot Summer to be f(x)’s most approachable title track. That may be because the entire song is set up to support its catchy, angular … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. DRIPPIN’s debut mini album doesn’t have a weak song on it. … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. TXT’s Blue Hour has already grown on me, and I think … Continue reading
Over the years, Woollim Entertainment’s music has proven to consistently match my taste, so the thought of any new debut from the agency is exciting. But though Nostalgia may be their first official title track, DRIPPIN are not unknown to the public. Every member except one participated in last year’s Produce X 101 series, with … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Electric Shock (from Electric Shock – 2012) While not quite my favorite f(x) title track, Electric Shock is emblematic of many of the charms found in their music. It’s a taut, relentless pop song, simultaneously inviting and aloof. The instrumental thrives on … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Dracula (from Red Light – 2014) Maybe it was because I grew up with Thriller, but I’ve always loved a cheesy Halloween-themed pop track. And, as gimmicky as Dracula could have been, f(x) turn it into one of their highlights. The theatrical … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Deja Vu (from 4 Walls – 2015) Deja Vu is all about texture. Its synth backbone has a retro 8-bit appeal – fizzy and scuzzy but undeniably cool. This continues into the catchy pre-chorus, which utilizes a brighter synth note to distinguish … Continue reading
As usual, Golden Child gets the “bias group advantage” on this site. This means not only their title track and a buried treasure will be reviewed, but I’ll be taking a look at the entire new single album Pump It Up. 1. Pump It Up // 2. That Guy // 3. Lean On Me LEAN … Continue reading
Golden Child have spent the past year exploring a musical trilogy that pulled their sound in darker, angstier directions. This resulted in some stellar songs, but the Golden Child I first fell in love with made their name on a bright, energetic style. Once K-pop boy groups journey down a moodier route, they tend to … Continue reading
The 80’s electro K-pop trend is in full swing, and long may it reign! Up to this point, I’ve enjoyed most Everglow singles, but never found one that really struck a chord with me. February’s Dun Dun offered a glimpse of potential, showcasing a refreshing fierceness. But, new single La Di Da blows that wide … Continue reading
With over 3,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Upon my first listen to YooA’s debut solo album, I was … Continue reading
Though I’ve enjoyed virtually everything Taemin has released, and often hold him up as one of K-pop’s luminary performers, there’s a certain energy I’ve missed from his Korean output since 2016. Perhaps this is just my bias, having grown up with the Jacksons as my musical icons, but Taemin has always struck me as one … Continue reading
The Bias List // K-Pop Reviews & Discussion 