Most of this year’s releases by Johnny’s Entertainment artists have left me underwhelmed (hence, the lack of new reviews). But lately, the agency is enjoying a sort of renaissance. The new Sexy Zone singles were both stronger than the group has been in a year. The upcoming Kis-My-Ft2 tracks sound super promising. Arashi are finally … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Lucky (from Growl – 2013) When it comes down to it with a pop song, I look for good energy and a good melody above all else. Lucky is not one of EXO’s boundary-pushing tracks. In fact, it’s one of their most … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Into My World (from Countdown – 2018) Taken from EXO’s excellent Japanese album, Into My World feels like the soundtrack to some neon-hued sci-fi epic. Its electronic backbone pulses loud and proud, giving the track an immense energy. The production even throws … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I wasn’t all that enamored with DAY6’s latest title track, but … Continue reading
Back in 2012, K-pop found itself lodged within an EDM trend. But, it didn’t sound like today’s EDM, where stop/start structures and instrumental drops abound. This particular trend tethered huge choruses to the euphoric beats of club music, resulting in many classic comebacks. Some of you are probably going to call me basic or stuck … Continue reading
Since 2016, Nu’est’s title tracks have been emblematic of what I would call the Pledis Entertainment “house sound.” Each one was co-composed by the agency’s own producer Bumzu, and adhered to a similar instrumental approach. Sub-unit Nu’est W switched things up a bit in 2018, but this April’s lackluster Bet Bet continued exactly where 2016’s … Continue reading
It’s been a long road to TXT’s first comeback. Originally scheduled for August, Run Away (9와 4분의 3 승강장에서 너를 기다려) arrives after two postponements, increasing anticipation for where the group’s music would go next. TXT has been pitched as a lighter, more pop-informed version of agency-mates BTS, and this approach resulted in a knockout … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I can already tell that ONF’s Why is going to be … Continue reading
ATEEZ have taken 2019 by storm, releasing a steady stream of music that has now culminated with their first full album. The fact that all of this has been accomplished in under a year is staggering – even more so when you realize that each and every track has been composed by the same small … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Perhaps my favorite aspect about SuperM’s mini album is that it … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Call Me Baby (from Exodus / Love Me Right – 2015) Enlisting new jack swing legend Teddy Riley as songwriter, Call Me Baby felt like the next evolution in EXO’s sound upon its 2015 release. The song has only grown more impressive … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. While I like and appreciate Dreamcatcher’s rock-infused sound, my favorite tracks … Continue reading
With over 2,600 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
With over 2,600 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
With over 2,600 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
With over 2,600 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
With over 2,600 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
K-pop’s summer is starting late this year, as idol groups are finally remembering that it’s time for those high-energy blasts of sunny pop music. Oh My Girl offered their bid last week, but Weki Meki have done them one better with Tiki-Taka (99%). This is easily the best girl group summer track since Cosmic Girls … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Ever since 2017’s Move, Taemin’s solo material has largely followed the … Continue reading
Boy group TRCNG has been M.I.A since the start of 2018, making them the male rookie with the longest hiatus — at least where groups from notable agencies are concerned. Of course, TS Entertainment has always been a mess. I fear that their mismanagement has sabotaged TRCNG before the guys even had a chance to … Continue reading
The Bias List // K-Pop Reviews & Discussion 