Rather than take an expected route for her solo debut, Red Velvet’s Joy has released an album of covers. She reinvents songs of the past few decades, including title track Hello (안녕). This is a cover of Park Hye-kyung’s 1999 hit Goodbye, and mostly opts for a straightforward interpretation. But, I’m delighted to hear her … Continue reading
With the release of their second album, TXT have embarked upon a new “Chaos” chapter. This was preceded by a very cool teaser video that delivered the kind of inventive performance and concept K-pop excels at. But true to form, the tone and energy of that ice storm teaser is completely different than title track … Continue reading
I’m breaking my own rules and writing a review for a song that was released well over a month ago. I kept thinking Meguru Meguru (巡る巡る) would get an actual music video and I’d be able to feature it on the blog at that point. But, we’re stuck with a region-blocked lyric video for now, … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Back in September, it felt like … Continue reading
Prior to the release of their new mini album next month, the members of Seventeen have embarked upon several offshoot projects. In April, Hoshi and The8 each delivered a solo track. Now, members Wonwoo and Mingyu have teamed up with Lee Hi for the release of Bittersweet. But while the song boasts a powerhouse line-up, … Continue reading
In addition to my weekly recaps of each Kingdom episode, I like to write a special post dedicated to the music itself. Since we’ve yet to see these songs performed, it’s a great chance to discuss them on their own merits — free from set pieces and visuals and stunts. With that in mind, here’s … Continue reading
Whenever I see the name woo!ah!, I’m tempted to sing the hook from that old Busta Rhymes track. But, I’m sure that’s just my cranky old self coming through! 90’s hip-hop aside, I can’t say that any of woo!ah!’s tracks have hung around for long on my personal playlist, though I think their last two … Continue reading
It’s a rare treat to hear new material from IMFACT, but it seems we’ll have to wait even longer for a full group comeback. In the meantime, main vocal Taeho has made his solo debut. GGOMA (꼬마) is a duet with singer-songwriter Choi Ye Geum, and finds him tackling an unexpected sound. From its unusual … Continue reading
It’s been just over a year since we last heard from GWSN, and their new album marks a shift in both sound and collaborators. As someone who has appreciated – but not loved – their past work, I wasn’t too interested in this comeback before hearing the teasers. But, The Other Side of the Moon’s … Continue reading
Last September, Everglow reinvented themselves as retro synth warriors, releasing one of the year’s best songs in the process. La Di Da was immensely satisfying, finding a megawatt melody to match the girls’ always-impressive presence. Their charisma continues to flourish in the newly released First, but the song struggles to find a hook worth raving … Continue reading
I swear, I’m going to keep reviewing these Universe tracks until one completely knocks me out. So in other words… I’ll probably keep reviewing them forever. For those just now jumping onboard, Universe is a K-pop app that promises idol interaction and exclusive material. It’s already enlisted many top idols, releasing original songs and videos … Continue reading
Korean dramas often make stars of their actors, but their soundtracks can also elevate a singer’s career. 2020’s Itaewan Class was such a hit, launching Gaho’s Start Over into the stratosphere alongside it. Before that, he’d released a mini album and a couple other OSTs. None of them charted. With momentum behind his brand, Gaho … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. So far, May has delivered quite … Continue reading
It’s a good time to be a fan of Fantastics. We finally got a music video for their excellent single Stop For Nothing, along with a new b-side or two. And days earlier, the video for their entry in Jr.Exile’s Battle Of Tokuyo project was unveiled. Now, if they’d only throw us international fans a … Continue reading
It’s amazing how thoroughly this bass-driven funk sound has infiltrated K-pop and J-pop over the past few months. I’m certainly not complaining. It’s always been a favorite style of mine. And though nobody is approaching Prince-level funk workouts, the added injection of rhythm is a welcome turn for these pop-heavy tracks. Funk is nothing new … Continue reading
BTS’s Dynamite has become the kind of ubiquitous megahit you hear soundtracking everything from talk shows to award show advertisements. It’s a feat I’d never thought possible for a K-pop act, and one I find myself resisting more than I’d like to admit. So, when it was announced that Butter would be another English-language pop … Continue reading
At a certain point, a specific K-pop sound becomes so ubiquitous that it’s difficult to write about with any originality. Such is the case with this blah blah blah, la la la “girl crush” style that has invaded the industry over the past two years. I’m not a fan of this style in general, but … Continue reading
The lore surrounding Pixy’s concept seems refreshing and engaging, but I found their debut track to be a noisy attack that compensated for its lack of hooks with a surplus of bombast. Still, it isn’t easy to craft a killer debut, and often times a group will quickly find their footing with their follow-up. I … Continue reading
TOO’s 2020 debut left me a bit cold, but their summer follow-up ended up being one of my favorite tracks of the year. Its bright, exuberant sound fit them especially well, and helped distinguished them from other boy groups. But, every rose has its thorn, and Count 1, 2 ended up being TOO’s final comeback … Continue reading
Many fans have wholeheartedly indulged in ENHYPEN’s Carnival, buoyed by the energy of title track Drunk-Dazed. But while I enjoyed the song initially, I’m finding myself less inclined to revisit it as time goes on. Oddly, the aspect that bugged me most upon first listen (its heavy vocal effects) is hardly an issue anymore. Now, … Continue reading
The Bias List // K-Pop Reviews & Discussion 