It’s been years since f(x)’s Luna graced us with her dance opus Free Somebody. That mini album represents so much wasted potential. Her music could have been tearing up dance floors these past five years. Instead, we’re lucky to get an occasional ballad. New single Madonna promises to change that, delivering her most upbeat offering … Continue reading
As a day-one admirer of aespa’s Next Level, I’ve loved watching the song work its way into public consciousness and become one of 2021’s most iconic K-pop tracks. SM Entertainment is clearly angling for an edgier sound for the group, perhaps in an attempt to replicate BLACKPINK’s global success. But so far, their tracks have … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
In honor of SHINee’s Key taking charge of his sound on new mini album Bad Love, I’ll be taking a look at each track throughout the week. Check back every day, and make sure to explore my other In-Depth Album Reviews if you’re interested! 1. Bad Love // 2. Yellow Tape // 3. Hate That… … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2021 Overall Thoughts September is usually a hit of miss month. Releases tend to be … Continue reading
In honor of SHINee’s Key taking charge of his sound on new mini album Bad Love, I’ll be taking a look at each track throughout the week. Check back every day, and make sure to explore my other In-Depth Album Reviews if you’re interested! 1. Bad Love // 2. Yellow Tape // 3. Hate That… … Continue reading
In honor of SHINee’s Key taking charge of his sound on new mini album Bad Love, I’ll be taking a look at each track throughout the week. Check back every day, and make sure to explore my other In-Depth Album Reviews if you’re interested! 1. Bad Love // 2. Yellow Tape // 3. Hate That… … Continue reading
In honor of SHINee’s Key taking charge of his sound on new mini album Bad Love, I’ll be taking a look at each track throughout the week. Check back every day, and make sure to explore my other In-Depth Album Reviews if you’re interested! 1. Bad Love // 2. Yellow Tape // 3. Hate That… … Continue reading
After being delayed from a planned July release, SHINee’s Key has finally returned as a soloist with his Bad Love mini album. Judging from reports, he and SM Entertainment clashed on everything from concept to title track. I imagine a scenario where SM presented some dusty old NCT scrap and said: “this is what the … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. For many listeners, NCT 127’ Sticker … Continue reading
While BTS may be the most globally known K-pop act, I’d argue that NCT has had greater influence on the sound of this generation’s boy groups. During the first few years of their existence – with various units tackling distinct styles – this influence was surely a boon for the industry. But, now we’ve reached … Continue reading
I don’t know that I’ll ever understand the deal with Sungmin and Super Junior. He’s yet to return to the group since his military service, yet releases solo music under their sub-label. I know that the “controversy” surrounding his marriage effectively removed him from group activities, but I’m surprised his career continues to exist in … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2021 Overall Thoughts When it comes to new music, I often mention the “expectations game.” … Continue reading
K-pop acts should never publicize comeback plans too far in advance. Schedules are fraught with uncertainty, especially when it comes to big agencies like SM Entertainment. Key’s new solo album was initially promised for July, but has now been pushed back to the end of September. To satiate eager fans, he’s pre-released Hate That — … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I hate to admit it, but … Continue reading
WayV’s Ten has been a busy guy. After releasing his solo Paint Me Naked last week, he’s teaming with fellow WayV member YangYang for another English-language dance track. Low Low takes more influence from hip-hop, though the song doesn’t actually include any rap. Instead, it finds comfort in a breezy, head-nodding beat that matches well … Continue reading
With Queendom, Red Velvet have come off the longest hiatus of their career. It’s been over a year and a half since 2019’s Psycho. And while the girls have kept busy with solo projects, the unique Red Velvet sound has been missed. Momentous comebacks call for momentous songs, and Queendom’s dramatic title seems to promise … Continue reading
The Bias List // K-Pop Reviews & Discussion 